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Your step-by-step guide — esign pet medication chart
Employing airSlate SignNow’s eSignature any business can accelerate signature workflows and eSign in real-time, providing a better experience to consumers and staff members. Use esign Pet Medication Chart in a few easy steps. Our handheld mobile apps make operating on the run feasible, even while off the internet! eSign documents from anywhere in the world and close up trades in no time.
Take a step-by-step guide for using esign Pet Medication Chart:
- Log in to your airSlate SignNow profile.
- Locate your document within your folders or upload a new one.
- Access the record and edit content using the Tools list.
- Drag & drop fillable boxes, add text and eSign it.
- List multiple signees via emails configure the signing order.
- Choose which users can get an executed version.
- Use Advanced Options to restrict access to the document and set an expiration date.
- Tap Save and Close when finished.
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[Music] hello world are you looking to spice up your design life a little bit maybe take your image from zero to hero well my name is Mike blogger here with viz me and I'm here to show you how to take your image to the next level using eleven visual hierarchy principles why does this matter you ask well a well execute a design well effortlessly guide a reader through your image there's no confusion no wasted energy take Morgan Stanley's website for example this is a real-life website that has applied visual hierarchy to its page and it directs readers where to look first we start with this unique interesting image on the left-hand side of the page and before long while we find the font the biggest font that we know exactly what we're talking about but of course we want to learn a little bit more as we scroll down the rest of the page next thing you know we're on the imagery at the bottom and we are locked in over the next few minutes we'll show you some more good examples as well as some bad ones so stick with us should we get started does a size matter absolutely just ask Megalodon here size can drive emotion they can signify importance and also the greater the scale the greater the emphasis without that tiny little scuba diver they're probably just looked like a normal everyday shark swimming through the water here's an example of text with no visual hierarchy it's all the exact same size I don't know what the focal point is and I don't know what's the most important but here's an example of text with perfect visual hierarchy the image of the crown is included so the audience can make the connection between hierarchy in the traditional sense of kings and queens and order of importance and hierarchy as used in design our second visual hierarchy principle is perspective perspective can create an illusion of depth which is exactly what you see here these five people aren't actually balancing on a shoestring tied between two boots they're just off in the distance while the boots are brought much closer to the camera to make them look a lot bigger in real life here's a poor example of perspective and contrast you can hardly read the text this SD happy translate to you happy no I'm not happy reading this text there is no depth of field and it's very difficult to read but SD happy corrected themselves they have a blurred background in this image which is called the bokeh effect and as you can see it is now a 3d image very very easy to read keep an eye on the color here colors can also create depth bright colors look closer when they're on a dark background wear dark colors look closer when they're on a bright background earlier we discussed the importance of size when it comes to drawing attention to your image but the same exact thing can be said about color in contrast take this madman example you have a strong black and white contrast but you also throw in that popping red to make your image stand out and even draw attention to that beautiful dress in the Mad Men logo if you bring in this population statistic with little to no contrast I have no idea what percentage of the population that you're talking about but if you dim the majority of that population I know exactly what you're talking about and you have a clean and cohesive image ah the challenge of choosing a font what if I told you it wasn't about the curves it really just all comes back to the size here is an example of poor typographic hierarchy you Chen he doesn't really emphasize anything I don't know where to begin to look on his resume and quite frankly I'm on to the next one in comes John Doe and everything is laid out perfectly his name is the biggest his titles aren't bored and I'm cruising through this baby like a ship on the way to the Bahamas also don't forget the color John applied visual hierarchy here and I'll tell you what he has the job our fifth principle is proximity just like you did in high school or middle school you want to hang around those that you are most alike which is exactly what these guys are doing it's exactly what you want to do in your image take this pet robots image for example the headline is kind of centered over who knows what the captions way off to the side it's not all together you all put it together you put the caption under the image and you have a perfect cohesive image sticking together in proximity yeah I really hope that your home or office doesn't look like this you want to keep the clutter you want to keep the negativity out of our lives right well I'm not in our designs the use of negative space is much more appealing it's easier to digest which is exactly what the Lord of the Rings the two towers did with that hand reaching down for that ring here's an example of little negative space you have font everywhere it's very difficult to read and know it's not easy to digest here's an example of a better use of negative space they condensed everything down just a few words to make it easier to read and easier to follow the seventh principle is alignment naturally our eyes like to read in an F pattern what this means is we start at the top left-hand corner of the page before moving right then down right again and then down through the rest of the page this image here doesn't exactly follow the F pattern here today is too centered but if you take here today you make it a little bit bigger and you shift it off to the left-hand side of the page you have the perfect F pattern for your readers to follow have you ever had a friend that joined a new relationship and they ran off just the two of them and became very very boring that has certainly happened to me I'm not bitter about it but it's exactly why everybody should follow the rule of odds this states that images are much more appealing when an odd number of subjects are applied take this image of these products features so it's just two of them there's not a lot of balance and quite frankly it's pretty boring you add one more product feature and that balance is created throughout the image repetition repetition repetition as you can see with this army here repetition in the form of their uniform creates a sense of unity and cohesiveness but if you bring up these slides from a presentation you probably can't tell that they're all supposed to go together none of the same fonts none of the same icons I'm a little confused which brings us to these presentation slides it's all the exact same colors styles fonts etc to make you note that all of these slides go together because of repetition if you really want to grab a viewers attention you can create movement in the form of leading lines like right here with these french fries that are leading right up to that ketchup bottle and all of a sudden I'm pretty hungry but here in this image there's no leading lines at all I don't really know where to look and not to mention the font is directly over the man's face but here if you flip that around his gaze is directing you right towards your business at a glance it's the perfect example of leading lines our eleventh and final visual hierarchy principle is the rule of thirds what this means is you want to take your image and divide it into a three by three grid with each of the crossing points being your focal point on the image this image doesn't exactly follow the rule of thirds the Ruhlman is once again right in the middle with the wording off to the side no real balance in the image however if you create that grid and you get those four focal points you can see in this image your woman is off to the side so is the wording creating that balance in the image perfectly that'll do it folks that's all we have for the 11:00 visual hierarchy principles make sure you get after it and your next designs and make sure you subscribe to our Channel right here at vis me for now I'm Mike plugger making information beautiful [Music]
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