Fill and Sign the Artist Management Agreement Secgov Form

Artist Management Agreement Page 1 of 9 Artist Management Agreement Agreement made on the day of , 20 , between of , (Name of Artist) (Street Address, City, County, State, Zip Code) referred to herein as the Artist; and of (Name of Manager) , referred to herein as Manager. (Street Address, City, County, State, Zip Code) Whereas, the Artist wishes to obtain advice, guidance, counsel and direction in the development and advancement of the Artist's career as musician, recording and performing artist and in such new and different areas as the Artist's artistic talents can be developed and exploited; and Whereas, the Manager, by reason of the Manager's contacts, experience, resources and background, is qualified to render such advice, guidance, counsel and direction to Artist; Now, therefore, for and in consideration of the mutual covenants contained in this agreement, and other good and valuable consideration, the receipt and sufficiency of which is hereby acknowledged, the parties agree as follows I. Services of the Manager. The Manager agrees to render such advice, guidance, counsel, direction and other services as the Artist may reasonably require to further the Artist's career as a musician, composer, recording and performing artist, and to develop new and different areas within which the Artist's artistic talents can be developed and exploited, including but not limited to the following services: A. To represent the Artist and act as the Artist's negotiator, to fix the terms governing all manner of disposition, use, employment or exploitation of the Artist's talents and the products thereof; B. To supervise the Artist's professional employment, and on the Artist's behalf to consult with employers and pr
Ac tice and manage the artist's appearance at places of employment; c. To negotiate, negotiate and contract arrangements for services in respect of: a. Employment of the artist; i. Artist's name, address, and other information concerning the artist; i. Recordings which are being offered; ii. Performances which are scheduled to be performed; ii. The artist's financial matters; and to negotiate and contract in relation thereto, including such services as may be necessary for the artist to make a living and be able to support her family, and to negotiate and negotiate for artist's contracts with businesses or businesses groups (except where the parties mutually agree otherwise) b. The performance of the artist's services as musical artist, composers, composers/percussionists, vocalists and interpreters, arrangers/choreographers, and performers and, on the artist's behalf, to receive performance fees, royalties, performance royalties, compensation for expenses and payments on artist's behalf, in all kinds of media; c. All matters within the scope of the artist's management right, including all rights to the artist's property, including but not limited to the rights of ownership; d. Management rights in respect of a recording artist- including, without limitation, licensing, manufacturing, distribution, marketing, merchandising operations; e. Artist's business affairs including: e. Business management, accounting, business planning; g. Licensing, manufacturing, distributing, marketing, merchandising and business operations for and with businesses and businesses groups; and h. Management of artist's personal business activities and business affairs; and i. To advise the artist on legal matters, whether to commence or to obtain orders, rights, agreements or other instruments of contract for artistic activities and to advise the artist as to such matters as have relevance to the artist's career as a musician, recording and performing artist and the artist's new and different areas of exploitation, including but not limited to: a. Rights, rights of attribution and integrity of the artist's work and the artist's creative expressions; i. Protection of the artist's privacy, privacy rights; ii. Rights in respect of the artist's intellectual property; and iii. Privacy and personal rights in respect of any communication to the public made by the artist; f. Representations, recommendations and analyses by the manager of new and commercial opportunities and new and new areas of industry; g. To develop artist's potential in music as a recording artist and musical instrument performer; h. Develop artist's potential in other entertainment.