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FAQs
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What is it like for a foreigner living in Tallinn?
(I started to answer a very short answer and ended up with a long entry. I hope you find it useful.)As Richard Tuisk said, it depends a lot on where you are from. However, let me tell you what my experience has been so far in Estonia, what I think it is good and what I would see as a downside of living here. Of course, I need to qualify my answer by saying that I am Latin American, but also have lived in four other countries (including the US where I went to college).A quick introduction: Estonia is a small country located in the Baltic Sea next to Russia and Latvia and very close to Finland. It is part of the European Union. The area of the country is roughly the same as Switzerland or as Maryland and Massachussets combined. There is about 1.3 million people living here which means it is not densely populated. The country is essentially flat, except in the south where you find the highest point at 318 meters (1043 ft). The main city and where I live in is Tallinn. The population is about 400,000 people. Tartu is the second city with about 100,000 people and all the rest of towns are smaller than that.Immigration systemIf you are European, moving here is no problem as you enjoy all the benefits of any country within the European Union. If you are not European, the main reasons people immigrate here is to work which would guarantee a working visa or if you are married to an Estonian citizen which allows you to apply for a visa as long as you have enough funds to live here.Overall, the process to get a short-term visa is straight forward. Obtaining a long-term visa is more complicated as you have to speak the language at a relatively high level. Obtaining a citizenship requires that you give up your own citizenship.JobsAlthough Estonia suffered also during the 2008 crisis, there is enough jobs in areas of business and technology for people to move here. One of the problems Estonia faces is that it does not have enough people to fill all jobs in IT areas as I hear.There is a few big companies who recruit people from abroad, but if you don't speak the local language, your opportunities are reduced to the IT area (I work for Skype which originated here in Estonia which was acquired by Microsoft in 2011). You can see a list of notable companies here: List of companies of EstoniaSocial interactionEstonians tend to be reserved in comparison to other Europeans. I suggest to foreigners who come here to be aware of differences so they are not taken by surprise. Some examples of faux pas I have encountered:Using smalltalk in a conversation.Saying good morning when coming to office or good bye when leaving.Smiling with no reason (I have to accept that this could be awkward in Northern Europe and some parts of the US, but it is totally normal in Mediterranean or Latin American environments).Being noisy. People love their quiet here.However, it is totally Ok to try to make a conversation in English especially with young people. I am learning Estonian and try to use the language when I can, but in some occasions (say, at the pharmacy), I need to switch to English and have never found anyone being annoyed by that.The exception to all of this is if you meet young people. They tend to be more open and curious (especially women). I am speaking about more casual environments such as a cafe or a restaurant, but a bit less at work. Another obvious exception is if you are in a touristy area (such as the Old Town in Tallinn), but this should go without saying.It is totally Ok to be in a group of people and be totally silent. For example, you can have lunch or share a cab with Estonians when no one is speaking, but there is no awkwardness on it. Another thing is that people do not demonstrate much through their expressions which is one of the difficult things to deal with for me. Remember, I come from a country where you smile or frown or show your teeth if you want someone to understand you clearly.When having a conversation with an Estonian, you should say what you mean and mean what you say (remember what I said about smalltalk?). For example, if you ask "how are you?" to an Estonian, do it only if (a) you really want to know how the other person is, and (b) don't ask it if you don't know the person well. I value that Estonians take your word at face value and you should do the same with them.One word of advice is that Estonians can be very critical of others, but they are mainly critical of themselves. Someone told me once that complaining is a national sport, and I have to agree with that. In other words, when they tell you that something is truly bad here in this country, you have to take it with a grain of salt.Because of this, you should also expect that people are straight forward with you. In some cases, this borders on rudeness if I measure by my home country's standards, but here is totally Ok. I have seen a few foreigners getting shocked by that, but you get used to it. In other words, they are not politically correct (this I like very much).Also, because people are economical with the language, you shouldn't expect what I would call, a "warm" communication most of the time. As a latin person, I need to say and hear things on a beautiful way, but this doesn't happen here much. It is different when you start to get to know locals.Which brings me to the last point. It takes a while before you break the ice with an Estonian, but it is worth waiting. I have had the chance to establish a closer link with some locals outside my wife's family and I find an honesty and sincerity that I haven't seen in other places. If you get to that point, congratulations, as you have made it through this journey. By this time, you should also be an expert on sharing saunas with people you don't know (and yes, naked) and have had your share of vodka.Quality of life, services, infrastructureWhen compared to other places where I have lived, I have to say that Estonia still doesn't signNow the level of living in Germany or the US, but it is getting closer by the day. However, I would say that Estonia is already at the level that I would call it first-world country in most aspects.Infrastructure and services need some improvement, but they provide the minimum level of service. For example, if you don't have a car, you can use public transportation everywhere even if buses, trains or trams are sometimes old. Roads in Tallinn are Ok, even if you find potholes in some places. Services such as schools and hospitals are public which means that there is always a waiting list. If you need to visit a specialist doctor, you have to wait. On the other hand, the wait is not as bad as in third-world countries (like where I come from). Also, those services are basically free. The downside is that there is almost no private service, and even the ones there are rely partially on the public health system for some aspects.I have had two children born here and had no complaints about the process. In fact, I felt that everything was very professional and that they always try to do their best. However, when I spoke with Estonians, some of them were very surprised that I spoke highly of the hospital system. I guess it's up to my personal point of view in this case.Taxes are low. Personal income tax is 21% flat for everyone. If you live here and your visa allows it, you can create your own start-up in no time which is prevalent among young people in IT.By the way, unemployment was at 8% at the end of Q3 in 2013. I am no economist, but I understand that this is still considered high. However, it came down from 10.2% at the end of 2012.Food, shoppingEstonia has the typical supermarkets like any other European country. There is also local markets, but you probably need to speak Estonian or Russian. Typical food you find are potatoes, wheat-like grains, oats and so on. Pork meat and fish are eaten often here, but beef is not yet too common. Vegetables and fruits tend to be expensive. I miss having international food though. There is one supermarket in town (Stockmann) that carries some international products, but it is very expensive. I was used to visiting Oriental-type shops in Ireland and Germany, but there is none here that I know of.There is a few shopping centres, but the variety is not wide. I am in favor of buying local to support businesses here, but in many cases, we end up buying from abroad because of the lack of options or because we would have to wait for too long. For example, my wife and I love movies (yeah, still buying old-fashioned DVDs), but there is no shop that fills our expectations. Because of that, we buy everything from Amazon.ActivitiesIf you love nature, you are in luck. There is a lot of natural areas in the country and they are a short drive away. There is plenty of sea shores, forests, rivers and lakes. In the Summer you can do hiking, camping, canoeing and you can add cross country skiing in the Winter. Estonians love nature in general.If you are a city person (like myself), then that's another story. There is a few theatres, cinemas, galleries and so on, but everything is limited. Tallinn itself has the most interesting activities in the center. There is plenty of good restaurants though.Cinemas show the popular movies like everywhere else and you can find some artsy type of cinemas for alternative movies. No movie is dubbed here, but they usually carry subtitles in both Estonian and Russian.What is impressive about this countryThere is a few good things that I haven't seen outside Estonia. The first one is the electronic system prevalent in this country. When you are a foreigner and get your Estonian ID, you are also getting your electronic identity. With that, you can file taxes online, access information about property, bank accounts, mobiles, whatever services you need. When you get your local ID number, you automatically get a local e-mail address at the eesti.ee domain that you can redirect to your personal account. With that, you never miss an official communication (such as whenever is time to file your taxes).That ID has also legal validity and you can sign documents electronically anywhere in the world. For example, if you apply to get a car leasing, you don't have to show up at the bank necessarily. They send you some forms, you put your ID card in your computer reader, sign the document electronically, and send it back and that's it. It is the equivalent of putting your signature on paper in front of the bank official or lawyer. Estonian citizens and permanent residents are even allowed to vote online with their ID.A second impressive area is bureaucracy: it is a well-oiled machine. One recurrent example is taxes. You get the notification that your taxes are ready to file, you login to the tax office site, sign in, check that they have the correct information that they have collected from your company, employer and so on, sign with your ID card, and that's it. It might take as little as five minutes. My wife and I file jointly, so it takes us much longer: twenty minutes (and that's because we always forget to do one crucial step so we are delayed).The government doesn't even use paper for their minister meetings. They file everything electronically which is made available so you can follow up agendas, minutes and whatever happens there.You want to open your own company? It might take literally twenty minutes to do that too. All of this thanks to the frictionless bureaucratic system they have here. You want to park? Send a text to the number 1902 with your plate number and where you are parking and it will be charged to your mobile.One more impressive part: internet. Besides having decent speeds, there is practically free access points everywhere through the country. I personally have witnessed free available working access points in national parks and public beaches. You can read this article that talks about this (read the date: 2005!): Estonia sets shining Wi-Fi exampleIn my case, I don't use access points much because I have a decent LTE connection with my mobile. Mobile companies have good coverage and relatively good service. I remember that when we got our internet when we moved here, it took only one day to install it. When I measured the effective speed a few months later out of curiosity, it was 50 Mbps. Not bad.The downsidesAs anywhere else, there is a few things that you need to be aware of that could be difficult to adapt to.The first part for me is the social interaction which tends to be dry and quiet. I mentioned that above, so not much more to say here.Another one is the weather. In Winter, the sun might rise at 9:30 in the morning and set at 3 in the afternoon. That's just about six hours of sunlight. If you add that it is cloudy most of the time during the Winter, then you realise how dark it might be. As counterposition, Summers are amazing (up to 20 hours of sunlight and clear skies easily).Winters are relatively long. It gets cold around the end of October and stays that way until around April. It varies from year to year, but sometimes the temperature drops to -30 degrees Celsius (-22 F). Life rarely stops here because of the cold or snow though. I have taken the bus at -30 degrees Celsius. It makes for an interesting ride.One more problem for a foreigner to live here is that you feel a bit isolated from the world. Flights are available mainly to neighbouring countries plus Germany, UK and the Netherlands. If you are from another country, you always need to make connections which makes it longer and more expensive to go back home.Last, if you are from a big city, you might find even Tallinn a bit provincial. It is changing as of late though. On the other hand, there is some positive things out of this too: less crime and virtually no traffic jam as I know it (I live 20 km. from work and make it in 30 minutes on a good day and 45 on a bad one).If you are thinking to move here, I definitely recommend this place.
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Why does no one make a movie series based on Asimov's Foundation?
One cannot deny that putting Asimov's Foundation series up on the big screen presents a real challenge, between screenwriters, producers, and directors, to say nothing of the moguls who finance and greenlight the project only if they think it might make a profit.The easiest part to explain is the moguls. Experience often shows that if you aim high as to intelligence, the movie ends up as a small "indie" film, or about as successful as one, but if you aim low, there is little to no risk of losing money by insulting the intelligence of the audience. Even the very stupidest movies can become "cult classics" out of their sheer stupidity (think of "Food Fight" or "Garbage Pail Kids" or "Felix the Cat" or “Plan 9 From Outer Space”). Foundation does not scale down well in intelligence, so very little money will ever likely be put into it.Producers and directors want to put lots of explosions and space battles in it because they think this will make the movie more exciting to audiences, but this would so severely betray and violate the whole point and charm of a Foundation film. The temptation seems to be to use the title, and perhaps some of the characters and basic situations, and then throw a lot of name stars and useless special effects, love affairs and sex scenes, shootouts and chases, all with no connection to the story at it, and hope that makes it a hit. But it is the writers who have the biggest challenge.Dr. Asimov gives this account of his rereading of the original Foundation trilogy when preparing to begin its next novel, “Foundation’s Edge”: “… about the end of May, I picked up my own copy of The Foundation Trilogy and began reading. I had to. For one thing, I hadn't read the Trilogy in thirty years and while I remembered the general plot, I did not remember the details. Besides, before beginning a new Foundation novel I had to immerse myself in the style and atmosphere of the series. I read it with mounting uneasiness. I kept waiting for something to happen, and nothing ever did. All three volumes, all the nearly quarter of a million words, consisted of thoughts and of conversations. No action. No physical suspense. What was all the fuss about, then? Why did everyone want more of that stuff?—To be sure, I couldn't help but notice that I was turning the pages eagerly, and that I was upset when I finished the book, and that I wanted more, but I was the author, for goodness' sake.”One of the biggest criticisms of the work is that it seems to consist almost entirely of people talking in rooms. An attempt to turn those conversations into impressive space battles would invariably fall flat on its face. The complaint has also been made that there are no continuing characters in this series. Though a person might show up in a couple segments (e. g. Salvor Hardin), and of course, Hari Seldon’s influence in the form of the Seldon Plan runs throughout the whole series, unifying it, there are no characters who exist throughout the whole thing. There is always the question of what to leave out and what to keep in, and what might be added that an audience would want to see. Audiences are often hard to please, and probably hardest when dealing with going from a book to a movie where the book is so well-known that everyone watching the movie will quickly see what was changed, and generally comment unfavorably on that difference.Then there is the problem of what to do with the technology. Extrapolations of 1940’s technology pervade the series, and when putting it to film what should one do? The most common approach seems to update the technology to predictable extrapolations of whatever technology is current when the film is being shot. It is generally easier and can help present day audiences to feel we are dealing with a “future” when seeing technologies which seem so to us today. But such attempts rapidly become dated, and instead of portraying a time at least 12,000 years in the future it ends up instead portraying a time at least 20 years past. Think of how AOL-styled emails of “You’ve Got Mail” (1998) rapidly came to look ridiculous in comparison to the snail mail of “Shop Around the Corner” (1940) that still hold up. Or again, “The Puppet Masters” (1994), following the book so closely in some ways (especially in the first part) and in the casting of the three main leads, but then deviated in several ways (most notably from a technological standpoint) by introducing satellite heat signature recognition as a way of detecting who is infected and deleting the whole Titans subplot.The biggest problem in that area was the slow progress in computer technology in the Foundation series. Who could have believed in the 1940’s and 1950’s that computers would become so powerful and at the same time so microminiaturized within a scant 50 years, and yet at the same time Robotics (and especially the ability to create a functional humanoid robot, complete with at least apparent feelings, thoughts, creativity, problem-solving, and imagination, as to approximate human capabilities, coupled with machine-like perfection and speed, remains far behind the levels that Asimov expected for the same period in his Robot series. So here we are supposedly 12,000 or more years in the future and yet in the story shipboard computers are barely above the level of the surprisingly primitive computers of the Apollo Lunar Module. Since computing power does factor in on occasion, what do we do with that in such a movie?Granted, these are all serious challenges, far too great for the limited imaginations of our typical Hollywood types to work with (hence their proclivity to make dumb sequels and retreads, all because they just can’t think of anything else), so it really is quite possible that there may never be a Foundation movie, or just as bad, never a credible adaptation of it that retains anything much at all of what the series is truly all about. But is it really all that impossible? I think not.Let’s start with one of the easier things to deal with, namely the technology of so distant a future. There is a new and better approach that already has some precedent in the steampunk and retrofuturism movements, first glimpsed on film (that I know of) in “1984” (1984), in which the technology seen was not the mid-1980’s technology as it actually existed currently, but a reasonable projection of the future from what things were like in 1948 when George Orwell originally penned the novel. By 1984, real offices often had mainframe computers with (dumb) terminals in each office, and would email to transmit messages about, but in “1984” they are still using pneumatic tubes. It is as if someone with all the cinematography skills and techniques and experience we have today were to have existed back in 1948 and had been sufficiently funded to apply those skills as needed. With this approach, all of the technological anachronisms of Foundation cease to be a problem; we are simply telling the story as originally envisioned by the author, and as originally read by its first readers in it own original time. This could also be a good approach in connection with the men and women and how they relate to each other, no need to impose contemporary norms; anyway, Asimov has some truly good and strong female characters as written, albeit set in ways that seem out of sync with how people view things today. Just treat it like a period piece.Next, let’s look at how the problem of the moguls (and of funding) might also be solved, and best so “in the typewriter,” so to speak. The answer to this is largely staring us in the face already, namely the fact that so very much of the series is just people talking in rooms. How about simply forget trying to figure out portrayals of the things discussed and simply have the conversations as given in the series itself? That one thing alone would be a truly vast savings on production costs. Another big savings would be that for what few space battles are seen the technology that now exists has made the production of such scenes much easier and cheaper that it would have been in former years. CGI graphics today has come a long way, and even “last year’s technology” in that could still look quite excellent and sufficient for the needs of this series.People talking in rooms doesn’t sound very exciting, and hardly a basis for a movie, but then recall “My Dinner With Andre” (1981) which, despite being literally nothing but two guys having a conversation in a restaurant, actually manages to be quite captivating as a truly excellent film. Only, instead of discussing philosophies of life what we have here are power brokers discussing the direction the future should take, making all-important decisions, negotiations, and even outright takeovers. As Khan said (in the Star Trek episode, Space Seed), “It has been said that social occasions are only warfare concealed.” Or again, think of your average courtroom drama. What, after all, IS a “Courtroom Drama,” but “people talking in a room”? And for that matter, one early scene consists of Hari Seldon himself in some sort of actual “trial.” About 95% of the whole Foundation saga can properly be regarded as a “bottle show.” It is always the search for survival, as well as the truth about the Plan: How will Hari Seldon avoid having his group shut down by the Empire? How will the Foundation, now located on Terminus at the edge of the Galaxy, drive Anacreon from their soil? How can the Foundation religion be used to turn aside a subsequent attack from Anacreon? How will trade replace the religion as a much further means of expansion? How does the Foundation survive the last great attack of the declining old Empire? What recourse is there if history fails to unfold as planned? And so forth.Any film that rises even the tiniest bit above the mere shoot-em-up has to feature scenes of exposition, people talking and explaining what has been going on, or what scam the bad guy is trying to pull, or what the good guy is doing to fight it, or “whodunit?” and so forth. The Foundation series is almost pure exposition. So actually, it is mostly comprised of the most interesting part of most films. Where would Star Wars be without “No, Luke, I am your father”? All the swordplay that precedes and follows that iconic moment of exposition almost might as well be a mere arm-wrestle for all the interest it has in comparison.Science fiction writer and critic James Gunn said of the Foundation series, “Action and romance have little to do with the success of the Trilogy—virtually all the action takes place offstage, and the romance is almost invisible—but the stories provide a detective-story fascination with the permutations and reversals of ideas.” If any attempt to film Foundation is to prove credible, at the very least this detective-story fascination with permutations and reversals of ideas must feature at the center of it all. Yes, there can be room for some action or romance, but these things must take a back seat (if present at all). Think of Murder She Wrote, or Columbo, or Ellery Queen. It is not any (much) action or romance that drives the tale (though those things can enter in occasionally), but (in those cases) the seeking for the truth. This last of course points to something else about how to do it, namely as a television miniseries. Think of the different ways that a war is portrayed in films versus television shows: In a feature film one can have a “cast of thousands,” a veritable sea of soldiers fighting throughout a vast battlefield, but on television it makes far more sense to show merely a few single pairs of soldiers duking it out. Foundation is full of such “single pairs” and small groups “duking it out” with psychohistory, or with the mentalic powers of the Mule or of the Second Foundation.That leads to the last point, namely casting decisions. When making feature films one often tends to seek out known “name” talent, but in this case such “name” talent should only be permitted if their own interest in such a project would make them willing to accept a pay scale commensurate with that of new and (relatively) unknown and untried acting talent. It is amazing how people, especially those who understand how a future career in acting depends upon their performance here, can rise to the occasion in ways that surprise everyone including themselves. As for the lack of continuing characters throughout the series, even that need not be considered much of a problem. Making a series about, for example, the Bible, or even such a miniseries as Roots, certainly did not suffer from the lack of a single continuing character (unless you want to count God in the first case, or Racism (as like a “character”) in the second. And for that there is Psychohistory and the Seldon Plan.So, is it doable? Absolutely! Will it happen, and in a credible manner? Unfortunately those sorts of decisions extremely seldom fall to those capable of making them competently. Given enough time, almost anything, however unlikely, is practically bound to occur, eventually. Just don’t hold your breath waiting for it.ADDENDUM:Well, it looks like this could happen after all. Apple has greenlit a feasible effort which even includes Isaac Asimov's own daughter among the production staff. Perhaps previous attempts have failed due to attempts to compress such a vast saga into a single film instead of a series. For myself, I pictured a 4-part miniseries, each part (ranging from 90 to 120 minutes including credits) taking on about three "installments" per part:Part 1 (Founding the Foundation): The Psychohistorians, The Encyclopedists, The MayorsPart 2 (Facing the Empire): The Merchant Princes, The Traders, The General (I will get to the rationale for the order reversal, below)Part 3 (The Mule): The Mule (both parts, as published November and December 1945), Search by the MulePart 4 (The Two Foundations): Search by the Foundation (all three parts, as published November and December 1949 and January 1950)I had dreams of trying to write the screenplay myself (contract or no, just for my own interest), but that probably won't ever be realized, at least not in the immediately foreseeable future, but I do have some thoughts; they are truly mine, apart from their direct borrowing from Asimov's original work and also the existing stories authorized by the Asimov estate, and I offer them freely, hoping that other fans will pick up on these and say, "yes, these are good ideas" and hope the production will be positively influenced by them.One idea is to borrow a bit more from the original series as published in Astounding, which differs somewhat from the book versions. For example, the original published installment (now known as the Encyclopedists) had a short series of paragraphs portraying a meeting conducted by Hari Seldon which might be combined with the closing parts of the Psychohistorians, such that he says, not merely to Gaal Dornick one on one, but to his gathered Psychohistorians and Mathematicians at the close of the last meeting he is to preside at, "I am finished!"In that same vein of pointing to the original published stories, The Traders would be about an episode from the past life of Lathan Devers. It would be added after the part (in The General) that introduces Emperor Cleon II and Brodrig and before we return to Bel Riose and Ducem Barr. Sennet Forrell and his three cronies are again gathered, and Sennet is introducing his fellow members to this Trader who really is a real Trader (unlike the fake "Trader" Jaim Twer who was found out by Hober Mallow), loyal to the Foundation, a great spy, brilliantly clever, and extremely resourceful. To illustrate the point, the events of The Traders (or "The Wedge") are told as a backstory (in only 5-10 minutes of screen time - or 3-5 minutes if we are trying to squeeze it all into a one hour episode) so that audiences can better understand and appreciate who he is, and deepen his character with real Asimov Foundation material originally so intended.(For the books, it made sense to reverse the order of the two stories since to end the first volume on a relatively minor trading victory would have made a very weak ending for the book. The triumph of Hober Mallow and his successful navigation of a Seldon Crisis made for a strong and fitting climax to the first book. So the order was inverted, and as Lathan Devers could not have possibly lived long enough to precede Mallow and then yet still face the Empire, a new protagonist Limmar Ponyets was introduced, along with a few textual adjustments made to that story and Mallow's to make it seem as if their inverted order made sense. But as originally published, it was Lathan Devers who first sold nuclear gadgets to the Askonians, and that could be here reasonably restored. The only other alternative has been to omit The Traders altogether as does (for example) the BBC radio series production.)Now, Apple has greenlit a 10-part television series - how would that divvy up? What I had is effectively 12 parts, but with The Traders subsumed into The General, and the Search by the Foundation, originally published in three parts (but actually not quite as many words as the two parts of The Mule, anyway), could be reduced by producing it in two parts, which brings us down to 10.In point of fact, it appears that Dr. Asimov seems to have expected that his final Foundation novella would be cut into two parts as was his Mule novella, since there is what makes a great cliffhanger in the middle of the middle part, namely where young Arcadia, having just realized that Lady Callia is a Second Foundationer, has just been deposited in a vast and unfriendly space port. She sees signs lit up for ships going all sorts of places; one is even going to Terminus but she can only head-shake "no" openmouthed as she dare not go to the one place she most wishes to go. Doubtless the Second Foundation is setting a trap for her there. In blind fear and panic she spins, seemingly endlessly, in circles not knowing where to turn, where to go, who to trust (as in “a circle has no end”), and now realizing that she knows where the Second Foundation is, and that her life is forfeit should the Second Foundation capture her and learn of her guilty knowledge, she collapses in tears, feeling as lonely and frightened as an abandoned child, but with the weight of the entire future of Galactic civilization upon her shoulders. She looks up as if expecting some answer from a Deity, but all there is, is the camera looking down at her, pulling away as she gets smaller and as more and more of the surrounding crowd bustles around her, grey and altogether indifferent to her plight as the credits roll, until she seems to disappear, lost in the crowd.Narrator: Each segment should have as its narrator someone who is close to the events, but never the main character; Gaal Dornick makes a good narrator for The Psychohistorians, Yohan Lee for The Encyclopedists and The Mayors, Tinter (a lieutenant aboard Mallow's ship) and Ankor Jael (Mallow's trusted friend during his trial and the "War" with Korell), Ducem Barr for The General, Toran Darell (husband of Bayta) for The Mule, Hans Pritcher for Search by the Mule, Homir Munn and Mrs. Palver for Search by the Foundation. The bits of the Encyclopedia Galactica could be read by either the current narrator or by someone else (if someone else, then ideally Peter Jones or someone with a peter jonesey sort of voice as a sort of reference forward-back to the Hitchhiker's Guide to the Galaxy would be ultra-cool).Second Foundation anonymity: To keep the Second Foundation figures anonymous in their meetings on their home planet (because their identity has to be concealed during their interactions with ordinary people in ordinary places), all sorts of unusual perspectives could be used. Obviously, no faces can be shown, but very small portions of the actor's face can be shown in extreme close-up: the raising of an eyebrow, the furrowing of a forehead, the crooking of a finger (along with several other hand and arm gestures), the jutting of a chin, the curling of part of a lip, the appearance of a dimple, also figures seen from behind, at a distance, or as black silhouettes against a wall chock full of brightly glowing math equations. Electronically deepen their voices to borderline unrecognizability and add that echo effect to indicate that we are not hearing words conventionally spoken but thoughts intimated to each other through the tiny gestures seen in the various close-ups. Or think of all the ways the faces of the doctors and nurses were cleverly concealed during the twilight episode “Eye of the Beholder” until the reveal at the end.Attention to details from the books could also add greatly despite their seeming insignificance, for example when hologram Seldon puts down his book it disappears, or when the dowagers wonder who Prince Regent Wienis is walking up the stairs to his private room arm-in-arm (Hardin) they lift ornate but actual and recognizable lorgnettes to their faces (I hate the way recent printings of the book just say that the dowagers just "stared after them" - blah!), or Onum Barr finding a box of canned goods (and his passport, returned) in a box on his doorstep after Hober Mallow leaves his planet of Siwenna, showing volumes about Mallow’s character in about ten seconds of screen time, or an actual descending grid of glowing energy squares three meters on a side descending upon the spaceport crowd where Preem Palver is waiting and then bribes an official. And many people in the original series smoke. I know that smoking is frowned on these days, but who is to say that a cancer-free tobacco couldn't be invented in the next 12-50 thousand years? Anyway, the scene where Ebling Mis is sitting on the desk of an intimidated Mayor Indbur, warning him about an upcoming Seldon crisis, definitely loses something if he can't also be blowing cigar smoke into the Mayor's face, and the poor Mayor trying not to cough as he doesn't smoke.Other things to bring in would be details from the synopses from Astounding, for example that the original "Warlord of Kalgan" whom the Mule displaces and later installs over the conquered Terminus was not some Kalganian native acquiring hawkish tendencies, but one of many Empire Generals-turned-Warlords of various regions:"Meanwhile, the old Empire has fallen quite to pieces, with the various splinters under the shifting, incoherent control of successions of warlords, whose ephemeral military rule waxes and wanes chaotically. It is to these warlords that certain elements of the Independent Traders look for help against the Foundation. However, none of these warlords are at all anxious to tangle with a Foundation known to have defeated the Empire singlehanded and known to be invincible by the established laws of psychohistory. There is only 'The Mule." ... As the story opens, he has just captured the planet of Kalgan without a fight, though its former warlord was known to be a capable warrior, entirely ungiven to surrender." And Bail Channis is a military man, though he does not wear his uniform while on his expedition with Hans Pritcher.Other details could flow from the other approved Foundation books by others; perhaps some details, especially regarding Linge Chen, and other background characters drawn from Foundation and Chaos by Greg Bear, could be incorporated into The Psychohistorians segment, or slight wear and tear, missing ceiling portions, litter in the streets not picked up, as indicated in Forward the Foundation, despite the still-otherwise gleaming planet-city of Trantor. Or in giving a history leading up to The Mule (in a short opening narrative admittedly not in the book) brief mention (and glimpse scenes) of the Fall of Trantor as conquered by Gilmer and the preservation of the Imperial Library by the students (omitting all mention of the Second Foundation however), as drawn from Harry Turtledove's "Trantor Falls" from Foundation's Friends.It might also not hurt (though it is not clear what effect it would have on the series, beyond what Hari Seldon's image is saying during the Mule crisis) to have some idea what the Seldon crisis for that time would have been if there were no Mule. Perhaps the Empire-General-turned-Warlord of Kalgan hopes, if he cannot destroy or conquer the Foundation, at least "make off" with its Traders or a signNow percentage of them, and perhaps through them some of their technology that they sell as well. (Originally he hoped to provoke a war between the two foundations, but scanning the furthest regions of the galaxy in vain searching for it he concludes that it is of no account and no help.) So he then turns to creating a civil war within the Foundation - perhaps he can set the Traders at war with the corrupt oligarchy that rules them from Terminus, and many Trader worlds would have joined him, but the few that didn't along with a surprising strength from the Terminus Oligarchy side who have at their beck and call the entire Foundation technology - which the Traders understand far too little of to be of much benefit to the Kalgan Warlord - and so he fails and better relations (something kind of like a union) forms among the Traders to strengthen their bargaining position against the Oligarchy who then begin dealing with them more honestly. But for those third and fourth Seldon crises the end has the Seldon image explaining the Crisis, but as the camera pans around (during the closing credits) no one is in the room.A carefully worked out chronology, specifying how many years into the Foundation era each story is, would be easy to give at the outset of each segment or after any major duration within a segment.Now, can anyone tell me that all of this would not add up to "utterly cool" if only it could be so produced?
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What were the 90's like, in terms of the growing hype of "The Internet?"
In terms of “hype” or “growing hype” regarding the internet, future of or lack there of, there was none. I mean zero, nada, zilch! Why? Because most people didn't know the internet” even existed. Even if the common man or woman had heard about it, they couldn't possibly fathom what it could do. Keep in mind that nothing really exsisted yet in terms of the internet during the 90’s not even legitimate search engine’s till the mid to late 90’s. The existing internet at that time (90’s) was basically in existence for the military, government and school use, to share information. If you weren't ...
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