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A G Suite workflow with airSlate SignNow allows you to seamlessly integrate document signing and management within the G Suite environment. This efficient setup streamlines your business processes, enabling you to send, receive, and eSign documents directly from your G Suite applications.

airSlate SignNow enhances your G Suite workflow by automating document processes and reducing manual tasks. With features such as automated reminders and real-time tracking, you can improve efficiency and ensure that your documents are processed quickly and accurately.

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The airSlate SignNow G Suite integration includes features like document templates, eSignature tools, and automated workflows. These features allow you to create efficient G Suite workflows that save time and improve productivity by streamlining document handling.

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Can you sing a tune? Can you sense the rhythm in the songs you listen to? If so, the answer is yes.The fact that it can be done, doesn’t make it easy. Only practice will get you there. There will be times of frustration when your fingers don’t want to land where you need them to go. Give it time; give it work.I arrived at guitar playing in a backwards sort of way. My father was a violinist and therefore my violin teacher. When I practised, I would always hear my father coaching from a room or so away. “Third finger a little higher!”In my later high school years, I wanted to pick up an instrument that I had every right to be wrong on. I chose the bass guitar because I wouldn’t have to learn chords and I already was familiar with moving my fingers to find the required notes.Some time later, I was the bass player in a band. The guitarist was okay if he had the chords, but couldn’t listen to a song on the radio and figure out the chord sequence. I bought a cheap guitar so I could figure out the chords for him and bring them to rehearsals. We came to a parting of the ways when I asked him to add in chords that weren’t part of his daily practice.Once you are familiar with (and can do the basics) try to play with someone better than you. Trying to bring your performance up to match a better partner is a great way to grow.You will never know everything. There will always be something else to figure out. Playing an instrument is a progression of skill-building, not a definable destination.Good luck!

It’s a combination of the effort you put in and the way you practice.Tip #1: Always Practice with a goal in mindAlways have a goal in mind for every practice session. Don’t worry if you don’t quite hit what you are trying to achieve just try to make progress towards that goal and you can pick up on it in your next practice session if needs be.Then as soon as your goal is achieved create a new goal.Your playing will improve in leaps and bounds if you do this for every single session. It’ll probably sneak up on you – and one day you’ll catch yourself in the mirror, or someone will make a comment or you’ll record something, and you’ll be like “holy crap – I’m pretty good now!”You might like to “just play” but there’s plenty of time for that. Do something towards a goal at the start of every practice session. If you still feel like just mucking around then go for it – but work towards something specific first.Related posts:Top 5 free and paid online guitar coursesTop 20 tips to learn guitar fasterTip #2: Learn Chords in Different Positions up the NeckAnd I’m not just talking about barre chords.If you write music, your compositions will improve out of site if you can use chord patterns in other positions on the fingerboard rather than your standard old open chords.If you like to improvise then this is going to make you a lot less one dimensional in your chord playing.If you’re simply jamming with others and you want to spice a song up and add some richness you can play some less than standard chords in different positions to keep things more interesting.Not only will your writing, improvisation and sound in general improve, but it also looks far more impressive. If I’m watching a guitarist play a bunch of barre chords and open chords in the first position it’s way less interesting than a guitarist who is playing interesting chords up the fingerboard.Yes most guitarists know how to play barre chords all along the fingerboard – but these become stale and boring very quickly – and everyone is playing them. Experiment with different shapes for chords and you’ll be amazed at how much richer your playing can sound.Tip #3: Practice Slowly and Properly Before Playing at Full SpeedIf you are learning anything, it is far better to learn it slowly but correctly. Once you have something down at a slow pace, then slowly increase the pace. This is far better than trying to play something at full pace and making a load of errors in the process.Of course you’ll make errors to start with, even playing slowly – but you’ll be able to play what your learning without errors sooner than if you played at full speed.Why is this important? Because if you always play something fast but with errors and you do this for long enough, your muscles memory will remember the errors and that will become ingrained – making it more difficult to learn properly.So be patient and play things slowly but correctly at first. Then gradually increase the speed. If you find after increasing the speed you are starting to make errors again, then go back play it slowly again a couple of times before trying to increase the speed again.Tip #4: Practice with a MetronomePracticing with a metronome has a couple of great benefits.Firstly, your timing will be drastically improved. Even if you never play in a band or a group situation – even if you never record or never play live (all things that improved timing will make you a much better guitarist for), you’ll still sound much better.Even if you only ever play around friends or family they will appreciate you playing in time (and you will too because you’ll notice the difference).The other thing is that using a metronome will make tip #3 above easier to implement. i.e. it helps you to learn things at a slower pace.If you set the metronome so that it forces you to learn something at a slow pace then you won’t be tempted to, or inadvertently, play at a faster speed. It also means that you can gradually increase your pace using the metronome.Tip #5: Get your Guitar Set UpIf your guitar is set up wrong (and I’m basically referring to your guitar’s action – i.e. how high the strings are sitting above the fingerboard) then you’ll be making your playing unnecessarily difficult.I demo and review a lot of guitars, so I’m well versed in the difference it can make going between one guitar with a poorly set action (poorly for my tastes) and one that is set up well. I feel like a difference guitarist instantly.On a well set up guitar I am more confident to try things, I play more smoothly, make less errors and just in general find it far more enjoyable.I’d say around 4 out of 5 guitars (to pull a rough figure out of my head) that I play when I visit someone with a guitar aren’t set up well. So many guitarists could instantly improve with a setup.Pay the little bit extra and pay a luthier (guitar maker) or guitar tech or whoever in your area does set ups, to set your guitar up for you – it’ll be well worth the cost. Or if you want to learn to do it yourself you can too.A set up usually involves a combination of a truss rod adjustment and/or a nut adjustment and/or a saddle adjustment.Tip #6: Assess whether or not you have the right pickIf you only ever play finger style this won’t apply to you, but otherwise you should learn to play with a pick, even if you don’t use it for everything you play. It can make your playing richer and more dynamic for certain styles and techniques.Whether you already play with a pick or are going to learn to use one – make sure to think about the pick you are using. They can make a big difference – often guitarists aren’t using the appropriate pick for their style or their taste.Finding the most appropriate pick can make it easier to play your style, and can make you play better and more accurately.Experiment and find the pick that’s right for you.Ref: 8 Awesome Tips to Improve your Guitar Playing

Facebook moved a step ahead and announced to connect employees of an organization with the intro of “Workplace” - the web and mobile app connecting professionals.Around two years ago, Facebook launched an app with the idea to set up an internal communication channel for the organizations. The app was known as “Facebook At Work”. The company was promoting this platform to the corporates that Facebook could useful in managing an office space.“Facebook At Work” to “Workplace”In October 2016, Facebook renamed the “Facebook At Work”. Now Facebook At Work is “Workplace”.The tech giant intended that Workplace should look and work like Facebook. Employees can have chats, groups, Facebook Live Video, news feed and event updates on trending posts.Enterprises to corporates need to pay to open an account in Workplace. They need to insert users (team members) in the app to establish a smooth communication channel.Workplace launched with few IT security partnerships for identity management and single sign-on like Microsoft Azure Active Directory, Google’s G Suite, and Okta. Businesses can also take help from services partners such as Edelman and Deloitte to set up the Workplace.On 6th December of this year, Workplace again came into limelight due to the release of few grand updates.Facebook Workplace Updates3rd Party Software IntegrationsWorkplace starts supporting third party tools integration. Organizations can integrate their emails, CRM, Calendars, File Sharing, and other software.Julien Codorniou, head of Facebook’s Workplace, admitted that businesses could integrate any app in the enterprise collaboration space. Only condition is the app must be based on SaaS services. Facebook is planning to allow enterprises to integrate Salesforce (CRM), Box (File Sharing), Google (Calendar and E-mailing), etc. in Workplace. However, all these are would be partners of Facebook. No partnership is officially announced yet.Flexibility for CustomizationCompanies can change the Workplace app as per their custom business needs. As we discussed before, IT team of the company can integrate any external tools. It enables web and mobile version of the app to work more effectively than a generic application. So, enterprises can run the Workplace without any special support in terms of tools and technologies.Enjoy the professional version of our favorite Facebook to have in-office chitchat and improve productivity through seamless interaction.Got reference from: Jazz Up Your Workspace with Facebook Workplace

#Questiion name: Can I play guitar with small hands?15 TIPS TO BECOME A GUITAR MASTER!Below are best tips for guitar players. I hope you enjoy it.#1. Focus your practice time:We’ve all heard storiies of guitariists with marathon 12-hour or daiily three-hour practice sessions, but for most guitariists, a tiight, focused 10 to 30 miinutes of consiistent daiily practice wiill prove more efficient. There is a diifference in “practiice” and “playing” tiime, and oftentimes the two get confused.Practiice should involve (after warming up) maiintenance exercises to keep up your chops and emphasize your strengths, and focused work on specific goals that deal with integrating new knowledge and technique. Keeping the time spent on practice to an intelligent minimum, breaking up the topics to be addressed into small chunks, will help avoid wasted effort and will leave time to play.Related post top 5 frree and paiid guitar courses: Top 5 free and paid online guitar courses#2. Guitar Playing Success Principle: Get out of your own way.Stop blaming your lack of progress on:• Your age• Size and shape of your fingers• Your natural talent• The amount of time you have to practice• …other irrelevant factorsYour age or finger length do NOT affect your musical progress . Your beliefs, choices and actions do. Focus on your goals and do what is required to signNow them.#3. Guitar Playing Success Principle : Join a community of like-minded guitar players.Being around other serious musicians inspires and motivates you to signNow your goals faster.Important: such a community only helps you, when its members are:• Supportive and encouraging (to each other and to you)• Committed to their own musical greatness• Knowledgeable about guitar playing and music• Mature and respectful#4. Record Yourself:There is no better way to see your guitar playing objectively and to motivate yourself to work to become a better player than to record yourself. There are countless affordable media for recording yourself on your own, and when you record, you can listen to yourself with fresh ears and hear the things you like and dislike about your playing. You’ll find it’s infinitely easier to pinpoint your strengths and weaknesses and focus your practice accordingly.Record yourself playing rhythm and then record other complimentary parts such as leads, melodies, counterpoints and complimentary alternate rhythms and you’ll learn about composition, production and ensemble performance. When you begin to focus on these complimentary parts, you’ll find that your vision and scope expands, as do your goals, and as you work to create complete songs, your abilities grow exponentially while you work to write and perform to the best of your ability.#5. Guitar Playing Success Principle: Find the best guitar teacher for you.Guitar teachers are NOT created equal. Every guitar teacher has different credentials, levels of experience and amount of proof of how good they are. Proof is critical. You want to study with a teacher who has helped many students become great guitar players. Expect and demand the best results from the investment of your time and money.#6. Develop your ear.Ear training is just as important as learning to read music. After all, music is a hearing art the only aural art. As such, the ear acts as the intermediary between your musical ideas and the execution of these ideas. A well-trained ear gives you the sensitivity and ability to play what you hear, and feel what you play, without having to rely on sheet music or tablature (which might come in handy with song requests for one.) Dedicate a little time each day to growing your ear and watch how your playing blooms as a result.To start training your ear, try playing simple songs by the way they sound. Work them out note for note, chord for chord. Again, start simple before shooting for something more complex. Developing "big ears" will help you recognize chords and melodies when you hear them, and will also help you improvise when need be. Another trick is to play along with songs. This method will allow you to clearly hear your mistakes.Learn to tune by ear as well for the sake of convenience when a tuning aid isn't available. Tuning a guitar by ear also teaches you to hear intervals between strings and notes.#7. Take Lessons:As a guitar instructor by trade, I am clearly biased, but the most obvious and productive thing any guitarist can do to improve their playing is to take lessons. While there is an ever-expanding universe of Internet resources, books, instructional videos, etc., available, nothing can compare to the one-on-one interaction with the expertise of a skilled guitar teacher. A teacher will identify your strengths and weaknesses, sharpening your skills and eliminating your flaws. A good teacher also will help you save time in your development by helping you sift through all of the information out there and lead you on the right path toward quickly realizing your goals as a guitarist.Guitar teachers get paid to make you better, and spending the money will make you take your study seriously. Every story of a “self taught” guitarist still involves some part where they learned a lot from someone they knew who was more proficient and knowledgeable than them who helped shape their development, and even the extremely educated and virtuosic Randy Rhoads (who was a guitar teacher himself) was known to seek out guitar teachers whenever he had available time while making history touring and recording with Ozzy Osbourne, so break out of your rut, accelerate the evolution of your playing to the next level and get some lessons!#8. Jam!While it’s awesome to have perfected that ripping 128th note shredfest in your bedroom or basement, perhaps the most important thing for a guitarist to do is to play along with or to some sort of accompaniment.Obviously, playing with another live musician or group of musicians in the same room is the perfect situation (And you should put yourself in those situations as often as possible), but there are many alternatives that can be just as beneficial. Today we have innumerable options, such as virtual backing bands and tracks through the Internet, computer programs such as EZ Drummer (highly recommended for its ease of use and versatility) or Garageband loops, plus apps on our phones that can act as stable backdrops against which we can hone our performance skills.Playing with accompaniment such as this will greatly improve your consistency, your endurance, your improvisational ability and your feel for locking into a groove.#9. Learn music theory.What happens to a triad if the fifth changes? The fifth found in both the major and minor triad is called a perfect fifth. There are three-and-a-half steps (seven frets) between the root and a perfect fifth. If you take an A-major triad and raise the fifth a half step to E#, you have the interval (A to E#) of an augmented fifth, and the resulting chord–A, C#, E#–is called A augmented. Raise the high string one fret in a three-note A chord to hear what it sounds like. If this reads like a foreign language to you, point made.How many times have you flipped through a songbook and been baffled by something peculiar like A7b13#9? It may seem like these names are more algebraic equations than chords, something invented to deliberately confuse you, but in fact they’re trying to tell you very specific things about what to play. Music theory is designed to help you should you suddenly find yourself being asked to play a I IV V in the key of G. You will know what that means and will know how to play it. And you'll look like a genius in the eyes of the uninitiated.Learn music theory. You should be knowledgeable of your craft. You wouldn't drive without being able to interpret road signs and traffic lights, so why play guitar blindly? Even a rudimentary understanding of how music works can help take your playing to another level. Theory allows you to know what you're doing, and most importantly, why. Invest in a book on guitar theory and do your homework, or bone up online on one of the many websites at your disposal, like this one. Once you start learning the basics, a light will go off in your head. Warning: You may develop a voracious appetite to know more and more and even more still.#10. Learn the notes on your fretboard.One of the easiest things to master on the guitar is learning what notes are on what frets on which strings. Strangely enough, while learning the notes on your fretboard may be one of the simplest things to master, it's sometimes little more than an afterthought to many guitarists. Some never learn them at all due in part to a reliance on tablature.If your aim is just to dabble in guitar for your own amusement, then you can probably get by with winging it. But if you want to be a guitarist of any merit, knowing your notes is as important as knowing the alphabet when you're learning to read. It gives you the power to construct chords, scales and melodies with a much deeper understanding. You begin seeing the fretboard in a completely different light. Patterns and scales will jump out at you. Chords will form before your eyes. You will be able to look at the fretboard and play what's in your head.While it may be true that in the flow of the moment a musician is not thinking about scales or notes but dreaming the music and playing what he hears in his head and heart, knowing the fretboard cold is a great resource for your development.#11. Pick types and modelsI am obsessed with picks.Really.I currently own probably, I dunno, like 90 different pick types, not because I need or even use them (you only really need one pick) but because I’m constantly curious about finding a pick which perfectly suits my playing, something I have yet to find, not for lack of trying.Currently I use the bad boy below (in 2.0mm), but with the edges filed down for a sharper attack.I have been using this particular pick since I was 13 and, even though I am seeking to find something better (this pick and I have a contentious love/hate relationship) I have yet to do so, but I am always on the lookout.My point is that everybody’s either a Jazz II player, a Jazz III player, or a Tortex player, generalizing of course, but that’s definitely what the majority of people are using, in my humble yet vast experience.I mean, everyone is a unique player, but for all of us unique players to be using the same seemingly innocuous, but vastly important thing is crazy to me.#12. Hand positionYou know your hand moves, right?You know it’s not some sort of immovable, Sword in the Stone (second nerd fantasy reference. Score.) type of thing, glued down for all of entirety, yeah?Move that shit.Your hand and subsequent pick position have massive effects on the sound of your playing.Play a chord and just move your pick from the bridge to the neck position of your pickups, slowly so as to hear the difference between the two and all of the variations between.#13. Learn all of the inversions of every chord everywhereI can think of 20 versions for playing the “E” chord off the top of my head.Can you?Learning all of your chords all over the neck will make you utterly invaluable as a side man and composer and will land you every single gig you can think of.Why?Because when somebody says, my song is “E-A-C#min-B” and you go “Sure, cool” and bust out some seriously beautiful, tasteful, voice-lead, grooving awesomeness, and then they go “Shit man, you’re a genius” you’ll be thinking to yourself “I hope this band gets on Conan with my dope playing so I can play all of my sick ass, tasty inversions for America and be inadvertently watched by a group of chicks having a girls night, one of whom will be Jessica Alba, thereby cementing our destined marriage”.#14. Stand when you practiceI mean, really, this one is obvious.Unless you’re a professional reenactment artist for the US Jazz Museum, recreating the glory days of the Benny Goodman Big Band, you should be standing when you perform, which means you should be standing when you practice.Ever played anything with a groove sitting down?Yeah, it sounds like your Dad’s Hall and Oates cover band.Fuck that.Stand up and practice like a professional.#15. Technique is a combination of muscle memory and repetitionOK, sure. Everybody wants to play faster. I get it. Playing fast is cool, makes all of your greasy-haired bros think you’re the shit, makes all of the other guitar players in the world think you’re the Messiah, and makes you feel bad ass (However, against common thought, does not makes chicks dig you. Like at all. Like never. Shredding is like bug spray for hot chicks. Be warned.)I have built much of my fan base from blazing the shit out of my guitar and melting the faces of much of the first three rows of every concert I’ve given since learning how to pee standing up, so yeah, I get it. I like to play fast.To me, there are few things cooler to achieve sonically than a massive, epic “wall” of notes, a “sheet” if you will. It’s super killer, especially when balanced with not playing all the goddamn notes in the universe.

Can you give me 10 advice to become an awesome guitar player?Put in the Time.You know why, if there’s a crisis on your flight, you’d want Chesley Sullenberger in the left seat over somebody who’s on their first flight as acting captain? Sully’s logged the hours, put in the time, and learned his skills at the highest level. To the degree that he didn’t have to think about what needs to be done in a crisis; it’s as natural as tying his shoes.To attain awesomeness with a guitar, it’s the same exact thing. You’ve got to log the time learning theory, you’ve got to log the time learning what sounds go well together, what patterns sound good together, how to make those patterns flow, how to move from one to another without having to pause and think. It has to be what you are not just what you do. Any idiot can learn how to play one solo. Being able to play anything and make it sound good? That’s what you only become capable of when you’ve been breathing the rarefied air that is found after you’ve logged thousands of hours of directed practice*. Lots of people “climb” Everest; few summit Everest.*; Noodling is fun, but it’s not practice. Scales, rhythm exercises, deconstructing songs and learning to play them section by section. That’s practice and that’s what you need to do. Devote the last five or ten minutes at the end of each hour to screwing around, then get back to work.Learn rhythm.Again, any idiot can learn to play one solo. What many don’t have the capability of doing is knowing how to keep playing when there’s a flub in that solo. How to pick up the pieces and dive right back in without it being incredibly obvious that they flubbed.Much of this is rhythm. You’re just the dumbass guitarist, okay? You dictate *nothing* to the rest of the band. You’re not the main event; you’re one of the band, not more than the band. When the drummer and bass player start ramping up the tension, you go with them or you get left behind looking like the goof. Being able to feel the rhythm and know where and what we’re doing as a whole is KEY because if I’m not doing what they are doing, I’m the one that sounds like an idiot because I am the one that’s out doing my own twiddly thing at the 15th fret while the rest of the band is playing the song.You need to be able to feel a rhythm and feed it, and to know what it sounds like when it’s about to change, and being able to change in perfect time with it. Like I said, you’re just the guitarist; you go where you’re told to go and you don’t get to dictate terms to the band. You need to be able to pick up their rhythm and work with it as they produce it; when it’s time for your face-melting bit, you get to lead. The rest of the time, you follow as a rhythm player.Chuck Berry had the skill to slip in and out of the lead slot at will and it made him more valuable as a player. He was equally comfortable in a rhythm role or on the top layer soloing. This kind of versatility is so valuable that there are few other skills I can think of that supersede it.Learn the difference between “shredding” and playing.Yeah, I get it, “Buckethead” is cool. Lots of twiddly passages, lots of shrieking skill there. But he needs a band. Think of it like this; if he’s in a situation where it’s him on stage alone playing along to a canned track, and the canned track cuts out, his attraction as a player is GONE. He’s just the guy playing the same four notes in a 16-quarter pattern until the chord change. Without the band, his style is annoying and unmusical.Tommy Emmanuel is a player. Got a band, got no band, got an orchestra, or just him on stage by himself, his playing shines because he can freakin’ PLAY. The guitar becomes an extension of his being and he plays the damn thing. He can be on a street corner with nothing but a guitar, and he can draw a crowd. Not because he put a KFC gimmick on his head, but because the man can play that guitar like he’s the illegitimate child of Merle Travis and Yoda.There isn’t a fret position on any string he doesn’t know. What it sounds like, how it shifts the feel, how it moves the solo along, how it’s a good place to leave from, how it’s a good place to come home to. He’s a wizard of theory, he’s logged the time to learn to play. No 100% gimmicks, just play. Yeah, he digs into some percussive gimmicks, but at the end of the day, he’s the last gunslinger you wanna face in a guitar duel. He got there by learning theory, learning chords, logging thousands of hours in practice, 16 hour days with nothing in his hands but the guitar. He became a player at the highest level, not a “shredder”.Learn chords and chord theory.This is applicable across the board because it makes you more varied as a player, and it allows you to more easily play with others. Nobody putting together a jam session wants to invite the guy who only knows how to solo because we know as soon as he plugs in, we’re not going to get to play. He’s going to be way too loud, way too long, and we end up being his backing band when none of us signed up for that job.Learn to be as good underneath the top layer as you are in the top layer. You’ll find more people will invite you to jam with them if you’re not always hogging the tonal space because you only know how to solo. Yeah, it’s boring to play chords, but it will put you in position to learn more than you know, to experience ideas you can’t get on Youtube because you can wait until the song is done and go “Hey Sarah. Third measure of your solo, that thing up at the ninth fret…How and what did you do? I loved that.” and get a two-minute lesson that benefits everyone.The bigger tip? Learn chords beyond major and minor, because they’re not “all the same” and in any situation you need to know the sixth or seventh chord in the key because that’s what the shot caller might say. Being able to flavor your playing beyond the simple basic open-position chords everyone knows puts you closer to being a actual player because most weekend players don’t bother to work that hard.There’s no such thing as knowing too much.Learn techniques outside of your comfort zone.So many get a guitar, get a pick, get an amp, get a cable, and never use anything else. Even with that setup, being capable of rolling the pick between your fingers for a short accent passage in fingerstyle and then back into pick style makes you more versatile and skilled. You’ll learn things outside your comfort zone by playing outside your comfort zone.Being able to slip into slide playing, fingerstyle, hybrid picking, it will make you better as an all-around player because you won’t just be that guy who can do ____ and nothing else.Learn to play softly.This one is, for me, a huge one. You’re coming to the end of a passage before all the tension releases. Being able to trail off into softer tone, quieter, adds tenfold tension to the piece and when it releases, it’s less like the door opening and more like the dam breaking.It adds a layer of variance to the play that makes it more than just plain vanilla at the same volume. Being able to step into and out of that is CRUCIAL to becoming a competent player. It’s not just being able to play the same thing at the same volume. Music is about pushing and pulling against the tension of the song before releasing it. It’s much more than just knowing the E-Penta scale without flavor.Once you learn a lot, seek others who also play in your area.Finding in-person playing pals and jammers is very helpful because it allows you to bounce ideas off a reactive surface. No tennis player ever learned to be a great by just knocking balls off a brick wall. The brick wall gives them 50% of the skills they need; playing against real players gives them the rest.Guitar is the same. Finding people you can learn from and with is incredibly valuable because they can give you real playing to work with. It’s not some jam track that’s monotonous and always the same that you’ve memorized. With a real player, the tension, the tone, the pacing, it is always moving and being able to learn what it feels like to move with it will help you become more well-rounded.That’s it. Keep repeating these steps until you hit your capability plateau and level off.I haven’t been keeping count because it’s really not about a set list of ingredients that makes greatness. It’s about knowing as much as you can, and practicing even when you don’t want to. No days off, relentless drive, tenacity on full display, I-can-sleep-when-I’m-dead determination. There’s no magic bullet to get there. You just have to get enough theory behind you to know what you should practice, and then practicing that until you’re sick of it…then practicing it another hour.It won’t be easy…but nothing worthwhile is. Go do it.

#Questiion name: How can I learn to play the guitar fast?15 TIPS TO BECOME A GUITAR MASTER!Below are best tips for guitar players. I hope you enjoy it.#1. Focus your practice time:We’ve all heard storiies of guitariists with marathon 12-hour or daiily three-hour practice sessions, but for most guitariists, a tiight, focused 10 to 30 miinutes of consiistent daiily practice wiill prove more efficient. There is a diifference in “practiice” and “playing” tiime, and oftentimes the two get confused.Practiice should involve (after warming up) maiintenance exercises to keep up your chops and emphasize your strengths, and focused work on specific goals that deal with integrating new knowledge and technique. Keeping the time spent on practice to an intelligent minimum, breaking up the topics to be addressed into small chunks, will help avoid wasted effort and will leave time to play.Related post top 5 frree and paiid guitar courses: Top 5 free and paid online guitar courses#2. Guitar Playing Success Principle: Get out of your own way.Stop blaming your lack of progress on:• Your age• Size and shape of your fingers• Your natural talent• The amount of time you have to practice• …other irrelevant factorsYour age or finger length do NOT affect your musical progress . Your beliefs, choices and actions do. Focus on your goals and do what is required to signNow them.#3. Guitar Playing Success Principle : Join a community of like-minded guitar players.Being around other serious musicians inspires and motivates you to signNow your goals faster.Important: such a community only helps you, when its members are:• Supportive and encouraging (to each other and to you)• Committed to their own musical greatness• Knowledgeable about guitar playing and music• Mature and respectful#4. Record Yourself:There is no better way to see your guitar playing objectively and to motivate yourself to work to become a better player than to record yourself. There are countless affordable media for recording yourself on your own, and when you record, you can listen to yourself with fresh ears and hear the things you like and dislike about your playing. You’ll find it’s infinitely easier to pinpoint your strengths and weaknesses and focus your practice accordingly.Record yourself playing rhythm and then record other complimentary parts such as leads, melodies, counterpoints and complimentary alternate rhythms and you’ll learn about composition, production and ensemble performance. When you begin to focus on these complimentary parts, you’ll find that your vision and scope expands, as do your goals, and as you work to create complete songs, your abilities grow exponentially while you work to write and perform to the best of your ability.#5. Guitar Playing Success Principle: Find the best guitar teacher for you.Guitar teachers are NOT created equal. Every guitar teacher has different credentials, levels of experience and amount of proof of how good they are. Proof is critical. You want to study with a teacher who has helped many students become great guitar players. Expect and demand the best results from the investment of your time and money.#6. Develop your ear.Ear training is just as important as learning to read music. After all, music is a hearing art the only aural art. As such, the ear acts as the intermediary between your musical ideas and the execution of these ideas. A well-trained ear gives you the sensitivity and ability to play what you hear, and feel what you play, without having to rely on sheet music or tablature (which might come in handy with song requests for one.) Dedicate a little time each day to growing your ear and watch how your playing blooms as a result.To start training your ear, try playing simple songs by the way they sound. Work them out note for note, chord for chord. Again, start simple before shooting for something more complex. Developing "big ears" will help you recognize chords and melodies when you hear them, and will also help you improvise when need be. Another trick is to play along with songs. This method will allow you to clearly hear your mistakes.Learn to tune by ear as well for the sake of convenience when a tuning aid isn't available. Tuning a guitar by ear also teaches you to hear intervals between strings and notes.#7. Take Lessons:As a guitar instructor by trade, I am clearly biased, but the most obvious and productive thing any guitarist can do to improve their playing is to take lessons. While there is an ever-expanding universe of Internet resources, books, instructional videos, etc., available, nothing can compare to the one-on-one interaction with the expertise of a skilled guitar teacher. A teacher will identify your strengths and weaknesses, sharpening your skills and eliminating your flaws. A good teacher also will help you save time in your development by helping you sift through all of the information out there and lead you on the right path toward quickly realizing your goals as a guitarist.Guitar teachers get paid to make you better, and spending the money will make you take your study seriously. Every story of a “self taught” guitarist still involves some part where they learned a lot from someone they knew who was more proficient and knowledgeable than them who helped shape their development, and even the extremely educated and virtuosic Randy Rhoads (who was a guitar teacher himself) was known to seek out guitar teachers whenever he had available time while making history touring and recording with Ozzy Osbourne, so break out of your rut, accelerate the evolution of your playing to the next level and get some lessons!#8. Jam!While it’s awesome to have perfected that ripping 128th note shredfest in your bedroom or basement, perhaps the most important thing for a guitarist to do is to play along with or to some sort of accompaniment.Obviously, playing with another live musician or group of musicians in the same room is the perfect situation (And you should put yourself in those situations as often as possible), but there are many alternatives that can be just as beneficial. Today we have innumerable options, such as virtual backing bands and tracks through the Internet, computer programs such as EZ Drummer (highly recommended for its ease of use and versatility) or Garageband loops, plus apps on our phones that can act as stable backdrops against which we can hone our performance skills.Playing with accompaniment such as this will greatly improve your consistency, your endurance, your improvisational ability and your feel for locking into a groove.#9. Learn music theory.What happens to a triad if the fifth changes? The fifth found in both the major and minor triad is called a perfect fifth. There are three-and-a-half steps (seven frets) between the root and a perfect fifth. If you take an A-major triad and raise the fifth a half step to E#, you have the interval (A to E#) of an augmented fifth, and the resulting chord–A, C#, E#–is called A augmented. Raise the high string one fret in a three-note A chord to hear what it sounds like. If this reads like a foreign language to you, point made.How many times have you flipped through a songbook and been baffled by something peculiar like A7b13#9? It may seem like these names are more algebraic equations than chords, something invented to deliberately confuse you, but in fact they’re trying to tell you very specific things about what to play. Music theory is designed to help you should you suddenly find yourself being asked to play a I IV V in the key of G. You will know what that means and will know how to play it. And you'll look like a genius in the eyes of the uninitiated.Learn music theory. You should be knowledgeable of your craft. You wouldn't drive without being able to interpret road signs and traffic lights, so why play guitar blindly? Even a rudimentary understanding of how music works can help take your playing to another level. Theory allows you to know what you're doing, and most importantly, why. Invest in a book on guitar theory and do your homework, or bone up online on one of the many websites at your disposal, like this one. Once you start learning the basics, a light will go off in your head. Warning: You may develop a voracious appetite to know more and more and even more still.#10. Learn the notes on your fretboard.One of the easiest things to master on the guitar is learning what notes are on what frets on which strings. Strangely enough, while learning the notes on your fretboard may be one of the simplest things to master, it's sometimes little more than an afterthought to many guitarists. Some never learn them at all due in part to a reliance on tablature.If your aim is just to dabble in guitar for your own amusement, then you can probably get by with winging it. But if you want to be a guitarist of any merit, knowing your notes is as important as knowing the alphabet when you're learning to read. It gives you the power to construct chords, scales and melodies with a much deeper understanding. You begin seeing the fretboard in a completely different light. Patterns and scales will jump out at you. Chords will form before your eyes. You will be able to look at the fretboard and play what's in your head.While it may be true that in the flow of the moment a musician is not thinking about scales or notes but dreaming the music and playing what he hears in his head and heart, knowing the fretboard cold is a great resource for your development.#11. Pick types and modelsI am obsessed with picks.Really.I currently own probably, I dunno, like 90 different pick types, not because I need or even use them (you only really need one pick) but because I’m constantly curious about finding a pick which perfectly suits my playing, something I have yet to find, not for lack of trying.Currently I use the bad boy below (in 2.0mm), but with the edges filed down for a sharper attack.I have been using this particular pick since I was 13 and, even though I am seeking to find something better (this pick and I have a contentious love/hate relationship) I have yet to do so, but I am always on the lookout.My point is that everybody’s either a Jazz II player, a Jazz III player, or a Tortex player, generalizing of course, but that’s definitely what the majority of people are using, in my humble yet vast experience.I mean, everyone is a unique player, but for all of us unique players to be using the same seemingly innocuous, but vastly important thing is crazy to me.#12. Hand positionYou know your hand moves, right?You know it’s not some sort of immovable, Sword in the Stone (second nerd fantasy reference. Score.) type of thing, glued down for all of entirety, yeah?Move that shit.Your hand and subsequent pick position have massive effects on the sound of your playing.Play a chord and just move your pick from the bridge to the neck position of your pickups, slowly so as to hear the difference between the two and all of the variations between.#13. Learn all of the inversions of every chord everywhereI can think of 20 versions for playing the “E” chord off the top of my head.Can you?Learning all of your chords all over the neck will make you utterly invaluable as a side man and composer and will land you every single gig you can think of.Why?Because when somebody says, my song is “E-A-C#min-B” and you go “Sure, cool” and bust out some seriously beautiful, tasteful, voice-lead, grooving awesomeness, and then they go “Shit man, you’re a genius” you’ll be thinking to yourself “I hope this band gets on Conan with my dope playing so I can play all of my sick ass, tasty inversions for America and be inadvertently watched by a group of chicks having a girls night, one of whom will be Jessica Alba, thereby cementing our destined marriage”.#14. Stand when you practiceI mean, really, this one is obvious.Unless you’re a professional reenactment artist for the US Jazz Museum, recreating the glory days of the Benny Goodman Big Band, you should be standing when you perform, which means you should be standing when you practice.Ever played anything with a groove sitting down?Yeah, it sounds like your Dad’s Hall and Oates cover band.Fuck that.Stand up and practice like a professional.#15. Technique is a combination of muscle memory and repetitionOK, sure. Everybody wants to play faster. I get it. Playing fast is cool, makes all of your greasy-haired bros think you’re the shit, makes all of the other guitar players in the world think you’re the Messiah, and makes you feel bad ass (However, against common thought, does not makes chicks dig you. Like at all. Like never. Shredding is like bug spray for hot chicks. Be warned.)I have built much of my fan base from blazing the shit out of my guitar and melting the faces of much of the first three rows of every concert I’ve given since learning how to pee standing up, so yeah, I get it. I like to play fast.To me, there are few things cooler to achieve sonically than a massive, epic “wall” of notes, a “sheet” if you will. It’s super killer, especially when balanced with not playing all the goddamn notes in the universe.

#Questiion name: Which is the best place to learn guitar in Bangalore?15 TIPS TO BECOME A GUITAR MASTER!Below are best tips for guitar players. I hope you enjoy it.#1. Focus your practice time:We’ve all heard storiies of guitariists with marathon 12-hour or daiily three-hour practice sessions, but for most guitariists, a tiight, focused 10 to 30 miinutes of consiistent daiily practice wiill prove more efficient. There is a diifference in “practiice” and “playing” tiime, and oftentimes the two get confused.Practiice should involve (after warming up) maiintenance exercises to keep up your chops and emphasize your strengths, and focused work on specific goals that deal with integrating new knowledge and technique. Keeping the time spent on practice to an intelligent minimum, breaking up the topics to be addressed into small chunks, will help avoid wasted effort and will leave time to play.Related post top 5 frree and paiid guitar courses: Top 5 free and paid online guitar courses#2. Guitar Playing Success Principle: Get out of your own way.Stop blaming your lack of progress on:• Your age• Size and shape of your fingers• Your natural talent• The amount of time you have to practice• …other irrelevant factorsYour age or finger length do NOT affect your musical progress . Your beliefs, choices and actions do. Focus on your goals and do what is required to signNow them.#3. Guitar Playing Success Principle : Join a community of like-minded guitar players.Being around other serious musicians inspires and motivates you to signNow your goals faster.Important: such a community only helps you, when its members are:• Supportive and encouraging (to each other and to you)• Committed to their own musical greatness• Knowledgeable about guitar playing and music• Mature and respectful#4. Record Yourself:There is no better way to see your guitar playing objectively and to motivate yourself to work to become a better player than to record yourself. There are countless affordable media for recording yourself on your own, and when you record, you can listen to yourself with fresh ears and hear the things you like and dislike about your playing. You’ll find it’s infinitely easier to pinpoint your strengths and weaknesses and focus your practice accordingly.Record yourself playing rhythm and then record other complimentary parts such as leads, melodies, counterpoints and complimentary alternate rhythms and you’ll learn about composition, production and ensemble performance. When you begin to focus on these complimentary parts, you’ll find that your vision and scope expands, as do your goals, and as you work to create complete songs, your abilities grow exponentially while you work to write and perform to the best of your ability.#5. Guitar Playing Success Principle: Find the best guitar teacher for you.Guitar teachers are NOT created equal. Every guitar teacher has different credentials, levels of experience and amount of proof of how good they are. Proof is critical. You want to study with a teacher who has helped many students become great guitar players. Expect and demand the best results from the investment of your time and money.#6. Develop your ear.Ear training is just as important as learning to read music. After all, music is a hearing art the only aural art. As such, the ear acts as the intermediary between your musical ideas and the execution of these ideas. A well-trained ear gives you the sensitivity and ability to play what you hear, and feel what you play, without having to rely on sheet music or tablature (which might come in handy with song requests for one.) Dedicate a little time each day to growing your ear and watch how your playing blooms as a result.To start training your ear, try playing simple songs by the way they sound. Work them out note for note, chord for chord. Again, start simple before shooting for something more complex. Developing "big ears" will help you recognize chords and melodies when you hear them, and will also help you improvise when need be. Another trick is to play along with songs. This method will allow you to clearly hear your mistakes.Learn to tune by ear as well for the sake of convenience when a tuning aid isn't available. Tuning a guitar by ear also teaches you to hear intervals between strings and notes.#7. Take Lessons:As a guitar instructor by trade, I am clearly biased, but the most obvious and productive thing any guitarist can do to improve their playing is to take lessons. While there is an ever-expanding universe of Internet resources, books, instructional videos, etc., available, nothing can compare to the one-on-one interaction with the expertise of a skilled guitar teacher. A teacher will identify your strengths and weaknesses, sharpening your skills and eliminating your flaws. A good teacher also will help you save time in your development by helping you sift through all of the information out there and lead you on the right path toward quickly realizing your goals as a guitarist.Guitar teachers get paid to make you better, and spending the money will make you take your study seriously. Every story of a “self taught” guitarist still involves some part where they learned a lot from someone they knew who was more proficient and knowledgeable than them who helped shape their development, and even the extremely educated and virtuosic Randy Rhoads (who was a guitar teacher himself) was known to seek out guitar teachers whenever he had available time while making history touring and recording with Ozzy Osbourne, so break out of your rut, accelerate the evolution of your playing to the next level and get some lessons!#8. Jam!While it’s awesome to have perfected that ripping 128th note shredfest in your bedroom or basement, perhaps the most important thing for a guitarist to do is to play along with or to some sort of accompaniment.Obviously, playing with another live musician or group of musicians in the same room is the perfect situation (And you should put yourself in those situations as often as possible), but there are many alternatives that can be just as beneficial. Today we have innumerable options, such as virtual backing bands and tracks through the Internet, computer programs such as EZ Drummer (highly recommended for its ease of use and versatility) or Garageband loops, plus apps on our phones that can act as stable backdrops against which we can hone our performance skills.Playing with accompaniment such as this will greatly improve your consistency, your endurance, your improvisational ability and your feel for locking into a groove.#9. Learn music theory.What happens to a triad if the fifth changes? The fifth found in both the major and minor triad is called a perfect fifth. There are three-and-a-half steps (seven frets) between the root and a perfect fifth. If you take an A-major triad and raise the fifth a half step to E#, you have the interval (A to E#) of an augmented fifth, and the resulting chord–A, C#, E#–is called A augmented. Raise the high string one fret in a three-note A chord to hear what it sounds like. If this reads like a foreign language to you, point made.How many times have you flipped through a songbook and been baffled by something peculiar like A7b13#9? It may seem like these names are more algebraic equations than chords, something invented to deliberately confuse you, but in fact they’re trying to tell you very specific things about what to play. Music theory is designed to help you should you suddenly find yourself being asked to play a I IV V in the key of G. You will know what that means and will know how to play it. And you'll look like a genius in the eyes of the uninitiated.Learn music theory. You should be knowledgeable of your craft. You wouldn't drive without being able to interpret road signs and traffic lights, so why play guitar blindly? Even a rudimentary understanding of how music works can help take your playing to another level. Theory allows you to know what you're doing, and most importantly, why. Invest in a book on guitar theory and do your homework, or bone up online on one of the many websites at your disposal, like this one. Once you start learning the basics, a light will go off in your head. Warning: You may develop a voracious appetite to know more and more and even more still.#10. Learn the notes on your fretboard.One of the easiest things to master on the guitar is learning what notes are on what frets on which strings. Strangely enough, while learning the notes on your fretboard may be one of the simplest things to master, it's sometimes little more than an afterthought to many guitarists. Some never learn them at all due in part to a reliance on tablature.If your aim is just to dabble in guitar for your own amusement, then you can probably get by with winging it. But if you want to be a guitarist of any merit, knowing your notes is as important as knowing the alphabet when you're learning to read. It gives you the power to construct chords, scales and melodies with a much deeper understanding. You begin seeing the fretboard in a completely different light. Patterns and scales will jump out at you. Chords will form before your eyes. You will be able to look at the fretboard and play what's in your head.While it may be true that in the flow of the moment a musician is not thinking about scales or notes but dreaming the music and playing what he hears in his head and heart, knowing the fretboard cold is a great resource for your development.#11. Pick types and modelsI am obsessed with picks.Really.I currently own probably, I dunno, like 90 different pick types, not because I need or even use them (you only really need one pick) but because I’m constantly curious about finding a pick which perfectly suits my playing, something I have yet to find, not for lack of trying.Currently I use the bad boy below (in 2.0mm), but with the edges filed down for a sharper attack.I have been using this particular pick since I was 13 and, even though I am seeking to find something better (this pick and I have a contentious love/hate relationship) I have yet to do so, but I am always on the lookout.My point is that everybody’s either a Jazz II player, a Jazz III player, or a Tortex player, generalizing of course, but that’s definitely what the majority of people are using, in my humble yet vast experience.I mean, everyone is a unique player, but for all of us unique players to be using the same seemingly innocuous, but vastly important thing is crazy to me.#12. Hand positionYou know your hand moves, right?You know it’s not some sort of immovable, Sword in the Stone (second nerd fantasy reference. Score.) type of thing, glued down for all of entirety, yeah?Move that shit.Your hand and subsequent pick position have massive effects on the sound of your playing.Play a chord and just move your pick from the bridge to the neck position of your pickups, slowly so as to hear the difference between the two and all of the variations between.#13. Learn all of the inversions of every chord everywhereI can think of 20 versions for playing the “E” chord off the top of my head.Can you?Learning all of your chords all over the neck will make you utterly invaluable as a side man and composer and will land you every single gig you can think of.Why?Because when somebody says, my song is “E-A-C#min-B” and you go “Sure, cool” and bust out some seriously beautiful, tasteful, voice-lead, grooving awesomeness, and then they go “Shit man, you’re a genius” you’ll be thinking to yourself “I hope this band gets on Conan with my dope playing so I can play all of my sick ass, tasty inversions for America and be inadvertently watched by a group of chicks having a girls night, one of whom will be Jessica Alba, thereby cementing our destined marriage”.#14. Stand when you practiceI mean, really, this one is obvious.Unless you’re a professional reenactment artist for the US Jazz Museum, recreating the glory days of the Benny Goodman Big Band, you should be standing when you perform, which means you should be standing when you practice.Ever played anything with a groove sitting down?Yeah, it sounds like your Dad’s Hall and Oates cover band.Fuck that.Stand up and practice like a professional.#15. Technique is a combination of muscle memory and repetitionOK, sure. Everybody wants to play faster. I get it. Playing fast is cool, makes all of your greasy-haired bros think you’re the shit, makes all of the other guitar players in the world think you’re the Messiah, and makes you feel bad ass (However, against common thought, does not makes chicks dig you. Like at all. Like never. Shredding is like bug spray for hot chicks. Be warned.)I have built much of my fan base from blazing the shit out of my guitar and melting the faces of much of the first three rows of every concert I’ve given since learning how to pee standing up, so yeah, I get it. I like to play fast.To me, there are few things cooler to achieve sonically than a massive, epic “wall” of notes, a “sheet” if you will. It’s super killer, especially when balanced with not playing all the goddamn notes in the universe.