Complete Electronic signature Word Fast

Any industry involving a large amount of paperwork make use electronic signatures. In other words, all industries make use of electronic signatures because all of them have piles of paperwork to handle. Some examples of such industries include financial, life science, healthcare and pharmaceutical industries.Industries such as the pharmaceutical industry, have a number of licenses and other paperwork that they have to handle and keep track of. It can be a tedious task to perform such cumbersome paper processes. Therefore, e-signatures can facilitate an organisation in keeping a track of all this paperwork, by signing electronically.Healthcare industries usually involve time-sensitive documents, which need to be urgently completed. But, it can take days in case of the traditional wet ink paper signatures for the documents to signNow the signer and back, if the parties are geographically scattered. But with electronic signatures, that is not the case. Geographical barriers do not play a role. Documents which earlier needed days to be completed, can now be signed and sent back within minutes, in the click of a button. Furthermore, it takes a long time to bring assets under management. The time taken by the signing process, if wet ink paper signatures are used, may even further delay the process. But by using electronic signatures, the whole process can speed up.Apart from these, there are many paper prone industries which require huge amount of paperwork and with the use of electronic signatures they can make their everyday processes smoother and more efficient.

Warning: I Am Not An Expert In Anything.  I Am And Always Will Be A Student.My Payments Experience Is Completely And Utterly An Accident.  I know not how to say this in a few words but it may be an interesting journey to share with you.A Nerd, A Geek And The Dreams Of Being A ScientistIt was all an accident while I was on my way to becoming a scientist.  That dream got delayed. I was studying Quantum Physics and on the other end Astro Physics.  This started as a university level course while a sophomore in High School.  At the same time I was rather excited by electronics that start...

Here on Wall Street, where I have worked for 25 years, paralegal jobs are revolving doors in the most revered, most selective, most prestigious law firms in the world. This white-shoe workplace in the Financial District is sharply divided into two kinds of people: (1) The prestigious "Legal" staff of attorneys, partners and paralegals, and (2) the blue-collar back-room "Administrative" staff of secretaries, word processors and mail room clerks. Paralegals labor at the bottom of the Legal food chain. That makes us eligible for overtime and other basic benefits while enjoying perq's that Administrative staffers only dream of: Overtime dinners shared with the lawyers and partners we work for, our own desk in a private cubicle or, sometimes, a nice office, with our own phone extensions and voicemails, a blackberry, $30 meal allowances (vs a free dinner in the cafeteria), freedom to arrive late and leave early.  Our dress codes different, too.  And we are included on the champagne toasts at closings with clients and outside counsel.  Although electronic signatures have made those champagne toasts virtually obsolete, there are closing dinners and postclosing dinners and Christmas gifts.  It's a decent life, and it pays well, and it's very, very hard to get.Paralegals may transfer, on a whim, to out of town or foreign offices that have been springing up across Europe to China and Singapore and Tokyo and more recently down to South America in the heart of Brazil.My colleagues almost always graduate from elite colleges.  The firm I work for recruits at Wellesley, Smith, Barnard, Columbia, Princeton, Yale and Harvard.  For specialists -- here, that's Real Estate and T&E -- they hire once and the para stays until they retire or marry and move.Basically, there are two kinds of Paralegals. One knows the intricacies of lawsuits. This Paralegal works in Litigation or Bankruptcy, two tough, high-pressure worlds of hot tempers and adrenaline. Rudeness is the norm; backstabbing is alarmingly common.  The hours are long and intrusive, the work thankless, the partners more streetwise than their white shoe corporate counterparts.  It is not my cup of tea. Perhaps though it is yours.  Unlike corporate paras, a litigation paralegal has a career ladder to the title of Case Manager.  Case Managers are hard to find, are paid substantially more than plain vanilla paras like me, and are indispensable.  There's a strong team spirit.  When there's a trial, paralegals are the ones who march down to the courthouse and sit down in the front row; that way, when the lawyers arrive, their seat is waiting.  That's necessary when you have a high profile case with a packed courtroom.  That part is glamorous. But it's not for me. I prefer the gentle, friendly, amiable atmosphere of the Corporate world.  Here, the cream rises to the top.  There is no bloodshed, no jumps for the jugular.  They shake hands.  They toast to a mutually agreeable deal.  It is a different planet.If you're contemplating one of the better Paralegal Certificate courses (the Paralegal program at NYU was big around here, but it has been closed down), you will arrive at work with a keen understanding of complex forms and filings. Bankruptcy/Litigation Paralegals know how to negotiate the highly specialized paperwork of pre-trials and depositions. They know details; they can set priorities; they're familiar with the vocabulary. It takes years to learn this stuff on the job. Because new Litigation lawyers don't learn it in law school, they totally depend on their Paralegals to get it right. There is no second chance in this world. Get it wrong, and you're somebody's lunch. The other kind of Paralegal -- me -- usually graduates with an Ivy League or  Seven Sisters degree.  They are terrific at things like proofreading and organization.  Corporate, Banking, and Finance Paralegals have to be detail oriented and careful by nature.  They have to be able to work nonstop when needed. That's right up my alley. In fact, that's how I got hired here,Traditionally, Wall Street Paralegals have worked here as a stopover between college and grad school. Was Wall Street for them? Would they like to be a lawyer? It was not unusual for their families to be members of High Society, engaged in tennis and golf on weekends and here just for the lunch money and to keep Mumsy happy. Even today, children of clients get first pick of openings - as Corporate paralegals, of course, since they wouldn't have a clue what to do with a Litigation request for Bates stamping, but they can break bread with associates and chat about hot vacation spots, cool hotels, fancy food and health clubs. The class-conscious roots of these jobs can cause tension in the workplace. Secretaries who have spent their entire careers catering to the whims of partners, who know their bosses' ATM password and how much is in Tad Junior's trust fund, who book the preferred seat in first class and know how to put headhunters on hold without being asked - these women do not like taking orders from some spoiled pipsqueak in a suit. Likewise, the preppy, pipsqueak Paralegals see THEM as mere hired help, stationed by their phones and desktops, set up to complete assignments in an orderly fashion and speak with spoken to. Part class warfare; part generation gap. But most of these revolving-door Paralegals are off to greener pastures in due time. Maybe half decide The Law is not for them. Next thing you know, they're in cooking school, or finding themselves at Standard & Poor's or Lehman Brothers or even Goldman as entry level analysts, or earning their Master's degree in Archaeology, or joining Glamour Magazine as a junior editor. This is the real world of Paralegals on Wall Street. Want to work here? There's only one way in: Graduate from an Ivy League or Seven Sisters college - or another school in the Top Universities on Forbes or U.S. News & World Report's annual lists. Send your Resume to one of the Manhattan firms in Martindale Hubbell, the Wall Street law firms bible, and address it to the individual in charge of legal recruiting. You'll have several interviews to get in, the last being a round of face time with people you might work for. If they like you, you're hired. Alternately, a crash course at $12,000 a pop with a Certificate will get you into the Litigation or the Bankrtupcy department.  If you take a para course, make sure you are at the top of your class and try to intern somewhere that will forge your connections to thriving law firms.Smaller law offices are more intense and there are fewer options.  The pay is lower.  The benefits budget is smaller.But Wall Street has very deep pockets for its legal staff.  Once here, you can make close to $100K your first year clocking overtime.  Not bad for a first job.You'll need to be smart, fast, and detail-oriented. Microsoft Word and Excel  should be second nature. Expect work crushes the likes of which you have never seen. A closing or a trial prep is a matter of life and death.  If you thrive under pressure, without sleep, and know which fork to use at closing dinners at a 5 star Zagat, this is the place for you.You should be aware that a partner's secretary can do just as well or better financially.  But they are always going to be second class citizens, and they are stuck with the cafeteria lunch.  Most of them bring their own and pocket the $10 overtime reimbursement.  They don't get cars home -- free transportation for working after the sun goes down, eating dinner at the office, has been the norm on Wall Street for decades.At some point you may stop and wonder: What have I done with my life? Law school is still a possibility for me.

Rafale vs Typhoon: The facts!Thrust to weight ratio:Maximum:Rafale = 1.50Typhoon = 1.76Nominal:Rafale = 1.03Typhoon = 1.21Minimum:Rafale = 0.62Typhoon = 0.82RafaleEmpty weight = 10220 kgFuel capacity (internal) = 4680 kgMinimum weight = 10220 kgNominal weight (without external loads) = 14900 kgMaximum weight = 24500 kgMaximum Thrust = 2*75 kNMaximum Thrust-to-weight = 2*75/(9.81*10.220) = 1.50Nominal Thrust-to-weight = 2*75/(9.81*14.900) = 1.03Minimum Thrust-to-weight = 2*75/(9.81*24.500) = 0.62TyphoonMinimum weight = 11000 kgFuel capacity (internal) = 4.996 kgNominal weight = 15996 kgMaximum weight = 23500 kgMaximum Thrust = 2*95 kN (war setting)Maximum Thrust-to-weight = 2*95/(9.81*11.000) = 1.76Nominal Thrust-to-weight = 2*95/(9.81*15.996) = 1.21Minimum Thrust-to-weight = 2*95/(9.81*23.500) = 0.82Wing loading:Minimum:Rafale = 224 kg/m²Typhoon = 215 kg/m²Nominal:Rafale = 326 kg/m²Typhoon = 312 kg/m²Maximum:Rafale = 536 kg/m²Typhoon = 459 kg/m²RafaleWing area = 45,70 m²Nominal weight = 14900 kgMinimum wing loading = 10220/45.70 kg/m² = 224 kg/m²Nominal wing loading = 14900/45.70 kg/m² = 326 kg/m²Maximum wing loading = 24500/45.70 kg/m² = 536 kg/m²Typhoonwing area = 51.2 m² (with extended leading edges)Minimum wing loading = 11000/51.2 kg/m² = 215 kg/m²Nominal wing loading = 15996/51.2 kg/m² = 312.5 kg/m²Maximum wing loading = 23500/51.2 kg/m² = 459 kg/m²Service Ceiling:Rafale = 15.240 kmTyphoon = 16.765 kmRate of Climb:Rafale = 250 m/sTyphoon = 315 m/sFerry Range:Rafale = 3750 kmTyphoon = 3790 kmMaximum payload:Rafale = 9600 kgTyphoon = 7500 kgMinimum Speed: Rafale = 148 km/hTyphoon = 203 km/hMaximum Speed:Rafale = Mach 1.97Typhoon = Mach 2.35The Rafale has two advantages over the typhoon. It has a lower minimum speed, which makes it more suitable for landings on aircraft carriers. It can carrier a higher weapons load, which makes it more suitable for ground attack missions. The respective range of both aircraft is approximately equal. In all of the parameters relevant for aerial combat, i.e. thrust-to-weight ratio, wing loading, climb rate, service ceiling and top speed, the typhoon is superior to the Rafale.Both Rafale and Typhoon were built to be aerodynamically instable along the longitudinal axis, which results in the natural tendency to lift the nose of the aircraft, i.e. to pitch. The canards are used in order to balance this tendency such that the aircraft can be redirected from a looping into a straight flight path. The Rafale's canards are positioned right in front of the wings, whereas the typhoons canards are positioned further away from the wings right below the cockpit. This means that the typhoon's canards are further away from the axis of rotation. The longer lever means that the typhoon's canards can apply a greater leverage force (torque) in order to redirect the nose of the aircraft. Consequently, the instantaneous as well as the continuous pitch rates of the typhoon should be considerably better than the Rafale.PerformanceTyphoon is the faster aircraft and has a signNowly superior thrust-to-weight ratio which gives it better acceleration at all altitudes. This also allows Typhoon to retain and regain energy faster than Rafale in a horizontal dogfight situation. It also has a signNowly higher service ceiling of over 60,000ft which allows it to operate uniquely well alongside the US F-22 Raptors ‘high and fast’ in the air superiority role which is exactly where it was designed to excel. Rafale has a signNowly superior load-carrying capability and its manoeuvrability at low speeds and altitudes is also better than Typhoon’s although the margin is slim except where both aircraft are very heavily loaded. In terms of horizontal manoeuvrability, Rafale has the better instantaneous turn rate allowing it to reverse its turns more quickly but Typhoon can sustain higher g’s for longer without bleeding speed. High alpha performance is similar, with both aircraft limited by their air intake placement and lack of thust vectoring although Typhoon’s intakes can at least ‘gape’ slightly to increase airflow at high Alpha and low speeds. Range is almost identical at around 2000nmi with three drop-tanks in ‘ferry’ configuration but in terms of strike missions, Rafale’s greater payload capacity allows it to carry greater under-wing fuel loads for a given strike payload. The high availability of aerial refuelling in both air force’s standard operating scenarios means the small differences are almost unimportant for overall combat effectiveness.the french rafalethe eurofighter typhoonsource:Typhoon versus Rafale: The final word

In the words of Tim Cook: "The popular conception is that companies come to China because of low labor costs. I'm not sure what part of China they go to, but the truth is China stopped being the low labor cost country years ago. That is not the reason to come to China from a supply point of view, the reason is because of the skill."Let us look at the concept of labor or the involvement of labor in an every-day product. Let us compare 2 products: a plastic fork vs a plush toy. Although both products fall on opposite spectrums of the consumer life cycle (one disposable whilst the other one is reusable), both are sure to be made in China.A plastic fork is made from food-grade Polystyrene (PS) plastic pellets or beads through a process known as plastic inject molding. In here the pellets are heated in a molding machine to a viscous state and are injected into a mold. The mold produces multiple sets of forks within a matter of seconds and from there on it’s as simple as detaching the forks from a sacrificial (?) holder or tool (this is also made of PS and in most cases is recycled). From here the product is moved into packaging and then sent out of the factory for export. A fully automated machine can be set to run continuously 24 hours a day with very little monitoring by a worker, thus being a low labor product.Now, let us look at that plush toy. The stuffed animal is comprised of textile material for the cover, stuffing, two eyes and a nose. The material must be cut into pieces, sewn together and stuffed. The nose, eyes and mouth are sewn onto the material together and stuffed, requiring skilled labor(-). The cutting of the pieces may be done by hand or by machine, but the pieces are sewn together by a worker using a high-speed sewing machine. Next comes the insertion of stuffing – this is rather complex for a machine to do, as such the insertion is done by hand and the insertion point is also manually closed. It is evident that this requires much labor, therefore, this type of a product is considered a high labor product with labor contributing 70% of the total cost [1]. In the end, much like a fork, the product is moved and packaged for export.Because labor is only one part of the total cost of a product, and in many cases it's as low as 20% of the total cost, – this must indicate that there may be other factors at play in making Chinese products, such as the fork. If labor were the only factor, then most of the “plush toy/labor intensive” industries would have shifted to other countries – but only some industries already have e.g. Bangladesh, Vietnam and Mongolia to name just a few. To that extent, manufacturing of plastic forks could possibly return to the USA; but that’s not happening.Industrial production does not take place in isolation, but rather relies on networks of suppliers, component manufacturers, distributors, government agencies and customers who are all involved in the process of production through competition and cooperation. The ecosystem of doing business in China has evolved quite a lot in the last thirty years. Here are the additional factors, including labor, that affect the overall cost of manufacturing and thus make Chinese exports cheaper:A. Commendable supply chain: Supply chain activities transform natural resources, raw materials, and components into a finished product that is delivered to the end customer. No country, at present, has a supply chain more sophisticated yet flexible than China. China’s biggest advantage is their domestic availability of most of the raw materials required to manufacture a given product [2]. Not only are private entities involved in the process of outputting raw material for manufacturing. Rather, many Chinese State Owned Enterprises (SoEs) actively control and output raw materials for small factories to transform into ready-made goods. If the government is involved in such activities, it is safe to assume that this is an active industry that requires not only oversight and monitoring, but active involvement. Access to affordable raw materials helps bring down manufacturing costs to a considerable extent. As a result, having suppliers who are local to the manufacturer has gained importance as a way to cut costs[6].B. Rebate upon Export: The export tax rebate policy was initiated in 1985 by China as a way to boost the competitiveness of its exports by abolishing double taxation on exported goods[7]. China is one of over 150 countries that utilize a Value Added Tax (VAT) system. It is a tax only on the "value added" to a product, material, or service at every state of its manufacture or distribution. The VAT rate is generally 17%, or 13% for some goods. Chinese companies receive a VAT refund from the government for materials of products produced for export. Basically, factories that export do not pay any VAT on goods or raw materials used made for export – further subsidizing raw material costs. American imports to China are charged a VAT, but the U. S. doesn't have a VAT to charge Chinese imports. Moreover, Chinese manufacturers work with far lower profit margins than those in the U.S.C. Efficient Infrastructure and Logistical Access: In its fast-paced effort towards industrialization, China has built many ports (big and small), roads and railroad access. Such a system is not secluded to the big cities (Tier 1 or Tier 2 cities), it connects all of them, including Tier 4 cities or small towns used as industrial manufacturing zones. Having an efficient logistical system allows for cheaper travel costs –the cost of units (kilometers or miles) per currency (dollar or RMB) decreases. Also, an efficient infrastructure reduces overall downtime. Such is the case of India, as pointed out by Vaibhav Mandhana [3]: “Given the poor roads, a shipment from India's north can take a week or more to signNow India's south. Sometimes it is quicker and cheaper to actually get a shipment from Shenzhen than Kolkata. Time is money and all those delays add to your cost. If I could get something in two days, I could sell it immediately rather than wait two months to sell it [add up the interest costs]”"The road freight from LA to Nevada will cost you a lot more than the sea freight from China to LA."[5]D. Subsidized Utilities and Availability: Within China’s industrial areas many fixed and variable production costs are heavily subsidized. For example: electricity and water are subsidized up to 30% compared to normal household or commercial zones. Moreover, the local government gives support with land access at competitive rates, creating jobs in the area. This further helps to diminish the cost of the end product – after all you have access to cheaper land, water and light (What manufacturing does not require these? - Hell, even mining bitcoin does!). In non-industrialized or not fully industrialized countries (Indonesia, Vietnam, India), access to water and electricity remains a critical issue, until today. “In Coimbatore and other industrial places, you get power for like eight hours a day. That means the machinery lies idle for sixteen hours and that wasted capacity adds to the cost.”Do we see a trend of several factors, other than labor, which affect the overall cost of the product? Hold on, there are more!E. Bureaucracy: Barriers for entry in China, in this context, are extremely low. Although you need to fill out a huge number of papers (Customs Declaration Form, Land Annexation, Tax Filing, Compliance Related Documentation, Drawback/Rebate Forms, Annual Returns and etc.), the process is not complex. Relevant departments and accountability are there; you do not need to grease palms to get what you need; streamlined government policies are in place. Again, non-industrialized countries do not have many of these processes in place – they are in the early stages, whereas China has been through all this. I am not saying China is pure and not corrupt, there might be corruption in some cases, but the overall industrial process is so deeply rooted, that people just follow established guidelines. Greasing palms and running around places to get a stamp or a signature causes further delays (time is money) and increases overall costs. This is considered more as “Political Will” than bureaucracy; meaning the government’s will to allow you to do business is prominent thus reducing barriers for you to do business or manufacture or engage in services.F. Technology and Automation/ Skilled Labor: It would be unreasonable to discard China’s interconnectivity between technological advancement and manufacturing capacity. They work hand-in-hand. Availability of the latest technology to manufacture products of a high quality on a large scale. And let's be honest, scalability can be a very important factor in deciding price of a product. Apart from technology, China has a large population, thus having a bigger access to a wide talent pool. Availability to a greater talent pool decreases the overall demand as there is an oversupply – again, denting the costs of the product. If you recall, Tim Cook's main reason for manufacturing in China is: the depth of highly skilled labor in the manufacturing space. To rephrase what Cook said: "No other country in the world besides China has the combination of an electronic component supply chain and large pools of skilled labor needed to make iPhones on the scale which Apple needs."G. Labor: It is comparatively cheaper to many so-called “developed countries”. You can have someone do the same labor task for a comparatively lower price than say Europe or the USA for that matter. This further brings down costs. As noted before, it is not the cheapest – but it is not the most expensive either. What is important to remember here is that labor in China, is skilled – although most laborers are not trained, but have learned by doing. When you outsource to China, you’re working with time-tested factories that have been producing quality products in similar industries as yours for years on end, and in massive supply.Where a labor task might cost you $8-9 USD/hour in developed countries, it will cost you $450-500 USD for an entire month in China (8 hours a day, 28 days a month). If you do the math, that’s about $2.19 USD/hour. Countries like Indonesia a semi-skilled laborer will do it for half, $1.05 USD/hour – but the manufacturing process will be influenced by factors all the factors mentioned.H. Local Government: Local government officials are appointed, not elected. Part of their job is to help the industries and they are measured by results. Furthermore, locals compete with each other. That means Suzhou is competing with Chengdu to attract industries, and so on. Hence officials are always using their local advantages to help, attract, and grow industries, such as providing low cast land, building industrial parks, and making sure that the support infrastructure (roads, electricity, water, etc.) even local housing and schools are there. Since these officials are not elected locally, their actions are much more efficient rather than dealing a motion to go through town hall meetings or waiting for a ballot to pass for months. The downside of such efficiency could be that some environmental studies were not complete or many local concerns are not addressed fully (All credit for how to local governments operate within China go to Mr. James Yeh ).Here are few controversial factors, claimed by several sources:I. Currency: There is the ever-present theory of currency manipulation among economists, where China undervalues their currency by an estimated 30%-40%, which simply makes every product that China ships out 30-40% cheaper than those of a potential American competitor. The Yuan is manipulated and pegged undervalued to the US dollar [2]. So the price quoted in US dollars( more exports are quoted in dollars), will be cheaper than normal; (This manipulation has affected the domestic price of the product and labor wages as it has been kept much lower than it should have been. The Chinese yuan has, however, been steadily increasing in value against the dollar over the past few years.J. Compliance: The Chinese government does not bind itself with Intellectual Property issues. They allow the industry to investigate the products developed successfully elsewhere in the world. They then produce them in large quantities. Personally, there is nothing wrong in this benchmarking. Most industries do benchmark; especially in the automotive world. This saved the industry from expensive investments in R&D [4]. Although China has its own environmental protection agency, the environmental protection laws are generally lax and not enforced fully, especially at the local level. In previous years, Chinese factories cut down on waste management costs -further bringing down overall product costs. Things have been different lately, thanks to the strong efforts from the national government. Laws on IP and environmental protection are being enforced, especially after the Hangzhou G20 summit. There is still some belief that more needs to be done.If cheap labor was in itself the key driving factor, a large percentage of the labor-intensive factories would have already shifted to cheaper labor countries and lower labor-intensive jobs would have returned to the countries such as the USA - because China is not the synonym for cheap labor anymore. But that's not what we are experiencing; only certain jobs within the manufacturing field are moving to South East Asia. A huge chunk is there and is still able to reap the benefits of various factors. It will take more than a cutthroat desire for emerging economies to set up a business ecosystem that can compete with China's.Wow now over 1,000 Thanks for your upvotes! If you would be kind enough to give a like for this same article on my LinkedIn profile: https://www.linkedin.com/pulse/w...Footnotes:1. https://www.industryweek.com/env...2. https://qr.ae/TUtz1K3. https://qr.ae/TUtzTO4. https://labs.ebanx.com/en/market...5. Walter Hay's answer to How expensive is it to import to Nevada from China?6. 5 Reasons Why You Should Manufacture In China With ITI[7] China Will Continue To Dominate World Production

Thanks for the A2A.Jim Davis's answer to What are the differences between different music genres?Jim Davis's answer to Which music is the best?…and so my answer doesn’t get flagged for brevity:(alphabetically by genre/sub-genre; and no, not “every” genre is included. That would be physically impossible. This is closer to about 10% of all genres/sub-genres. You’re welcome.)Blues:Blues Rock; Similar to Electric Blues, but sometimes acoustic. Blues Rock can be played without having the power turned on. And it rocks. - Stoneground, Tommy Castro Band, Tom Waits, Jeff Healey, Chris Whitley, Paul Butterfield Blues BandChicago Blues; Sort of an urban blues using more piano and saxophone. These guys are quite often named Willie or "Big" something if not some kind of dog. Popular in Louisiana, strangely enough. - Willie Clarke, Willie Dixon, Willie Kent, Willie Murphy, Willie Nix, Big Bill Broonzy, Big Joe Turner, Big John Wrencher, Big Moose, Golden "Big" Wheeler, Eddie Shaw & The Wolf Gang, Hound Dog Taylor, Howlin' WolfDelta Blues; One of the earliest blues styles. The roots of the African-American styles honed in the Delta plains of the US in the midst of harsh mistreatment and soulful survival. Mostly acoustic guitar and harmonica. Best if played on the porch of an old, broken down shack. - Muddy Waters, Robert Johnson, Keb 'Mo', Memphis Jug Band, Johnny Shines, Tommy Johnson, Frank StokesElectric Blues; Blues that's plugged in and louder. Primarily guitar-based. When the power goes out it typically becomes Blues Rock.  - B.B. King, Eric Clapton, Magic Slim, Taj Mahal, John Lee Hooker, John Mayall, Charlie MusselwhiteJump Blues; Up-tempo with more swing. upright bass, piano, horns. One might jump if the mood strikes. - Magic Sam, Ruth Brown, Sugar Blue, Hal Singer, Amos Milburn, Ray Charles, Roy BrownNew Orleans Blues; More jazz and island influence. various drums and keyboard instruments. Popular in Texas, strangely enough. - Art Neville, Lloyd Price, Guitar Slim, Screamin' Jay Hawkins, T-Bone Burnett, Rockin' Sidney, Louisiana RedSt. Louis Blues; more piano based. similar to ragtime. Popular in Illinois, strangely enough. - Big Maybelle, Big Walter Horton, Roy Milton, Willie Mabon, Roosevelt Sykes, Yank Rachell, "Ma" Rainey, Percy MayfieldSwamp Blues; incorporates some Zydeco and more aggressive styles. Best when heard from the banks of a swamp and followed to an old, broken down shack. - Sonny Terry, Smiley Lewis, Luther Allison, Irma Thomas, Clifton Chenier, Doctor Ross, Bobby MarchanTexas Blues; more swing than Electric Blues, but more guitar than Jump Blues. Popular in Missouri, strangely enough. - Albert King, Lightnin' Hopkins, Tutu Jones, T-Bone Walker, Smokin' Joe Kubek, Grady Gains, Lafayette LeakeZydeco; more Creole influence. Accordion and alternative percussion instruments. You can't understand a word these guys are saying. - Al Rapone, Zydeco Boneshakers, Wayne Toups, Dr. John, The Mavericks, Buckwheat ZydecoGospel: somewhere between Blues and Country. Dominantly Christian in lyrical form.  - The Staple Singers, Shirley Caesar, Mahalia Jackson, Ira Tucker & The Dixie Hummingbirds, The Golden Gate Quartet, Fisk Jubilee Singers, The Blind Boys of AlabamaCountry:Bluegrass; up-tempo roots country using fiddle, banjo, jug, washtub bass. Should wear one-strap overalls and/or chew on a wheat stalk whilst playing. - Bill Monroe, Doc Watson, Laurie Lewis, The Del McCoury Band, The Cox Family, Don Reno, Carl Story, New Grass RevivalCountry Pop; pop-oriented country without the believable sadness. Mostly fifth and sixth generation Country for the sake of making money. - Carrie Underwood, Faith Hill, Lonestar, Pam Tillis, Juice Newton, Dixie Chicks, Martina McBrideHonky Tonk; up-tempo like Bluegrass, but more party-oriented and public. Drunken out-of-tune pianos and bar fights abound. Mostly second generation Country. - Rex Griffin, Lefty Frizzell, Hank Williams, Ernest Tubb, Jim Edward Brown, Red FoleyMountain; vocal harmonies, fast-pickin', nostalgia, and "ya gotta have a fiddle in the band". Judging by their names, they're usually related to someone if not each other.  - Alabama, Oak Ridge Boys, Roy Acuff, The Forester Sisters, The Louvin Brothers, The Stanley Brothers, The Burch Sisters, The Cook Family SingersNeotraditional; the sort of "we wish we'd been alive before country was cool" artists. True to their form, but still "new". Mostly fifth generation Country. - Alan Jackson, Brad Paisley, Garth Brooks, Vince Gill, Mark ChesnuttOutlaw; the real deal. These guys invented the country themes; heartache, loss, being broke, depressed, lonely and/or in jail. Third and Fourth generation Country with no fancy band or artist names; just straight-forward actual names with lots of "N"s and "L"s.  - Johnny Cash, Willie Nelson, Merle Haggard, Waylon Jennings, Hank Williams Jr., Charlie Daniels, David Allan Coe, Rodney Crowell, Leon RussellTraditional; the realer deal. Country for the sake of true mountain/southern expression. Hard workin' white trash sadness and hard times with an occasionally poppy feel later in the genre. Third and Fourth generation Country with lots of steel guitar twang, dobro, wailing fiddle and soft yet straight-forward 4/4 back beats that keep audiences clappin' on 1 and 3.  - Loretta Lynn, Emmylou Harris, Porter Wagoner, Kenny Rogers, George Jones, Tanya Tucker, Ronnie Milsap, Dolly PartonWestern; Out on the range/prairie. Cowboy music of the American Frontier Mostly campfire sing-alongs with little to no percussion. Bouncy rhythms reminiscent of horse galloping. Mostly second generation Country and frequently named a group belonging to an individual.  - Jean Shepard, Kitty Wells, Gene Autry, Tex Ritter, Skeets McDonald, Bob Wills & His Texas Playboys, Curly Williams and His Georgia Peach Pickers, Hank Penny and His Rodeo Cowboys, Leon McAuliffe and His Western Swing Band, Noel Boggs and His Day Sleepers, Tex Williams and His Western Caravan, Jack Guthrie and His Oklahomans, Milton Brown and His Brownies, Johnnie Lee Willis and His BoysElectronica:Acid Breaks; utilizes breakbeats and sampling of small rhythmic grooves to create longer song patterns. It is not a complete sentence explaining how acid reacts when dropped on the floor. - Zak Baney, DJ Icey, K-Swing, NAPT, Vigi, The Sables, Rozalla, C2CAggrotech; darker lyrics than most electronica, using high-mixed synth/saw leads and aggressive bass frequency oscillation. - Lights of Euphoria, Alien Vampires, Amduscia, Cenobita, Unter NullAmbient; emphasizes atmosphere and overall tone over song structure. Mood music.... if you're in the mood to feel ambient. - Etro Anime, Sneaker Pimps, Ceasefire, Aphex Twin, Kinobe, HalcyonColdwave; sort of industrial, electronic, punk. Angst ridden and aggressive, yet nebulous and icy in it’s emotional exposition. Often politically or socially oriented; and usually in an irreverent manner. - Artefact, Jacno, Museum of Devotion, Pavilion 7BDrone; minimalistic, repetitive, clustered patterns sustained throughout a piece with few, if any, alterations to chord/harmonic structure. Imagine a 100′ diameter, futuristic, spherical, steel eyeball floating around a city. The sound that would make? That’s drone. - Faust, Neu!, Phil Niblock, Yoshi WadaDubstep; characterized by sub-bass frequency oscillation and warbling along with broken beats, syncopation and "the drop". If you don't like it you're obviously too old. - Skrillex, Plastician, Magnetic Man, Nero, Deadmau5, SkreamElectronicore; electronic metalcore. There. make sense? A lot of sequencing, auto-tuning and screaming. Angry and “in-your-face” lyrics and breakbeats that figuratively knock your teeth out. But sometimes literally. - Abandon All Ships, Palisades, Himwaterdragon, Fall Emotions, Eskimo CallboyElectropop; Electronic music more accepted by the masses and general public. Deep, grinding electronic tones, frequencies and breakbeats coupled with more pop-friendly vocals and lyrics. Usually fronted by a female. - Elly Jackson, Ke$ha, Lady Gaga, Demi Lovato, PerfumeGrime; sort of a dirty, wet-floor, smoke-in-the-air, acrid B.O. type of Jungle or grimey-House music. Not music that might be played in a grimey house; but House music that is also grimey. - Boy Better Know, Ghetts, Kano, Newham Generals, Ruff Squad, SkeptaHouse; a style of electronic dance music that grew from disco production and reggae beats. Don't know why it's called "House". Maybe it just sounded cool.  - Chemical Brothers, Daft Punk, MARRS, Sonique, Dirty VegasTechno; a form of EDM synthesizing funk, jazz, African rhythms and a general party-type atmosphere. This music is often directly from the future or outerspace.  - Arab Strap, Rednex, Technotronic, LeClick, Culture Beat, RozallaTrance; repetition repetition repetition. Beats between 125 and 140 with lots of repetition. Melodic themes slowly layer and build to climaxes and then, you guessed it, repeat.  - Life on Mars, Enigma, Blue States, B12, Craig Armstrong, AirTrip Hop; a more experimental style of electronic music that utilizes soul, funk, jazz, and blues forms. Sometimes danceable. Sometimes commercial. But always 100% hip-hop/ambient/soul/jazz/acid/dub/electronica. Or something...  - Moby, Bossa Nostra, Fatboy Slim, Vanja Lazarova, Seph, Electric ChairsFolk:American Roots; 1800s' pre-Country acoustic. Not as upbeat as bluegrass. More akin to Mountain ballads stemming from Irish/Scottish roots in the Appalachian Mountains of the USA.  - The Civil Wars, Mac Wiseman, Pete Seeger, The Wallin Family, Bass Mountain Boys, The Chuck Wagon GangFolk Pop; softer than folk rock. Folk music that people actually like while sober. - John Denver, Simon & Garfunkel, Don McLean, Leonard Cohen, Sonny and Cher, Partridge FamilyFolk Rock; slightly heavier than Folk Pop. Somewhat more instrument-based yet audience-friendly.  - Dave Matthews Band, Indigo Girls, Joan Osborne, Mumford & Sons, KT Tunstall, Suzanne VegaJam; 20 minute dual guitar solos while singer stands, looking at the stage floor, head-bobbing slightly using the microphone stand to keep from falling over. Best enjoyed while under the influence of some sort of psychotropic substance. If sober, turn around and watch the crowd. Usually pretty fun shows but pretty boring albums.  - The Grateful Dead, Bela Fleck & The Flecktones, Phish, Sister Hazel, The Pat McGee BandJazz:Acid Jazz; Jazz....on acid. Or with acid poured over it. I can't quite figure out which but there's definitely some form of actual acid involved and it's likely more potent than lactic or citric. Plus "acid" is a really cool word. Even cooler than "house".  - Exodus Quartet; Medeski, Martin & Wood; DJ Logic, Count Basie, Quiet Boys, RadBebop; up-tempo, exemplifying instrumental mastery while not actually showing off. Lots of improvisation and elements that leant themselves eventually to the progressive rock styles; unison melodies, shrink/grow rhythm backings, solo breaks, etc.  - Charlie Parker, Chet Baker, Dizzy Gillespie, Thelonious Monk, Bud Powell TrioBig Band; larger than a small band. Incorporating strong brass, woodwinds and dominant percussion throughout. Typically more happy and bouncy. And big.  - Squirrel Nut Zippers, Glenn Miller Orchestra, Duke Ellington, Chickenhawks, Benny GoodmanJazz Funk; more of a solid back-beat groove than other jazz styles. Makes use of synthesizers and analog tone generation. More groove than pure jazz but more jazz than pure funk.  - Wynton Marsalis, Grover Washington, The Whitefield Brothers, The Woo Woos, Entourage, Joe AugustineJazz Fusion; sort of Progressive Jazz. Fuses jazz with other styles like funk, R&B, rock, etc. "Fuse" is a cool jazzy sounding word. Almost as cool as "acid".  - Plunge, Soulive, Tom Scott, Weather Report, Manhattan Transfer, NiacinLatin Jazz; exactly that. Utilizes latin beats and rhythms along with multiple and various percussion-centric structures. Incorporates anything from Bolero to Rhumba but doesn't quite "fuse" them.....I guess.... - Acoustic Alchemy, Gare Du Nord, Yutaka, Mas Mamones, Kim Pensyl, Al Di Meola, BrasiliaRagtime; socially and chronologically bridged the gap between classical and jazz. Strong syncopated rhythms and metric patterns pulled from African-American music from the early 20th Century. Primarily piano based.  - Scott Joplin, Gene Austin, Ernest Hogan, Dorsey Brothers, Nora Bayes, Ted LewisSmooth Jazz; the music you listen to when you're winding down after a hard day of yoga classes and meditation. Relaxation akin to whale sounds and trickling rivers.  - Yellowjackets, Kenny G, Where There's Smoke, J. Spencer, Ricky Ford, Dave KozSoft Jazz; see Smooth Jazz, but softer. Imagine winding down after a day of winding down after a day of yoga classes and...... you get the picture.  - Mark Baldwin, Victor Goines, Ziggy Elfman, Eric Darken, Pat Coil, Phil WoodsTraditional Jazz; music for music's sake. The guys who originally broke the rules and continue to do so. They even broke the rules of jazz itself with their category name; since "Traditional Jazz" is itself oxymoronic.  - Dave Brubeck, Lord Buckley, Diana Krall, Al Jolson, Elmer Bernstein, Chick WebbVocal Jazz; not all scat and beedoppadoops. The voice as an instrument. Focus on virtuosity of the voice and expression through vocal timbre and fluidity. The best ones were female. Sorry, Louis.  - Nina Simone, Etta James, Louis Armstrong, Billie Holiday, Ethel Waters, Nat King ColeMetal:Avant-Garde Metal; the weird crap. The stuff that people either love or hate. Typically not as talented as the Progressive guys, but less heavy and hardcore than the pure metal guys.  - System of a Down, Faith No More, Buckethead, King Crimson, Sikth, IntronautClassic Metal; where it all started. The first down-tuned, high-action riffs building from the oppressive industrial age in mid-century Great Britain. And the need to kick ass following all that rockabilly crap. - Scorpions, Black Sabbath, Judas Priest, Iron Maiden, Dio, Rainbow, Iron Butterfly, MotörheadDark Metal: including…Black Metal; similar to death metal, but slightly more atmospheric and extreme. These guys wear skull face-paint and dress like dead demons and other scary stuff. Lo-fi recordings with tremolo guitar and screeching, wailing vocals atop fast tempos/beats and low, thrumming bass. -Aurora Borealis, Behemoth, Setherial, Satanic Slaughter, Noctuary, Watain, Ethereal WoodsDeath Metal; metal about death. Or metal that sounds like it's dying or killing. Lots of blast beats and atonalities. Fast double-bass drums and down-tuned guitars. Screaming and growling. These guys don't play too many Bar Mitzvahs. - Napalm Death, Abysmal Dawn, Mortification, Dethklok, Fleshgore, Beneath the MassacreDoom Metal; like death metal but more ominous using slower tempos and more atmospheric tones. Lyrics are typically depressing and morose and will leave you wanting to kill others; including yourself. - Thergothon, Orodruin, The Hidden Hand, Mindrot, The Obsessed, Unholy, Witchfinder GeneralGoth Metal; somewhat of a horror theme pervades this category. Often times skull makeup or zombie/vampire/werewolf themes will be prevalent. Names often include prepositions. - In This Moment, Cradle of Filth, Within Temptation, Theatre of Tragedy, Cadaveria, AgathodaimonSludge Metal; usually has a somewhat dirtier, grimier feel to it. Slower deep-tuned crunchy riffs and distortion. Sometimes screaming and growling mixed with somewhat southern rock feeling styles. Themes include pessimism, hopelessness, anger.  - Black Label Society, Rollins Band, Mastodon, Corrosion of Conformity, Haste, Soilent Green, EyehategodEmo Metal; usually pretty heavy and angst-ridden, but with some clear-voice singing and wailing throughout. Not all screams and growls like Metalcore; and sometimes no screaming or growling at all. Just sort of, “Life is tough and I’m gonna bitch about it” music - but good. -Anberlin, Good Charlotte, Motionless in White, My Chemical Romance, SkilletFusion Metal: including…Folk Metal: including…Celtic Metal; reminiscent of ancient Celtic/Irish battle music. Heavy and grinding, but with an air of ambient atmosphere and possibly pan flutes. Yes definitely pan flutes. One must paint one’s face blue and wear a loin cloth to fully appreciate this genre. - Agalloch, Cruachan, Finntroll, Eluveitie, Mael Mórdha, Geasa, SuidrakaGypsy Metal; crunchy, heavy guitars with fiddles and percussion instruments that might be found hanging in the fortune teller’s wagon of a traveling circus. Some themes get pretty heavy and mythological and really make little sense. But hey…it’s Metal. - Inspirit, Kultur Shock, Stella Arja, Tribe of Gypsies, The Crooked Fiddle BandMedieval Metal; similar to Doom Metal in that the mood is more somber and morose and oppressive. Imagine metal that’s been living in a dungeon for 650 years and has just now stepped out into the sun. Yeah. That. - Heimataerde, In Extremo, Letzte Instanz, Morgenstern, Saltatio Mortis, SkycladPagan Metal; Metal that stays true to the original pagan/wiccan image. Metal that rails against organized religion; especially monotheism. Metal that revels in worldly idolatry and basks in the indulgence of the physical. Lots of symbolism and iconography used on album covers. - Arkona, Asmergin, Finsterforst, Korpiklaani, Obtest, MoonsorrowPirate Metal; exactly what it sounds like. Swashbuckling, rum-guzzling, peg-legged, patch-eyed, hook-armed, parrot-perched ne’er-do-wells prowling the waters in wooden ships carrying gold, gems and ghosts of the sea. At least that’s what they sing about. I think in real life they’re just normal people who drive cars and pay taxes like the rest of us. - Alestorm, Blaxon Stone, Cat O’ Nine Tails, Iron Seawolf, Red Rum, Silverbones, SwashbuckleViking Metal; metal having to do with Vikings (mostly lyrically) and their respective culture. Many reminders that Vikings are likely the most "metal" culture in the history of the world. - Mortiis, Heidevolk, Hel, Turisas, Wolfchant, Grand Magus, BorknagarFunk Metal; relatively self-explanatory. Metal, with some funk. Or funk with a heavier vibe. Heavy crunchy; yet funky and danceable; grooves. slap-bass and wah-wah guitar often rear their heads. Tightly tuned snare drums and snappy bass drums with a lot of emphasis on the hi-hat; usually. -Infectious Grooves, Living Colour, Mordred, Primus, Fishbone, Mind FunkJazz Metal; metal with an air of pretense. Not as esoteric as Avant-Garde Metal and more artsy than Funk Metal. Elements of Jazz like improvisation and off-kilter chord structures prevail. -Conflux, Gru, Sithu Aye, Shining, Naked CityNeoclassical Metal; these guys would be composing for their respective local monarchs had they lived 200 years ago. This is metal with classical tendencies, but not necessarily classical instrumentation. Mostly guitar virtuosi hang out here. Their bands are typically comprised of musical over-achievers who don’t quite have what it takes to be fully progressive. -Yngwie Malmsteen, Vinnie Moore, Timmo Tolkki, Joshua Perahia, Marty FriedmanRap Metal; Pretty self-explanatory. Combines rap and metal.  - Linkin Park, P.O.D., Kid Rock, Rage Against The Machine, Papa Roach, Crazy Town, Limp BizkitSymphonic Metal; - again, pretty self-explanatory. Metal guys don't like to waste time with esoteric nomenclature like "Trip Hop" or "Bluegrass".  - After Forever, Dimmu Borgir, Blind Guardian, Nightwish, Seraphim, Interfector, AyreonGlam Metal; including…Hair Metal; all about glitz and glamour. Make-up, hair-spray, tight red leather pants and ripped-off blues riffs. I love it. So do you. Many names include animals or a reference to something white. Or both.  - Whitesnake, White Lion, Great White, Ratt, Def Leppard, Zebra, Bon Jovi, Firehouse, PoisonSleaze Metal; akin to Hair Metal, but with more grime. More about sex and drugs in the deviant and slimy way. Not really about partying, but about the actual sex and drugs. More leather and fringe than hairspray and makeup. Though you will find some hairspray. And makeup. -Billy Idol, Guns ’n’ Roses, Skid Row, Mötley Crüe, L.A. Guns, ExtremeGroove Metal; Metal with slightly more funk than pure Metal, slightly more balls than Jazz Metal and slightly more balls than pure Funk Metal. Imagine Funk Metal more laid back and less aggressive. Like….if Motown made Metal. Channel Zero, Soulfly, Tad, Fight, DevilDriver, Byzantine, Bleed From WithinIndustrial Metal; more digital sound than raw analog metal. Sometimes just one or two guys doing it all. Can become over-commercialized due to its attainability by the masses.  - Rob Zombie, Front Line Assembly, God Lives Underwater, Skinny Puppy, NIN, Filter, The Union UndergroundMetalcore; growling, screaming and yelling. Angry people reside here; somewhere between extreme metal and hardcore punk. Hey wait.....Metalpunk? no....Extrard? no.....Punkstreme? no. Metalcore! There. That works.  - SOiL, Drowning Pool, Biohazard, The Agonist, Trivium, HelmetNu Metal; guys who use digital production techniques and a more refined sound. Good hardcore stuff, but not raw and dirty. Often have numbers or present tense verbs/gerunds in their names. - 10 Years, 3 Days Grace, 30 Seconds To Mars, Breaking Benjamin, Dropping Daylight, Shinedown, Sevendust, Finger Eleven, KoЯnPower Metal; metal that combines the powerful elements of classic metal, speed metal and a bit of symphonic metal for added drama. These guys are in your face but not in a Death/Doom/Black Metal way. There’s more life and less death here. Not always happy, but driven and motivational. -Alestorm, Powerwolf, Metal Church, Iced Earth, Kamelot, HelloweenProgressive Metal; including…Classical Prog; Heavy, yet classical virtuosity runs rampant. Complex orchestrations and thematic derivatives abound. Their album covers are usually pretty Dungeons & Dragons-esque. - Adagio, Blind Guardian, Symphony X, Triumph, The Devin Townsend ProjectDjent; pretty much onomatopoeiaic. Those crunchy guitar sounds that are mimicked by Metalheads using their voices to project “DJENT DJENT DJENT DJENT….” as they mouth along with the kickass guitar riffs. - Animals As Leaders, Meshuggah, Mnemic, Periphery, Sikth, TesseracTMathcore; the guys who are more into technique than groove. Music that exhibits what a theoretical physicist’s chalkboard might sound like if transferred to aural perception. - Benea signNow, Botch, Daughters, Ion Dissonance, Psyopus, Spiral ArchitectMelodic Prog; the guys who are more about melody and tonality than about technical virtuosity. Don’t get me wrong, they’re still damn good, but they produce more memorable and catchy tunes than some other Progressive groups. - Crimson Glory, A Perfect Circle, Tool, Queensrÿche, Rhapsody of Fire, Shadow GalleryOmni Prog; the guys who can do it all. Classical, Rock, Jazz, Funk, Groove, Technique, Passion, Virtuosity, Acoustic, Electric, Slow, Fast, Flamenco, Baroque, etc. Pretty much the embodiment of “Musicians’ Bands”. - Dream Theater, Fates Warning, King’s X, Pain of Salvation, Liquid Tension Experiment, PlatypusPower Prog; virtuosity tempered with sheer power. Hard-driving beats and riffs with high-volume, in-your-face ass-kicking. - Adrenaline Mob, Frameshift, Nevermore, Orden Ogan, Ne Obliviscaris, Seventh WonderTechnical Death Metal; similar to the Mathcore guys but heavier. That’s about it. There are lots of prime numbered time signatures in this genre. - Cynic, Green Carnation, Obscura, Odious Mortem, PsycropticPunk: including…Garage Punk; early sixties punk that was raw, lo-fi, scratchy, distorted and fuzzy. Simple chords (I mean…it IS Punk…) and even simpler lyrics. - Black Lips, The Hives, The Humpers, The Mummies, TeengenerateGlam Punk; Punk railing against the status quo with high shock value. Makeup and crazy hair and facial prosthetics abound. - Cherry Vanilla, Flash Bastard, The Hot Dogs, New York Dolls, Shady Lady, Sick Six CrushHardcore; faster, more aggressive Punk. Same simple chords and song themes, but played faster and with more aggression. Usually very fast and/or aggressive. Basically…fast and aggressive Punk. With lyrical themes occasionally treated a bit more seriously for the sake of actual social commentary. - Bad Religion, Black flag, Fugazi, Sworn Enemy, Raised Fist, Social DistortionOi!; the UK scene that tried to bring Punk back to its roots and steal it back from all the spoiled, rich-kid wannabes that had started to become “punkers”. Music is raw, unproduced, natural; yet maintains an honesty that’s rare in a lot of musical styles. - Last Resort, Peter and the Test Tube Babies, Public Enemy, Street Dogs, SuperYob, Toy DollsPop Punk; music by and for the spoiled, rich-kid wannabes that had started to become “punkers”. Punk in the mainstream. The use of Punk stylings and techniques for the sake of selling albums and making money and becoming famous and rich. - American Hi-Fi, The Ataris, Green Day, OffspringPost-Punk; the evolution of Punk into a more personally stylistic and individually nuanced style. More experiementation and removal from the classic Punk traditions created a sort of Avant-Garde Punk movement which culminated in Post-Punk. - 23 Skidoo, Au Pairs, Bauhaus, Big Black, The Chills, The Cult, The StranglersProto-Punk; the ones who started it all. The original punks. The artists who originally went against the grain of the conventional Rock or Pop of their day to create what would become the Punk movement. - Iggy & The Stooges, MC5, NEU!, The Patti Smith Group, The Sonics, TelevisionPunk Rock; those groups that don’t really fit into any subgenre of Punk and just encapsulate what the common culture knows as “Punk”. - The Clash, The Jam, The Ramones, Sex Pistols, Sprung MonkeySpeed Metal; exactly that. Speed. Even the band names are so fast they only use one word.  - Helloween, Overkill, Impellitteri, Cranium, Atomkraft, Annihilator, Sodom, Kreator, GravediggerThrash Metal; the guys you likely know best. The original Bay-Area metalheads themselves. - Metallica, Megadeth, Anthrax, Sepultura, Pantera, Slayer, Metal Church, Exodus, TestamentOrchestral:Broadway; the music that's played during those plays on Broadway in NYC. - Les Miserables, Phantom of the Opera, Miss Saigon, Jesus Christ SuperstarClassical; the dominant Western music from 1750 to 1830.  - (composers) Antonin Dvořák, Claude Debussy, Franz Schubert, Hector Berlioz, Ludwig Van Beethoven, Wolfgang Mozart, Frédéric Chopin - (performers) Yo-Yo Ma, Mike Wollenberg, Lang Lang, Andre Rieu, The London Philharmonic, Woody PhillipsMovie Scores; the music that's played during those movies you watch sometimes. Either in NYC or elsewhere. - Alan Silvestri (Back to the Future, Forrest Gump); Danny Elfman (Batman, Beetlejuice, Pee-Wee's Big Adventure); James Horner (Titanic, Braveheart); John Williams (Star Wars, Indiana Jones, E.T., Jaws, Jurassic Park, Superman); Hans Zimmer (Gladiator, The Rock); Harold Faltermeyer (Beverly Hills Cop, Fletch, Top Gun)New Age; the music you listen to during your hard day of yoga classes and meditation. - Andreas Wollenweider, Jordan Rudess, Turin Brakes, Yanni, Gordon HemptonVocal; the vocal instrument applied to the rigors of Classical instrumentation - Andrea Bocelli, Josh Groban, Sarah Brightman, Luciano Pavarotti, Il Divo, Brooklyn Tabernacle ChoirPop:Adult Contemporary; a fancy name for the lame music your parents probably listened to. Mostly maudlin tunes about the lives and thoughts of privileged, white, middle-aged hipsters.  - Anne Murray, Barry Manilow, Wilson Phillips, Neil Diamond, Carly SimonBeat Pop; the British invasion of back-beat driven pop icons of the late 50s and early 60s. Most bands are "The" something.  - The Beatles, The Lovin' Spoonful, The Kingsmen, The Turtles, The Byrds, The Cuff Links, The Hollies, The Newbeats, The Left Banke, The Zombies, Gunhill RoadDance Pop; the popular music to dance to. Not as counter-culture as EDM, but slightly heavier than Bubble Gum Pop; which I didn't list as a category.  - Bananarama, Billy Ocean, Katy Perry, Lady Gaga, Debbie Gibson, EMF, Will to Power, TiffanyDisco; formed from funk, psychedelic and soul; this style rebelled against the rock music of the day in a more visceral, primal way. All about body movement, dancing and the human spectacle, it stole colorful clothing and drugs from the Hippies, up-beat driven rhythms from the Beatniks and combined them in a sexy, seductive libido-based production praising dance and expressive human life. It is currently "dead".  - ABBA, The Bee Gees, The Village People, KC & The Sunshine Band, Gloria Gaynor, Lipps Inc.Doo Wop; yet another mainstream derivative of African-American music, doo wop uses more nonsensical phrases and sounds to emphasize harmony and melody over lyrical substance. These names also are often "The" something.  - The Dominoes, The Platters, The Tune-Weavers, The Casinos, The Dreamlovers, The Passions, The Penguins, The Rivieras, The Esquires, Bob & Earl.Indie Pop; somewhat contradictory, the emphasis on self-reliance and the whole DIY perspective is exploited to assure popularity and mainstream success. But somehow it works. - The Ting Tings, Fine Young Cannibals, Nil Lara, Karry Walker, Sundays, Hang UpsLatin Pop; exactly that. Pop with better beats and more complex rhythms that actually force you to dance even if you are unwilling.  - Ricky Martin, Enrique Iglesias, Pit Bull, Shakira, Miami Sound Machine, Lou BegaPop Rock; slightly edgier pop. Or slightly more commercialized rock. Take your pick. - Fiona Apple, Jewel, Avril Lavigne, Natalie Imbruglia, Eric Carmen, Maroon 5Power Pop; high production music for the sake of performance. - Journey, Rick Springfield, Survivor, Duran Duran, Huey Lewis & The News, Go-Gos, Cutting Crew, The B52sSurf Pop; the music you listen to while watching people surf. Somehow this style became separate from other closely related similar styles and is audibly evident in every group it houses. - The Ventures, The Beach Boys, The Surfaris, Jan and Dean, The Rip-Chords, Dick DaleSynthpop; like power pop, but with the emphasis on synthesizers.  - Tears For Fears, OMD, Herbie Hancock, When In Rome, Falco, Dead or Alive, Thomas DolbyTraditional Pop; the crooners. The original pop vocalists whose reputations continue to dazzle and impress. The Rat Pack. The Vegas Lounge Lizards. No, those aren't band names. - Perry Como, Wayne Newton, Tom Jones, Bobby Vinton, Frank Sinatra, Mel TormeR&B:Alternative Hip Hop; Hip Hop that doesn't quite fit the mold of standard R&B. Somewhat left of center and progressive by R&B standards. - Outkast, Black Eyed Peas, Jurassic 5, Wu-Tang Clan, Jadakiss, N.E.R.D., Insane Clown PosseFunk; emphasis on rhythm and groove rather than melody and harmony. Chords aren't as important as the bass line underneath them or the drum beat behind them.  - The Brothers Johnson, Commodores, Kool & The Gang, George Clinton & the P-Funk All Stars, Curtis MayfieldNeo Soul; Soul, but newer. Neo is just a cool word for "new". Though not as cool as "acid". OOH!!! Acid Soul! Is that a genre?! If it isn't then it should be.  - Jamiroquai, Amy Winehouse, Beyonce, Bruno Mars, Christina Aguilera, Terence Trent d'ArbyNew Jack Swing; "Neo Jack Swing" would sound pretentious and the R&B genre is anything but pretentious. And "Acid Jack Swing" would sound like drug or sex slang. These guys combined Urban Contemporary beats and Dance Pop composition to create a very catchy sound that showcased a lot of soulful melodies and harmonies. This was "The bomb" in the late '80s and early '90s.  - Boyz II Men, Bel Biv DeVoe, En Vogue, DJ Jazzy Jeff & The Fresh Prince, New Edition, Kid 'n' Play, MC Hammer, Paula AbdulRap; talking. mostly. Though talking very well and rhyming with complex rhythms and rhyme schemes on top of looped beats and melody lines.  - Eminem, Cypress Hill, Timbaland, Snoop Dogg, Grandmaster Flash, Digital Underground, Ludacris, Beastie BoysSoul; the s%*t that makes you wanna f%*k.  - Teddy Pendergrass, The Righteous Brothers, Lionel Richie, Aaron Neville, Hall & Oates, Luther Vandross, John LegendUrban Contemporary; a combination of EDM, Reggae, Dance Pop, Soul and Rap that creates a very broad range of styles and expressions.  - Usher, Nikki Minaj, Justin Timberlake, Missy Elliott, Trey Songz, Rihanna, Ne-Yo, Flo-Rida, DrakeReggae:Dancehall; Jamaican pop that strips down Reggae to the most crucial dance vibes necessary, though it added more digital instrumentation and faster rhythms. - Leonard Dillon, Toots Hibbert, Wailing Souls, Ebony Steelband, Aswad, Big MountainDub; mostly instrumental remixes of existing Reggae recordings. - Third World, Black Uhuru, Yellowman, Sly & Robbie, Freddie McGregorRagga; primarily electronic Reggae. Slower and more laid back than Dancehall, but more produced and digitized than Roots. - Steel Pulse, Trinidad Steel Drum Band, Inner Circle, Desmond Williams, Lasana Bandelé, Joe HiggsRoots; spiritual Rastafarian expression of life and experiences. Primal, raw and unmistakably catchy. - Bob Marley & The Wailers, Greyhound, Dhaima, Crucial Vibes, Kojak & Liza, Shorty the PresidentRock:Alternative; not quite squeezed into the "Rock" definition, but not quite squeezed out of it either.  - Soul Asylum, U2, The Wallflowers, Jesus Jones, Beck, Toad the Wet SprocketAmericana; the music about the working class. The hopes and dreams of the free American people. Driving rock that you can hear in bars and stadiums alike. - Bruce Springsteen, Bryan Adams, The Traveling Wilburys, John Mellencamp, Tom Petty, John FogertyClassic Rock; the original rockers. If you haven't heard of these guys you haven't heard of Rock.  - Led Zeppelin, The Who, Steve Miller Band, Queen, Eagles, Fleetwood Mac, The Rolling Stones, The TroggsCollege Rock; rock for the sake of getting laid in college. These guys pandered to the more sensitive female audience, thereby creating the necessity for the male audience to like them as well. Typically pretty stupid and nonsensical sounding names. - Vertical Horizon, Iffy, Counting Crows, Hoobastank, Goo Goo Dolls, Fastball, Dishwalla, Hootie & The Blowfish, Matchbox 20, Emmet SwimmingDark Wave; slightly more despondent and depressed. More morose and well......dark.  - The Church, The Cure, Blue October, Depeche Mode, The Stone Roses, Joy DivisionFunk Rock; pretty self-explanatory. - Primus, Red Hot Chili Peppers, Spin Doctors, 311, Mother's Finest, Tina & The B-side MovementGrunge; these guys killed Glam Metal. But it was already beginning to show signs of weakness. This music stripped away all image and pretense and left us with guys who were just good enough at their instrument to still allow every high-school boy in America to be able to play along...... to all their pretty songs......and shoot his gun.  - Nirvana, Pearl Jam, Soundgarden, Alice In Chains, Garbage, L7, Mudhoney, Stone Temple Pilots, Local H, Love Battery, The MelvinsHard Rock; not Classic. But not Soft. Or Grungy. Just hard. Though not as hard as Metal. So maybe really hard wood or stone. Yeah that's it. Hard Rock. - Velvet Revolver, Audioslave, Midnight Oil, Pat Benatar, Billy Squier, Drivin' 'N' Cryin', LoverboyIndie Rock; rock that does it's own thing despite what the industry tells it to do. - R.E.M., Florence + The Machine, Monks Of Doom, The Connells, Cake, Juliette & The Licks, They Might Be GiantsNew Wave; more frenetic and impulsive than former rock, disco and punk. More guitar licks and rhythms that didn't just sit you down and leave you there. Somewhat electronic and experimental. Some might say, "new".  - INXS, The Police, Crowded House, Spandau Ballet, Oingo Boingo, Shiny Toy Guns, Corey HartPost-Grunge; came after grunge, and was slightly more produced than grunge, but still held on to some of that Grunge angst that made it so successful. - Stone Sour, Ugly Kid Joe, Hinder, Collective Soul, Nickelback, Flyleaf, Candlebox, GodsmackProgressive Rock: including…1970s; Progressive Rock artists of the 1970s. Pretty self-explanatory. These guys were near the birth of what is known as Progressive Rock. Some of the earliest pioneers and trailblazers of the genre.- Deep Purple, Emerson Lake & Palmer, Rush, Kansas, Jethro Tull, Frank Zappa, GenesisArt Rock; Slightly skewed but still rock. More experimental and “out there”. Costumes are common. As is make-up and characterization. -David Bowie, Peter Gabriel, David Byrne, Velvet Underground, Radiohead, Incubus, Talking HeadsCanterbury Scene; named after a bunch of improvisational dudes from Canterbury got someone’s attention. These guys shifted into and out of each other’s bands all the time. Constantly changing and altering their lineups. - Caravan, Short Wave, Supersister, In Cahoots, Gong, Egg, GilgameshPost-Progressive; the spawn of and next generation following 1970s Progressive Rock. These guys adapted to the current zeitgeist and pushed the boundaries even more than their predecessors. I mean….that IS the definition of Progressive. - Attention Deficit, Bozzio Levin Stevens, Somnambulist, Transatlantic, Dali’s Dilemma, Chroma Key, BravePsychedelic Rock (Acid Rock); quirky, drugged-out hysterical nonsense rock with a lot of outward expression against normalcy. Fun shows that led to a lot of deaths; by drug and alcohol consumption; and pregnancies......by drug and alcohol consumption.  - Big Brother & The Holding Company, The Doors, Quicksilver Messenger Service, Moody Blues, Sopwith Camel, Vanilla Fudge, DonovanRIO (Rock In Opposition); akin to the Canterbury guys I mentioned earlier, these Progressive musicians got pissed that no one was recognizing their talent and banded together against the music industry itself. Surprise: they still didn’t get very popular. - Aksak Maboul, Etron Fou Lelouban, Henry Cow, Art Bears, Stormy Six, Art ZoydPunk; the rebels who hated society and weren't afraid to let it be known. They'd bleed on stage, rip off their clothes and surf the crowd naked, dump buckets of sweat and other bodily fluids on the crowd while screaming and railing against authority and tradition. Oh and they sometimes held instruments too. - Sex Pistols, Bad Religion, Ramones, Iggy & The Stooges, The Clash, American Hi-FiRockabilly; what some call the original Rock & Roll. A combination of hillbilly and rock containing a western swing and a bouncing party vibe. With elements of piano-based Jump Blues and electric boogie woogie, it made it's mark on the music scene indelibly. Almost everyone's named contained a "Y".  - Elvis Presley, Chuck Berry, Buddy Holly, Tommy Sands, Johnny Rivers, Jerry Lee Lewis, Freddy Cannon, Chubby Checker, Little RichardSka; rock with horns. This provided all those high school kids who chose to play brass in the school band a way to be cool... For about 18 months in the late '90s.  - No Doubt, Fighting Gravity, Dispatch, Blue Meanies, Toots & The Maytals, Jack FridaySoft Rock; the rock you listen to on the radio when driving to your yoga or meditation class.  - Traffic, Glenn Frey, Linda Ronstadt, Don Henley, Kim Carnes, Gerry RaffertySouthern Rock; rock from the south. Lots of twang and rough gravelly vocals mixed with two-step rhythms that keep audiences head-bobbin' and wavin' confederate flags. When "Free Bird" is yelled at one of these shows, it will be played.  - Lynyrd Skynyrd, 38 Special, Blackfoot, Pride & Glory, Molly Hatchet, The Georgia SatellitesWorld: (please forgive my American/Euro-Centric categorizations. And please don't be offended if I've misplaced something that you feel should go elsewhere; in all the previous categories or in the following geographic generalizations. These are mostly all regional folk or traditional music of general locations named accordingly, and just those that I am familiar with and like. I know full well that many and various styles and cultures exist within the overall regions I’ve specified here.)African  - Zap Mama, Zwabesho Sibisi, Eleja Choir, Turtle Island String Quartet, Habib Koité and Bamada, Coco LeeMiddle Eastern  - Nusrat Fateh Ali Khan; Kaila Flexer; Ilhan Ersahin; Ighigou Haile; S-Tone, Inc.Asian  - Liu Huan, Yungchen Lhamo, Itsuki No Komoriuta, Bhoora Singh and Party, Hoang Vuy, Imperial Household OrchestraEastern European  - Goralska Orkestra, Stephanya G. Penchevya, Nikollë Nikprelaj, Raderman Beckerman Orchestra, Efta Botoca, Petrică PaşcaIrish/Celtic/Gaelic  - Loreena McKennitt, Michael O'Suilleabhain, The Pogues, Enya, The Chieftains, The Tannahill Weavers, WolfstoneIsland  - Sean Na'auao, Les Tamaru, Israel Kamakawiwo'ole, Andi Thakambau, Lord Composer, Kealoha KonoLatin/Hispanic  - Ruben Blades, Tu Abandono, Adam Del Monte, Brian Keane, Elvis Crespo, Los UmbrellosMediterranean  - Triki Triki, Stellákis Perpiniádhis, La Nina Del Los Peines, Márkos Vamvakáris, Effisio Melis, Marika KanaropoulouScandinavian  - Värttinä, Hållbus Totte Mattson, Arto Järvelä, Gjallarhorn, Angelit, Annbjørg Lien, Sari Kaasinen...and that's all I can think of off the top of my head.

​Basic analysis of India's first advanced fighter jet AMCA By IDSA (Institute for defence studies and analysis)#DESIGNHAL AMCA is a multirole aircraft... Well, it has shoulder mounter diamond shaped trapezoidal wings which gives it a profile with substantial area-ruling to reduce drag at transonic speeds particularly Mach 0.75 to Mach 1.2 and also supersonic speeds!! It's an important performance metric since AMCA depends upon transonic drag. It has all moving canard vertical V-tail or in other words a twin pelikan tail...with a large fuselage mounted tail wing... Flight control surfaces include leading and trailing edge flaps, ailerons, rudders on the canted vertical stabilizers and also the all moving tail planes which also serve as air brakes...#COCKPITThe cockpit is a single seat which is placed near the air inlets which provides good visibility for the pilot with the single bubble canopy ( just like Raptor)... The cockpit features a full width touch screen panel.. Panoramic Cockpit Display with dimensions 60×24cm designed by DARE with our outlines and manufactured by Samtel or 44×18cm by HALBIT!! A joint venture by HAL & Elbit!! Both supporting Cockpit Speech Recognition!! Provided by Adacel just like on F-35!! It includes the HOTAS sidestick!!  It also has a Get You Home panel providing crucial info. in case of an emergency!!The CSIO Head Up Display and helmet-mounted display and sight (HMDS), and hands-on-throttle-and-stick (HOTAS) controls reduce pilot workload and increase situation awareness by allowing the pilot to access navigation and weapon-aiming information with minimal need to spend time "head down" in the cockpit. AMCA boost capabilities such as Self-protection and self-repair with the help of self-diagnosing and self-healing by distributing the work load to other system from affected to non-affected system. Protection would be provided with the use of nanotechnology which manipulates the data on a atomic or supermolecular state to produce advance composite materials to withstand higher resistance to damage and therefore reducing the damage surface area.The aircraft uses Self Repairing Flight Control Capability, to automatically detect failures or damage in its flight control surfaces, and using the remaining control surfaces, calibrate accordingly to retain controlled flight.#ELECTRONICSThe electronic warfare suite is designed to enhance the survivability during deep penetration and combat. The AMCA's EW suite is developed by the Defence Avionics Research Establishment (DARE) with support from the Defence Electronics Research Laboratory (DLRL).This EW suite includes a radar warning receiver (RWR), Missile Approach Warning (MAW) and a Laser warning receiver (LWR) system, Infrared & Ultraviolet Missile warning sensors, self-protection jammer, chaff, jaff and flare dispenser, an electronic countermeasures (ECM) suite and a towed radar decoy (TRD).The front-sector Electro-Optical Targeting System (EOTS), developed by DLRL, is completely integrated within the aircraft and can operate both in the visible and infrared wavelengths. The EOTS enables the deployment of infrared missiles such as MICAat beyond visual range distances; it can also be used for detecting and identifying airborne targets, as well as those on the ground and at sea. The EOTS as being immune to jamming and capable of providing covert long-range surveillance. #RADARThe aircraft's avionics suite will include highly advance AESA radar which will use Gallium nitride(GaN) , IRST and advance situational oriented electronic warfare systems and all aspect radar warning receiver (RWR), Self-Protection Jammer(SPJ), CMOS, Laser warning receiver (LWR), missile warning suite.Multifunction RF Sensor, which has a broad spectrum agility, includes the capabilities for Electronic countermeasures (ECM), electronic support measures (ESM), communications functions, and possibly even microwave weapon functions.The aircraft will use Integrated modular avionics for real time computing, Fiber optices cables used on the aircraft use the Photonic crystal fibres technology for faster exchange of data and information.(DEAL) has designed and developed a next-generation Network-centric warfare, Aircraft management (including weapons), data fusion, Cooperative Engagement Capability, decision aids, integrated modular avionics, intern signature control with sharpening for low observability.#MATERIALAn On board  condition monitoring system are used in AMCA condition monitoring system are used in AMCA Composite materials are used to make an aircraft both lighter and stronger at the same time compared to an all-metal design, and the amca's percentage employment of C-FCs is one of the highest in an aircraft. Apart from making the aircraft much lighter compared to conventional metal airframed aircraft, There are also fewer joints and rivets, which increases the aircraft's reliability and lowers its susceptibility to structural fatigue cracks. The majority of these are bismaleimide (BMI) and composite epoxy material. The aircraft will be the first mass-produced aircraft to include structural nano composites, namely carbon nanotube reinforced epoxy. The radome which holds radar is made of advance composite and construction, which result in alwing only the operating frequencies of the mated radar to transmit from the dome, while blocking other radars.#ProcessorsThe AMCA has a distributed processing system employing fast processors and smart subsystems and will be electronically controlled via a "central computational system connected internally and externally on an optic-fibre channel by means of a multi-port connectivity switching module". This results in using the IEEE-1394B-STD a departure from MIL-STD-1553B databus standard.For more detail, please follow my page on facebook- AMCA- India's first indigenous stealth fighter