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add the self-help graphics day of the dead celebration artists vendor son of Kennedy's that has their temporary source for what originally had many t-shirts wallets body products magnets candles jewelry mirrors and more hours later the event is officially underway after a blessing performed by a state dancers I was a procession of people dressed in Havana face once the audience's gaze is released by the dancers the festivities begin traffic begins to flow in and out of the gallery against the stage with a dance play up and down stairs to remove alters our display and for the vendors a night of intense fast-paced business transactions begin for song that was filled to the rim for hours and money and goods exchanged hands frantically as people avoid the ten by ten canopies to look at merchandise at the Israeli it's a day of the dead frida kahlo checking on Osama vista's hip-hop culture Aztec and Mayan imagery and much much more the interactions go into the night as people they were to socialize and continue to shop members wrap up as latest on in the morning is it is one of the most important events that they here for the livelihood of many artists here jewelry designer esatto cha reflects on 2004 and other years during this period of the heyday of self-help she recalls traveling to New York City for a weekend to someone a major trade show and returning to east a later following weekend only to earn five times more income the sudden this is she conducted a lender apart hurt economic support it is an event which I enjoys and looks forward to every year all the wound fees to participate how nearly doubled and business has dramatically dropped since this time she says she will continue to participate because it is a community and cultural space she enjoys supporting and feeling a sense of belonging to these Los Angeles has historically been recognized as a center for political and cultural activity with roots with roots in the cha civil rights movement since 1970s alphagraphics open its doors to many artists who later enter the art market and fun hanan of Chicano visual artists that we continue to exhibit at major museums well famous for its printmaking studio and gallery this space has long been home to events my generations of artists working in music performance here ilysm metalwork and graffiti showcase their work hone their craft and cultivate audiences annual events do the dead their holiday sale Pagani callen-lorde Michigan New Year and others involve the participation of local crafters who provide a mid pebble or marketplace backdrop for our audiences can access cultural goods you need to their community I became interested in the production by these artists as a participant in these events since 2001 did I ever capture myself since then I have seen my peers cultivate their businesses and to establish design lines while growing resisting me and creatively than a socially politically conscious community of patrons usually regarded as rather than artists they are another significant and influential artistic flourishing that can be traced in LA sigh culture and identity little to no little to no research or our historical attention exists on these artists year yet they are widely known to and patronized by similar audience that attends museum exhibitions of self-help graphic that that somehow graphics catapulted into legitimacy my pot my project with this group as a selected artists in residence in the eighteenth Street Art Center in Santa Monica California is part of a series entitled status report the creative economy which includes projects focusing on how artists are negotiating the current economic crisis mine is a process based work in the tone and method above this artist susan Lacey's performance works with women discussions with art is related to the role that institutions play in their growth and sustainability and help document their history of foster a vision for a future for continued work with this and other institutions I should mention that I worked on this project but Susan we see an organized the community of crackers and presenting hair and the best part of this project is presented in okla just the program includes the program that I'll be for that ATT street art center it includes and exhibition highlight artist works and a McDonald will take place and emphasize that it is not necessary third obstacle for these works to exist simultaneously as art and commodity majority of these artists are women and men our mothers whose children have grown up attending community events and markets this paper marks the initial stages of my research and focuses on the work and contribution of the three artists I thought I saw of any sample of this and be psychogenic want to talk about a second however there exists so much product for group of vendor artists that have developed and invaded their products and works overtime I locate this coin me in the same socio-historical context discussed by the victor google via Sky News article the battle of Los Angeles the cultural politics of Chicano I'm sorry ok ok he has the considers I'm sorry so yes the talks about these bands in his article vista considers the music groups tied to east los angeles identity such as also motley it does keep the soul and others followed predominantly final team alliances these fans are not only connected spatially grenade the neighborhoods from which they emerged and many's where they perform they are bound by politics of identity and resistance responding to emerging conditions affecting ethnic working-class populations in Los Angeles the SF cites the rise of the scene as coinciding with the shift to a post industrial economy in Los Angeles unlimited opportunities for youth in east side of South Side neighborhoods I would add that Chicago's entering community colleges and universities also criticized many of the producers and organized organizers of the east I've seen discriminatory immigration propositions on the balance during the 90s as well as the sum of these rebellion Chavez Chavez presented opportunities for intervention and respond by bands artists activists audiences us cultivating a vibrant cultural situation that quote serves as a floating scene for resistance a mechanism for calling an oppositional community into being through performance fans are the only performers as audiences stage the political and cultural identities not necessarily always ethnic by fashioning themselves with t-shirts jewelry purses tattoos and other accessories designed by vendors who were part of the backdrop for many of the events featuring featuring these fans in the context of los angeles los angeles's globalized landscape this community of Latino artists outfitted outfitted a local community crafting goods that circulated and dance clubs street festivals community farms art openings in people's homes this network of artists and vendors generated a new economy conscious of identity community sustainability and global and local politics in the same way that east side bands incorporate and herbicides traditions and influences such as social commercial on reggae and hip hop these measure artists work with material speeds and elements that connect to their cultural lineages and urban environments decide which I is the silversmith his jewelry incorporates the Mexican David David their tradition diversify data 11 answer schools a bit befuddled which are kind of paper slides the views on altars and some busts of G flowers traditional to the holiday she uses Catholic elements like the Rosary sacred hearts and we had a lot of movement in her pieces as well as Native American SF imagery meanders create products design lines and consorts Weeden the language effective a Chicano tradition of India nismo in which the ancient mesoamerica past is reference to iconography jewelry fashions and imagery often connect with indigenous elements of spirituality on a sunny syllabus hammer silver works dear yessuh orbit room and remix and no soul are responding to dreams spirituality urban culture and the cosmos she believes in the power of stones particularly no she identifies as connected to my sister old lineage and pain and turquoise while these artists offer support to one another they are mainly connected to day that's why they Bend somehow graphics has been an important institution and all of their careers by offering a space where they showcase their work no Chavez was one of the first Getty in terms of self-help graphics along with Finn ECM Olympus will continue to work as an event organizer and that this community of vendor art is there she had the vision to create a website for Bishop repetto feature and design lines by other artists which she promotes locally but also but also at Iowa State again princes one of us create our own line her place online apparel fan that uses forward warrior redesigns reminiscent of textiles from southern Mexico states of Chavez as well as like the mother I asked what this reflect on the aesthetics used by the artists featured an urgent shipment battle and she's his Awards reinvention syncretism an urban but most importantly she sends their ties to the cultural and political identities what unites them Sela comments on the aesthetics as honoring tradition history and ancestry these elements continue to call people to the Mikado's where these artists participating well the economy has shifted has dramatically shifted it caused a many stores and vendors were where many many source of venues Remender self to close their doors artists continue to create and subsist to the community into which they have one big life and life too currently these artists rely on stores such as image books oh very nice village has a better / globe and events like anti Bowl the kind of cold market place and forget haha doing today with you I find it necessary to go with this course around these artists earns among these artists and their work particularly during these economic shifts somehow graphics is a part of this changing landscape that has undergone many changes over the past four years including losing over half of their building two new my restrictions imposed buying a property owner and introducing a new administration has dramatically changed policies for vendors in their interview which I Silva and what this acknowledge that some folk graphics is played a vital role in there existed careers whether by providing a venue for for events or directly offering to their work by selling them the now defunct in Mecca Lotus that was house next to the gallery yet as much on notes we are the vendors with a lowercase V as opposed to the artist with a capital A even self out graphics an organization known for resisting art world hierarchies by writing Chicanos into our history has yet to recognize this community of artists beyond their rolls offenders understanding their significant artistic contributions can be helpful for self-help graphics and others to continue in the legacy of support that have offered they have offered artists of all Union beyond printmaking reciprocally artists vendors should be viewed as a power as a powerful resource in bridging audience support to events and nurturing and political and nurturing a political and cultural identity that keeps the community engage in the east side arts culture and seeing our team