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FAQs
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Who are the 2013 Top Writers on Quora?
I am, strangely enough. My output has waned over the last year as I've become busier. But I'm happy to take the fleece. In the meantime, enjoy some of my greatest hits of the past year, most of which are not that great: Biology * Shan Kothari's answer to Is it a good idea to interbreed the various endangered tiger subspecies like the Sumatran, Malayan, Indo-Chinese, South China, Bengal and Siberian tigers so that they have more genetic variation? [ https://www.quora.com/Is-it-a-good-idea-to-interbreed-the-various-endangered-tiger-subspecies-like-the-Sumatran-Malayan-Indo-Chinese-South-China-Bengal-and-Siberian-tigers-so-that-they-have-more-genetic-variation/answer/Shan-Kothari ] * Shan Kothari's answer to Can giraffes swim? [ https://www.quora.com/Can-giraffes-swim/answer/Shan-Kothari ] * Shan Kothari's answer to Ecology: What do ecologists think of Lotka-Volterra? [ https://www.quora.com/Ecology-What-do-ecologists-think-of-Lotka-Volterra/answer/Shan-Kothari ] * Shan Kothari's answer to What is the future of big data in ecology? [ https://www.quora.com/What-is-the-future-of-big-data-in-ecology/answer/Shan-Kothari ] * Shan Kothari's answer to What is hermatypic coral? [ https://www.quora.com/What-is-hermatypic-coral/answer/Shan-Kothari ] Philosophy * Shan Kothari's answer to Why did Blaise Pascal not immediately understand the "which god" problem with his wager? [ https://www.quora.com/Why-did-Blaise-Pascal-not-immediately-understand-the-which-god-problem-with-his-wager/answer/Shan-Kothari ] * Shan Kothari's answer to Philosophy of Mind: What is functionalism? [ https://www.quora.com/Philosophy-of-Mind-What-is-functionalism/answer/Shan-Kothari ] * Shan Kothari's answer to Do ethical philosophers tend to be more ethical? [ https://www.quora.com/Do-ethical-philosophers-tend-to-be-more-ethical/answer/Shan-Kothari ] * Shan Kothari's answer to Can you be a philosopher and still believe in god? [ https://www.quora.com/Can-you-be-a-philosopher-and-still-believe-in-god/answer/Shan-Kothari ] * Shan Kothari's answer to What are the main differences between epiphenomenalism and materialist reductionism? [ https://www.quora.com/What-are-the-main-differences-between-epiphenomenalism-and-materialist-reductionism/answer/Shan-Kothari ] * Shan Kothari's answer to What has philosophy contributed to society in the past 50 years? [ https://www.quora.com/What-has-philosophy-contributed-to-society-in-the-past-50-years/answer/Shan-Kothari ] Other: * Shan Kothari's answer to What are some famous pictures that ruined people's lives? [ https://www.quora.com/What-are-some-famous-pictures-that-ruined-peoples-lives/answer/Shan-Kothari ] * Shan Kothari's answer to Why is it common liberal policy to reject Social Darwinism despite wholeheartedly embracing evolution? Why this contradiction? [ https://www.quora.com/Why-is-it-common-liberal-policy-to-reject-Social-Darwinism-despite-wholeheartedly-embracing-evolution-Why-this-contradiction/answer/Shan-Kothari ] * Shan Kothari's answer to Who are the best or most famous Christian poets? [ https://www.quora.com/Who-are-the-best-or-most-famous-Christian-poets/answer/Shan-Kothari ] * Shan Kothari's answer to What are the most impressive intellectual achievements completed by persons under 20 years old in terms of the influence, magnitude, depth, scope, creativity, or difficulty of the achievement? [ https://www.quora.com/What-are-the-most-impressive-intellectual-achievements-completed-by-persons-under-20-years-old-in-terms-of-the-influence-magnitude-depth-scope-creativity-or-difficulty-of-the-achievement/answer/Shan-Kothari ] * Shan Kothari's answer to What is it like to attend a REU? [ https://www.quora.com/What-is-it-like-to-attend-a-REU/answer/Shan-Kothari ] * Shan Kothari's answer to What directors chose the same people to work with time and time again, in any roles, and who are these people? [ https://www.quora.com/What-directors-chose-the-same-people-to-work-with-time-and-time-again-in-any-roles-and-who-are-these-people/answer/Shan-Kothari ]
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How do you become a good guitar player? What are the basics of guitar playing?
Aim to be a good musician and you should end up being a good guitar player. Put in another way, focus on the sound and not only on your fingers.Try to keep the idea of expressing music as a central goal. Look at the guitar as a means to achieve that freedom of expression.The guitar is simply another voice. Sing with your guitar. When you hum a song you love, you're enjoying the process and intuitively using your voice to reproduce the song as well as you can. Let the guitar be another such voice to create music, whether it's recreating a song, improvising or just experimenting with making sounds.Using our voices is a natural process to most of us because we use it so much in our daily lives. When we learn how to sing, we don't need to pick up an entirely new instrument. We just use a familiar one in a new context. Guitars, on the other hand, being external and alien to us beginners, are new voices that we have to learn to use from scratch, like when we first learn to speak.It's easy to get caught up in the technicalities of the guitar but as with your voice, you don't need to think much about the mechanical details to be able to use it. Keep using it with intent to be better at using it with intent.As a child, you learn to use your voice to speak a language. At the same time, you also have the freedom to use your voice in any way you please and create your own languages.Explore the guitar how you would explore the limits of your voice. With your voice, you experiment by mimicking sounds that you hear and making some of your own.Do the same with your guitar.This helps you develop tremendous control over it. You understand how to use the guitar to produce sounds that you hear or imagine.Try to imitate not only tunes but everyday sounds as well. Though you might not be able to get the exact tone that you want at times, try to modulate the guitar's sound to get as close as possible to the desired tone.The same way that you develop control of your voice and it becomes second nature to be able to sing what you hear immediately, you learn to be one with your guitar and play anything in the first try.Focus on the music and the sound and you will learn to play the guitar in a way that you can express your music through it. The goal of musical expression will help you decide what you want to learn and give you a clear path towards mastery.The only technicality is that you should tune the guitar. You should find that easy enough to do with all the information available.1. Music first. Learn music. All the skills you need to know on the guitar to speak music will fall into place. This will give you clarity and purpose.2. Learn to sing what you hear. Try to be as precise as you can. This helps you be an instrument instead of relying on an external one.3. Then play what you are singing on the guitar. Playing notes on the guitar becomes as intuitive as singing.4. Soon, you will be able to simultaneously sing and play the same notes on the guitar. You can improvise on the guitar with the same ease as you can with your voice.5. Experiment and find new methods of sound and expression.Make the guitar and musical expression a part of your everyday life and they will be as natural as speaking.
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As a startup founder of three years our legal housekeeping is a bit of mess, how can I best setup a system to organize and track
As a startup founder of three years myself, I can relate to how legal housekeeping can be messy. Once a year, I have our own lawyers go through and do an audit of all of our legal paperwork (which costs a couple thousand dollars to be extremely thorough, but it’s worth it). Luckily, there are now many ways to easily manage and track all of your legal, financial, and HR documents via third-party sites that specialize in these management proceedings. I wrote a blog post about this awhile back titled “5 Ways to Save Time Dealing With Documents” which highlights certain sites that can be very beneficial depending on what paperwork you’d like to track or manage. They are as follows:1. GroupDocsGroupDocs is a new, comprehensive online service for document creation and management. It has multiple features, including a viewer for reading documents in your browser, an electronic signature service, an online document converter, a document assembly service, a feature for comparing different versions of a document, and an annotation feature. An individual plan is $10 per month for limited storage and 500 documents, while a group plan for up to 9 people is $19 per user per month. Based on the number of features and pricing, GroupDoc is a good-value purchase for a small business. As you’ll see below, GroupDocs can be cheaper than a service that offers only one such feature.2. signNowWhen you’re closing a deal and need to get documents signed, the last thing you need is a slow turnaround due to fax machine problems or the postal service. The solution is to use an electronic signature service such as signNow, which is one of the most popular e-signature companies in the world. This service allows you to email your documents to the person whose signature you need. Next, the recipient undergoes a simply e-signing process, and then signNow alerts you when the process is completed. Finally, signNow electronically stores the documents, which are accessible at any time. As a result, you can easily track the progress of the signature process and create an audit trail of your documents. The “Professional” plan is recommended for sole proprietors and freelancers, and costs $180 per year ($15 per month) for up to 50 requested signatures per month. The “Workgroup” plan is geared towards teams and businesses, and it costs $240 per user per year ($20 per month per user), for unlimited requested signatures.3. signNowsignNow is another e-signature service. Similar to signNow, signNow allows you to upload a PDF file, MS Word file or web application document. Next, you can edit the document, such as by adding initials boxes or tabs, and then email them out for signatures. Once recipients e-sign the document, signNow notifies you and archives the document. signNow offers low rates for these services: a 1-person annual plan with unlimited document sending costs $11 per month. An annual plan for 10 senders with unlimited document sending costs only $39 per month.4. ExariExari is a document assembly and contract management service that assists in automating high-volume business documents, such as sales agreements or NDAs. First, the document assembly service allows authors to create automated document templates. No technical knowledge is required; most authors are business analysts and lawyers. Authors have a variety of options for customizing documents, such as fill-in-the-blank fields, optional clauses, and dynamic updating of topic headings. They also can add questions that the end user must answer. Once you send out the document, the user answers the questionnaire, and Exari uses that data to customize the document. Next, the contract management feature allows you to store and track both the templates and the signed documents. Pricing is based on the size and scope of your planned implementation, so visit their website for more information.5. FillanyPDFIt’s a hassle having to print out PDF forms in order to complete them. Fortunately, FillanyPDF is a service that allows you to edit, fill out and send any PDFs, while entirely online. This “Fill & Sign” plan costs $5 per month, or $50 per year. If you subscribe to the “Professional” plan, you can also create fillable PDFs using your own documents. With this service, any PDF, JPG or GIF file becomes fillable when you upload it to the site. You can modify a form using white-out, redaction and drawing tools. Then, you can email a link to your users, who can fill out and e-sign your form on the website. FillanyPDF also allows you to track who filled out your forms, and no downloads are necessary to access these services. The “Professional” plan costs $49 per month, or $490 per year.Switching firms can be a hassle. As a former startup attorney, I have a bit of advice about finding the right attorney for your business: it’s best to focus on the specific attorney you’ll be working with. He or she should have a solid understanding of the ins and outs of your business industry, a deep knowledge of the legal issues your startup may face, and previous work experience with startups to ensure a quality and efficient work product. This is absolutely key when matching our startup clients at UpCounsel to attorneys on our platform who can perform their legal work and hash out their legal projects in a timely manner. We also allow clients to store any and all of their legal documents directly on UpCounsel so they don’t have to go searching in alternative places for the correct paperwork. It’s proven to be a free and lightweight way to store legal documents that our clients love. Here's what it looks like:As I’ve mentioned, it’s more important to find the right attorney as opposed to the right law firm. And seeing as you’re a startup, our own startup clients typically save an average of 50-60% on their legal work, since the attorneys don't include overhead fees (a.k.a. the fees included for doing business with the firm itself) in their invoices.Hope this gives you a deeper look into what other sites and services are out there. If you have any questions or would like more information on how best to handle your legal housekeeping/ attorney matters, feel free to signNow out to me directly. As a former startup attorney at Latham & Watkins, I’d be happy to give you some guidance.
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What is the deal with scale modes? If I’m playing in the key of C major, what difference does it make if I play in D Dorian, F L
Hahaaa I totally can identify with that question, because that very exact same thing you are asking about, confused the hell out of me too in my first years in music school.Fact of that matter is, that even many really great teachers, more often than not fall short in adequately explaining how and why these really are 7 completely different scales (AND keys), even though yes, these 7 scales all do exist of the same 7 notes. I’ve experienced this first hand myself, having studied with many fantastic teachers, yet no one really fully could make me understand this thing you are asking about.I ended up figuring it out myself over years of studying music and later also teaching music.So here we go:When you play a C major scale, you are playing all the white keys of the piano, starting from C to C, right? That scale has a certain particular sound, and that sound is called “the major scale”.It is the scale that you use in songs that start on a C chord, keep coming back to a C chord over and again, and that eventually end on a C chord. Because of that constantly coming back to a C chord, that song is in the key of C, and your 7 white keys are going to sound like a C major scale over that song, BECAUSE you are playing the scale of a song that is centered around a C chord. (which is another way of saying that it is in the key of C)All the rest of the chords in the song, need to be chords that consist of white key notes (naturals) only. Those chords are: C Dm Em F G Am Bdim. (All the chords of a C scale)However…When you play exactly the same 7 naturals (which is another name for “white keys of the piano”, or in other words: no sharp and no flat notes), over a song that starts on a Dm chord, keeps coming back to a Dm chord over and again, and eventually ends on a Dm chord, with whatever other chords that are happening, all being chords that consist of naturals only (Dm Em F G Am Bdim C Dm), you are now playing a D Dorian scale.Why?Because you are not USING those 7 naturals/notes the same way as you did over the previous (C major) song. You are actually (and you might not even have noticed this or might not even realize this), ending more of your melody lines on the notes D, F and A (notes of a Dm chord), whereas over the C major song, you were ending more of your phrases in your solo with the notes C, E and G, which are the notes of a C chord.Why would you end more of your melody lines on the notes D, F or A when soloing over a song in the key of D minor or in this case, D Dorian?Well… Human nature is such that for the most part, nobody likes unresolved tension, meaning: everybody always tends to use/play the notes more that sound “more pleasing”, or “sound better” in the scale over a song or chord. Those notes (that “sound better”) are the notes that make up the chord the song keeps resolving to, which is the I chord, which in D Dorian is a Dm chord.By the same token, when you solo with those same 7 notes over a song that starts on an F chord, keeps coming back to an F chord over and again, and eventually ends on an F chord, with all the other chords being chords that consist of naturals only ( the chords F G Am Bdim C Dm Em F), you are now playing an F Lydian scale. The scale no longer sounds like a C major scale, because it is used over chord progressions that keep coming back/resolving/revolving around an F chord. Your key center no longer is C, but F. As such, you will outline more F, A and C notes in your solo, (notes of an F chord), than you did over the C major or D Dorian etc song.So conclusion: they are 7 entirely different scales (and keys), and their sound is defined by the chord you solo over.To test this out, go on YouTube, and in the search field type“C Ionian backing track”, or “C Ionian 1-chord groove”.“D Dorian backing track”, or “C Dorian 1-chord groove”.“E Phrygian backing track”, or “E Phrygian 1-chord groove”.“F Lydian backing track”, or “F Lydian 1-chord groove”.etc…And solo for a couple of minutes with all the naturals over each one of these backing tracks.You will notice howYour same 7 notes are going to sound different over every track. It’s going to sound like a different scale for each track. (Though each track is composed of chords that consist of all the same notes for teach track). It’s the chord each track starts on and keeps coming back to that makes that each of these tracks sounds like they are in a different key.When you know your fret board well enough to know what the notes are you are actually playing, you will realize that you are not using the 7 notes the same way for each backing track: you will for the most part play certain specific notes more often than others for each of the backing tracks you solo over. You will find yourself playing more C E and G notes over the C major song, and more D F and A notes over the D Dorian song, and more E G and B notes over the E Phrygian song, etc. etc. You will (intuitively) feel that the other notes don’t sound “as pleasing”.The other notes in the scale are important too though, because they add the spice, pepper, vinegar, character etc to your solo. But it IS THE CHORD TONES, that make each one of your scales sound like it’s own scale. Meaning: When you play all the white keys of the piano and you play more A C and E notes, you are playing an A minor scale, when you play all naturals but you are ending all your phrases on the notes G B and D, you are now soloing in a G Mixolydian scale, and you are sounding like you’re in the key of G Mixo, and so on.Another way of explaining all the above: the chord you solo over, will dictate what your 7 notes are going to sound like. When you use all the naturals (the notes C D E F G A B) over a Bdim chord, you will sound like a B Locrian scale, when you play all those notes over an Am chord, you will sound like an Am scale, etc… The chord you solo over, will also dictate which of the 7 notes you are going to use more and which ones you’ll use less, which will lead to you sounding like your scale connects to that chord.Some fun common chord progressions for each mode:C major chord progression: C F G CD Dorian chord progression: Dm G Am DmE Phrygian chord progression: Em F G F Em (very Spanish, Flamenco in feel)F Lydian chord progression: F G C FG Mixolydian chord progression: G C Dm GA Aeolian (minor scale) chord progression: Am Dm Em AmB Locrian chord progression. Because of the structure (and the sound, which is the result of that structure) of the Locrian scale, this scale is not really “useful” for songwriting. It’s very seldom used and there is hence not really a “typical Locrian type of chord progression”. You could still solo with it of course, over a Bdim 1 chord groove for example.I wrote a blog in the past about this here: The Modes ExplainedIf you would like to take this a step further and learn how to figure out the key signature to each mode in each key, you can learn this here Easy System To Memorize The Key Signatures To All Modes in All KeysHope that makes sense and helps. If not, definitely hit me up anytime. :)
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Why are railguns often portrayed as a better way to intercept maneuvering hypersonic threats than interceptor missiles?
There are several factors that go into this, there are pros and cons to both systems, to a military planner the pros of the rail gun out weigh it’s cons. Only time will prove if they are right or not but I will try to explain.Defensive Vs Offensive load, There is only limited launcher space on any ship regardless of how many missiles it has in storage. So lets say you have 20 launchers in your ship, vertical launchers are becoming the norm. Even though you have 100 more missiles of whatever mix you want in the hold, your 20 launchers have what they have in them and it will take time to swap them out. (Hopefully some USN personnel on here who have served on a DDG or similar can let us know how long) I’m guessing at least an hour. Some missiles can be dual use like an anti-missile-Missile can be used in the anti aircraft role, but a Tomahawk or any land attack missile simply cannot. Every tube you have filled with a missile to perform your mission is a missile you cannot use for defense, every missile you have loaded for defense, can’t be used for your mission.The rail gun uses a solid mass of metal, you can use it to devastating effect against air, sea, or land targets without worrying about carrying different loads. I imagine a flechette round would be used against missiles and aircraft, but it doesn’t matter, you can switch ammo types in seconds.With railguns as point defense, you are free to have the majority of your missile tubes loaded for the mission and only a minimum with defensive (AA or AM) missiles.Immunity to counter measures: The railgun is a line of sight weapon, if you can see it, you can hit it. Once radar contact is made and the gun aligned, powerful optics will be used to line up the final shot. at 2.4 kilometers+ a second- nothing can really affect or stop the projectile. If the shot is lined up properly, the target is dead, no amount of chaff flares or ecm can do anything once the projectile leaves the rail.Cost. The Major cost of the system is in the gun and the guidance and aiming systems require only maintenance when bought, The Projectile is just a hunk of machined metal, I imagine the ship’s machine shop will have the ability to fabricate more in an emergency. No propellant needed (more on that later) A missile has to have a warhead, a motor, navigation and avionics which is all one time use, the launching and guidance on the ship are not cheap either so while the up front cost of the railgun will be higher, that changes quickly after a few shots.Safety. That warhead and rocket/jet fuel in a missile infinitely more deadly to you before you launch as it is to the enemy. Anything that touches off that magazine (accidents, malfunctions, enemy fire) will likely be catastrophic. The inert projectiles of a railgun are immune to that. The rail-gun itself if charged might pose a small danger if damaged while charged, but that will be like a transformer box blowing up outside during a storm (happened to me when I was a kid during a hurricane) While it was loud and scary to 11 year old me 20 meters from my house, it did zero damage to the house and didn’t even knockdown the telephone pole it was on, Had that been a modern AA-or AM missile 20 meters away, I and my house would likely not be here today.Close in defense: You can use the rail gun up to the point an enemy missile hits your ship. A vertically launched missile needs to clear the ship arc towards its target and fly towards it. This all takes time meaning that depending on the speed of the incoming missile, you have a radius where if you haven’t launched yet, there is nothing you can do. So let’s say you have a ship with a rail gun and one with only missiles. Both are engaged by missiles with a 4 second flight time. It takes 2 seconds to identify and track the target and come up with a firing solution(I have no idea how long it really takes but I’m pretty sure the human reaction time to authorize the launch of a $500,000 missile is more than that). the 2 seconds remaining are not enough, the missile will just be clear of it’s tubes and arcing when your ship gets hit. The rail gun ship still has time to get one or two shots off, Even if it hits the Missile right outside the hull, that is preferable to having it go off INSIDE your hull.Like I said before, having the rail gun doesn’t stop you from carrying defensive missiles for BVR/Over the Horizon, engagements.
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What is your worst experience in a school group project?
Oooh! 15 years later, I still cringe when I think about it....In 8th grade English literature, We had to make group presentation on a notable literary figure. We were free to choose our own groups, but unfortunately I wasn't present in that class on that day as I had to attend a inter-shool quiz competition. As a result, the teacher assigned poor leftover me to a 'naughty' kids group hoping that my presence would push them to take it seriously. Our topic was to present the life story of Rabindranath Tagore, a prolific Indian author, poet and freedom fighter. Although, A bit dismayed that I ...
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What's your advice after listening to my original composed music (see link)?
I agree with what others are saying in terms of what needs to be done if you want it played by live performers.However, I’m also hearing it at ‘face value’; as a composition conceived for the sounds in the Musescore library as that’s what you’ve used to create the nearest approximation to real instruments.As such, it has its own validity, and to me it’s a wonderful little piece as it stands. The similarity to Pachelbel’s Canon has already been mentioned, and I find your choice of that harmonic sequence gives it a strong sense of movement and a great deal of charm. The fact that in ‘real life’ the trumpets and drums would drown out the celesta doesn’t matter. In your realisation everything can be heard, and you must have chosen your dynamics to make sure everything would be, so you got it right.Bear in mind I’m talking about a piece composed to be played by Musescore. E.g. if you want a human pianist to play the piano part you’d have to redistribute the part so left hand notes are in the bottom stave and right in the top, but Musescore doesn’t care so it’s okay as it is.I read your description of what inspired the piece and it unconsciously slotted itself into the file in my mind where memories of Studio Ghibli movies are stored, so to me your piece automatically came with Miyazaki-like images of odd little creatures in snowy Japanese landscapes and the two fitted together like a glove. As it stands it’s tailor made soundtrack music for a short scene in some sweet Japanese anime movie (though personally I’d be searching the sound library for a drum sound closer to that suggested by Laurence Boorer).You’ve got a natural instinct for composition. How about taking the advice others are offering and knuckling down to exploring it? Find out whether it’s more than raw, flash-in-the-pan talent by committing yourself to serious study with a composition teacher.
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