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FAQs
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What are the best productivity tools for entrepreneurs?
I now accept Suggested Edits, as they come in. Include the price of the product/service.Pre Launch:Javelin. Start and grow your product faster. javelin.com/?ref=p5eybNFKResearch:Clipular http://www.clipular.com (free)Evernote http://www.evernote.com. Free, and $45 per year.Launching Soon Page:LaunchRock http://www.launchrock.comLaunchSoon http://launchsoon.comLanding PagesSelf Hosted:ThemeForest http://www.themeforest.net $8+Hosted:UnBounce (landing pages) http://www.unbounce.com $50/moKickOffLabs: http://www.kickofflabs.com/ $15/monthOptimizely: https://www.optimizely.com/ $17/monthTurnkey...
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Can you write anything as a signature?
Possibly, it depends on a number of things. I am not sure exactly what the intention would be. Assuming that you would use the same “anything” every time you needed a signature, then possibly. This still would depend on a number of factors. Although in the U.S.A. it seems that the signature must be some form of one’s name. At least for legal documents.When I was very young we lived in Jamaica for a short while. There we had a maid I adored. At the time my mother had 5 children under 9 and 2 in diapers. The maid was a lifesaver for her. In spite of this luxury my mother insisted all of us children continue to do at least one chore each week. Mine was folding the many cloth diapers that were washed during that time. This maid thought it was a shame we were made to work and would secretly help us all. She would sneak into my bedroom and help me fold the gargantuan pile of clean diaper cloths set there for me to fold.Why mention a former maid? She came to mind because she was illiterate. My mother told me years later the maid’s signature was required on the hiring contract. The maid had insisted on being left alone in a room to sign the documents. Signing took her about an hour and resulted in a roughly written first name, yet this constituted her signature. I would love to go back in time and repay her for all the love and kindness by helping her become literate.My own signature is mostly a curved line with a hint of a letter at the beginning and end. There is absolutely no way my name can be identified by looking at my signature. My signature became this way many, many years ago when I had a job that required my signature several times a day. Thus my signature quickly became streamlined. Oddly enough, some time ago I saw a signature on a receipt in my home that resembled mine, but not quite. My parents were visiting at the time. As it turned out it was my father’s signature. Coincidence? Hereditary? I really don’t know.To my understanding, a signature serves as a guarantee of sorts coming from the one who writes it. Consistency is ideal. One exception to this would be an electronic signature, where they are typically different from non-electronic versions.In history, much larger parts of the population have been illiterate. Wax seals, stamps, and even finger prints have been used as what we now know as signatures. In few parts of the world stamps are still in use. I do not associate stamps with illiteracy, but are instead a very complicated signature. This could be true for other forms as well. There is much I do not know about these.Whatever is used, make sure a signature is consistent and matches any and all legal documents, including one’s driver’s license.
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Which tools help to boost work productivity?
First things first, from all the tools I use, I’m listing a few that save me an immense amount of time. Thus helping me focus on things that matter. Here goes my list:Pocket - A handy tool to save useful links. After a while, my bookmarks are just unorganised and Pocket made it simple to save links. I could save everything in one place and hence retrieval is easy. Also, If I ever come across something during work that might be a distraction, I Pocket it and read it later.Buffer - Primarily I use this to manage posts and content from our SM handles. I schedule posts at one time and never have to look at it again. This saves a lot of time as I can dedicatedly work on the content and push them to the pipeline.LearnBee - (Disclaimer: my team built it and I use it every day). I use it to find a specific work file quickly or to attach multiple work files in an email or to search for a file to show to the team during a meeting. The Chrome extension just saves me an immense amount of time, which I otherwise waste searching for a file.Jira and Trello - Both of these tools help me individually as well as my team to prioritize, organise and complete tasks in a better and efficient way.
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Which composer's style would you say has changed the most during his/her professional career?
I agree with Courtney Hilton, Arvo Pärt should definitely be a contender for changing the most stylistically over a career. Also, there are some similarities between this question and another one I answered a while ago (What are some must-hear pieces written by composers in a style/ format/ instrument that you wouldn't expect from that composer?). In any case, other composers that immediately come to mind include:Arnold Schoenberg (1874-1951)[images via (1) Arnold Schoenberg and (1) Historic Print]Beginning: Late Romantic tradition, expressive chromaticism within classical tonality, extending the harmonic sensibilities of Wagner and Mahler.From 1908: "free atonality" as the absence of traditional keys or tonal centers. His first explicitly "atonal" piece was the second string quartet, Op. 10, with soprano. The last movement of this piece has no key signature, marking Schoenberg's formal divorce from diatonic harmonies. From the early 1920s: 12-tone technique as a "method of composing with twelve tones which are related only with one another" (Schoenberg 1984, 218), in which the twelve pitches of the octave (unrealized compositionally) are regarded as equal, and no one note or tonality is given the emphasis it occupied in classical harmony.Igor Stravinsky (1882-1971)[images via (1) Igor Stravinsky and (2) Stravinsky, Igor]Stravinsky. It is hard to say something about this legendary figure that has not already be said. The man perpetually re-invented himself and his music. For example, Pulcinella, from his Neoclassical period, was a striking departure from his more well known big three ballets (The Firebird, Pétrouchka, and The Rite of Spring). The aggressive orchestral hits, constantly changing meter, and rhythmic driving forces were replaced by a delicate treatment of a 200 year old baroque suite. Continuing to break his own stylistic molds, he utilized serial techniques in his compositions later in life. Some unexpected works to come out of this later period included his arrangements of popular American tunes. First, the National Anthem for the Boston Symphony, which he was rumored to be arrest for "tampering with" in 1944. Also, later on in 1955, Stravinsky wrote his take on "Happy Birthday" entitled Greeting Prelude. Lastly, his music seems to have gone even further from its original style through being sampled in the introduction to a hip-hop music video. (see Rite of Spring sample in Beastie Boys's Intergalactic)Aaron Copland (1900-1990)[images via (1) Michael Shirrefs (2) Men of Music] Piano Variations. An early work, Copland had just completed his studies with Nadia Boulanger in Paris and was writing in a modernist style which was popular among intellectuals of the time; a far cry from the lush open sonorities he is best remembered for today.John Cage (1912-1992)[images via (1) OTHERZINE : issue 22 (2) John Cage: Looking Back]According to the composer, the earliest works were very short pieces for piano, composed using complex mathematical procedures and lacking in "sensual appeal and expressive power." After studies with Schoenberg, who never taught dodecaphony to his students, Cage developed another tone row technique, in which the row was split into short motives, which would then be repeated and transposed according to a set of rules.All of Cage's music since 1951 was composed using chance procedures, most commonly using the I Ching. For example, works from Music for Piano were based on paper imperfections: the imperfections themselves provided pitches, and the I Ching was used to determine the methods of sound production, or the rhythms, etc.György Ligeti (1923-2006)[images via (1) Glaubensfragen Folge 14 (2) Interview with Gyorgy Ligeti]Years in Hungary: Ligeti's earliest works are often an extension of the musical language of Béla Bartók. Because of Soviet censorship, his most daring works from this period, including Musica ricercata and String Quartet No. 1 Métamorphoses nocturnes (1953–1954), were written for the 'bottom drawer'.After 1956: Ligeti's music appears to have been subsequently influenced by his electronic experiments, and many of the sounds he created resembled electronic textures. The texture used in the second movement of Apparitions and Atmosphères Ligeti would later dub "micropolyphony".From the 1970s, Ligeti turned away from total chromaticism and began to concentrate on rhythm. In 1977, Ligeti completed his only opera, Le Grand Macabre. Musically, Le Grand Macabre draws on techniques not associated with Ligeti's previous work, including quotations and pseudo-quotations of other works and the use of consonant thirds and sixths. After Le Grand Macabre, Ligeti would abandon the use of pastiche, but would increasingly incorporate consonant harmonies (even major and minor triads) into his work, albeit not in a diatonic context. His music of the 1980s and 1990s continued to emphasise complex mechanical rhythms, often in a less densely chromatic idiom, tending to favor displaced major and minor triads and polymodal structures. During this time, Ligeti also began to explore alternate tuning systems through the use of natural harmonics for horns (as in the Horn Trio and Piano Concerto) and scordatura for strings (as in the Violin Concerto).Krzysztof Penderecki (1933- )[images via (1) Notes on Penderecki and (2) Lithuanian Mourning and Hope with Penderecki]His early works show the influence of Anton Webern and Pierre Boulez (Penderecki has also been influenced by Igor Stravinsky). The piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). There are many novel textures in the work, which makes great use of tone clusters.The large-scale St. Luke Passion (1963–66) brought Penderecki further popular acclaim, not least because it was devoutly religious, yet written in an avant-garde musical language, composed within Communist Eastern Europe. Western audiences saw it as a snub to the Soviet authorities. The experimental textures, such as were seen in the Threnody, are balanced by the work's Baroque form and the occasional use of more traditional harmonic and melodic writing.Around the mid-1970s, while he was a professor at the Yale School of Music, Penderecki's style began to change. The Violin Concerto No. 1 largely leaves behind the dense tone clusters with which he had been associated, and instead focuses on two melodic intervals: the semitone and the tritone. Penderecki explained this shift by stating that he had come to feel that the experimentation of the avant-garde had gone too far from the expressive, non-formal qualities of Western music: 'The avant-garde gave one an illusion of universalism.John Zorn (1953- )[images via (1) www.moldejazz.no and (2) John Zorn: The Working Man]Jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient and improvised music...the list goes on. It is difficult to make broad generalizations about John Zorn, a highly prolific composer and performer with literally hundreds of albums to his credit. He is probably most well known for his poly-stylistic approach to music, juxtaposing many distant genres (often via quotations) within a given album or even sometimes within a given track. Therefore, I would say that what makes Zorn accessible is that he has something for everyone. His musical tastes are so vast in scope that you will probably enjoy at least a few of his works regardless of your preferences. Outside of these big name composers from the Western Classical tradition, I also strongly recommend Miles Davis and John Coltrane. The musics of these two jazz giants have undergone several signNow stylistic transformations throughout their respective careers.
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What is the difference between a loan and an overdraft?
HiLoan :Loan refer to the fix amount of money borrow from a bank for fixed period of time with regular repayments.Overdraft Loan :An overdraft facility is the credit given to person or company on current account. The amount you withdraw can vary every day based on your requirement. It’s like a credit card, you can borrow as much as you need upto your credit limit.Difference between Loan & OverdraftOverdraft- In overdraft the interest rate is charged only on the overdraft amount borrowed not on the limit of the overdraft facility and in Loan, the interest is charged on the entire amount borrowed. The interest charged on Overdraft is higher than loans.An overdraft loan is for the short time and you cannot borrow large amount of money due to credit limits. A loan can be for a long time period like 5–30 years say and you can take large amount of funds.For taking overdraft the person should have a current account with the respective bank but in other hand there is no such pre-conditioned while taking loan.Interest in overdraft is calculating on daily basis but in loan, it is computed on a monthly basis.Payment option in overdraft facility will be made in a lump sum amount and can be closed anytime. while a loan is paid in Equated Monthly Instalments (EMI) and have to be paid within the fixed time period.Overdraft is good for short term expenses and loan is good for long period of time.I hope this will help you.Thank You
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What evidence is there that Russian hackers tried to influence the US presidential election?
Before discussing evidence, it’s important to be clear that the assessment of the U.S. intelligence community is unanimous: Russia interfered with the election. It happened.The FBI, CIA, NSA, and ODNI all said so when they were run by Obama appointees, and they continue to say so now that they’re run by Trump appointees. DHS says so, too.Presidents, too. Obama said it. Bush said it. Trump said it. He tries to downplay it, but he said it. And his CIA Director and Secretary of State say they aren’t going to stop.And Congress, as well. Members of the House and Senate Intelligence Committees from both parties have said it.That’s two branches of government, two political parties, partisans and civil servants; Republicans, Democrats, and dedicated professionals living and breathing national security every day.Outside the U.S. government, private sector companies specializing in computer forensics have said it, even those that compete with each other and have strong incentive to prove the others wrong. More on that shortly.To be as clear as possible before moving on, the FBI, CIA, and NSA, through the Office of the Director of National Intelligence, published the following assessment:President Vladimir Putin ordered an influence campaign in 2016 aimed at the US presidential election. Russia's goals were to undermine public faith in the US democratic process, denigrate Secretary Clinton, and harm her electability and potential presidency. We further assess Putin and the Russian Government developed a clear preference for President-elect Trump. We have high confidence in these judgments.So, we’re confident the Russians attempted “an influence campaign” to interfere with the 2016 U.S. election, but what form did this take?The effort was multi-pronged:Establishing contact with the Trump campaign and those receptive to Russian overtures.Hacking into Democratic servers and leaking stolen information.Organized trolling using Russian agents and bots to maximize the propaganda value of the leaked emails, spread disinformation, disrupt political discourse, foment anger and vitriol, support Trump messaging, etc.BsignNowing U.S. election systems, either for 2016 or to set up actions for future elections.Item #1 relates to the ongoing collusion investigation of contacts between Russia and the Trump team. That would be a whole answer on its own, and it’s not even necessary to show evidence of the Russian interference, so I’ll just offer this quick summary:At least 12 Trump associates had contacts with Russians during the campaign or transitionThere were at least 19 face-to-face interactions with Russians or Kremlin-linked figuresThere were at least 51 communications -- meetings, phone calls, email exchanges and more.This flies in the face of at least nine blanket denials from Trump world of any contacts with RussiaIf you want to read the details behind that, go ahead: By the numbers: The Trump orbit's contacts with Russians is a good start, or for a more in depth timeline: All the known times the Trump campaign met with RussiansThe majority of this answer will focus on #s 2, 3, and 4.Now that we’ve established what we know, we can move on to how we know it. That part gets a bit more complicated.Although all those U.S. government entities say so with high confidence, they can’t exactly “show their work” to the general public without telling the Russians all the ways they used to catch them. If they did, they would not only be telling them how to avoid detection in the future, but endangering the lives of human intelligence sources (our spies and assets) and the continued viability of any electronic or cyber intelligence sources, such as any vulnerabilities we’ve exploited in their systems.Usually, it’s not just the sources and methods that are kept secret but everything. Generally, the public doesn’t get told anything U.S. intelligence knows, except in serious situations, like when they discovered Russia’s previous management, the Soviet Union, was secretly installing nuclear missile sites 90 miles off the coast of Florida, a scary incident known as the Cuban Missile Crisis.In this case, when they decided to go public, they made two reports, but we only got to see the unclassified one, which leaves out the sensitive details about how we know what we know. Here’s how it’s explained in the report:“Assessing Russian Activities and Intentions in Recent US Elections” is a declassified version of a highly classified assessment that has been provided to the President and to recipients approved by the President.The Intelligence Community rarely can publicly reveal the full extent of its knowledge or the precise bases for its assessments, as the release of such information would reveal sensitive sources or methods and imperil the ability to collect critical foreign intelligence in the future.Thus, while the conclusions in the report are all reflected in the classified assessment, the declassified report does not and cannot include the full supporting information, including specific intelligence and sources and methods.Since they can’t tell us their evidence, any answer to this question on Quora will be missing the majority of the evidence.However, even without them spilling all their secrets, there’s quite a bit that’s publicly known. And the preceding two sentences taken together should underscore just how overwhelming the evidence must be.One last thing before diving in, a quick note of caution: Do not be confused by talk about “the dossier” or “the Nunes memo” as they have little to do with this.Ok, so here’s some of the evidence that’s publicly known:Democratic servers were hacked by Russians. Although the government isn’t willing to expose all their evidence for this, we have plenty.Let’s start with the strong forensic information from multiple private sector firms.The Democratic National Committee suspected something happened but wasn’t sure what, so they “called in CrowdStrike, a security firm that specializes in countering advanced network threats.”While the infiltration was very advanced, within just two hours CrowdStrike discovered reams of evidence that left little doubt that not only did the Russians hack them, but two different Russian agencies had.Knowing that this was a big claim, they published their evidence. Their report is pretty specific. It’s not that long but includes all sorts of technical details, including excerpts from the actual code, among other things. Feel free to read it if you want to get deeper into the weeds.It’s not just the company the Democrats hired saying so: “Two competing cybersecurity companies, Mandiant (part of FireEye) and Fidelis, confirmed CrowdStrike's initial findings that Russian intelligence indeed hacked the DNC.” Now, we’re up to three saying so.Then a fourth cyber security firm “examined the forensic data from the DNC hack themselves, and endorsed Crowdstrike’s conclusions.” This company you might’ve even heard of: Symantec.The U.S. government confirmed the findings as well. A separate report we’ll get into later reiterated many of the points raised by CrowdStrike, including when each of the Russian intelligence agencies they identified infiltrated the DNC (the hacks were done at different times).Part of the evidence is that CrowdStrike had seen these digital fingerprints before. They investigate 15,000 hacks every year, so when their software analyzes systems, it recognizes that certain sequences of actions taken form patterns that become a unique signature. Wired explains, “Every action at a system level on the DNC's computers was recorded and checked against CrowdStrike's bank of prior intelligence (the company processes 28 billion computer events a day).” There are “a handful of small but signNow tells: data exfiltrated to an IP address associated with the hackers; a misspelled URL; and time zones related to Moscow.”In other words, the companies are familiar with these hackers and know what to look for. Here’s a little blurb about how familiar they are with their modus operandi:“Security companies can tell you much more about these groups, their code, their infrastructures, and their methods. (The Finnish security firm F-Secure has an excellent 34-page write-up of [one of the Russian intelligence agency hacker groups], and FireEye has a deep dive into [the other Russian hacker group], among many other reports by different companies.) (PDF) From analysis of the dozens of malware packages used exclusively by these hackers, researchers can tell you that…“They’re usually compiled on machines with the language set to Russian.”“Both groups operate during working hours in Russia, and take Russian holidays off.”“Their targets are radically different from those of for-profit criminals hackers in Eastern Europe or anywhere else—no banks, no retailers with credit card numbers to steal—always governments, companies, journalists, NGOs, and other targets that the Russian government would be interested in.”One part of the hack involved tricking DNC employees with phony links that were used in previous hacks tied to Russia.As good as the Russians were at hacking, they made mistakes, during and after the hack. For example, they inadvertently left Russian-language metadata in the leaked files.Oops.There’s even Russian language error messages accidentally embedded due to the way they exported the docs. Crowdsourcing spotted that, not just the cyber firm. A Twitter user who used to work for British intelligence did some great analysis."error! invalid hyperlinks" in Russian... pic.twitter.com/T9jmLnNiKF— davi (((
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How does bitcoin work? Who actually pays for the mining done?
Approximately once every 10 minutes since January 3, 2009 at 18:15:05 UTC, one miner in the world has found/will find a valid Bitcoin block that meets the current difficulty requirements. When that happens, the block reward and the transaction fees will be distributed to the wallet(s) configured by that miner in that block. These two sources make up all of a miner’s income.Block rewards are the only way that new Bitcoins are min[t]ed. The block reward started at 50 BTC/block and halves every 210,000 blocks. This is why the current block reward is 12.5 BTC/block as of Sept 2017.Transaction fees for a block are the sum of the fees paid for all new transactions included in that block. For example, I might send you .5 BTC and specify a fee of .00004 BTC as incentive for miners to include that transaction in their block. The first miner to include that transaction in an accepted block will then earn that .00004 BTC in addition to the block reward and fees from other included transactions.Early on, transaction fees were a negligible source of miner income since there were very few transactions and the block reward was high. However, as the block reward diminishes and the number of transactions grows this trend will reverse and block rewards will become negligible and transaction fees will dominate earnings.Mining pools are another layer on top of this. Instead of the reward and fees going to a single miner, they instead have a number of miners pooling their efforts and splitting the rewards based on that pool's rules. In this way, if it would normally take you 10,000 years on average to find a block by yourself, you can instead join a mining pool and get small fractions of a block reward regularly based on your mining contribution and the pool's rules.Compare that to solo mining without a mining pool, where until you find a valid block you won't get a single Satoshi.
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What is your review of The Hunting Party (album)?
★★★★Having heard Linkin Park’s 6th studio album, titled “The Hunting Party”, I’ve decided to write my own review of the record.The album wastes no time introducing the listener to a harder and more aggressive side of the Californian sextet. The track “Keys to the Kingdom” starts off with vocalist Chester B screaming “No Control! No Surprise!” in a way that reminds listeners of the electronic screams in the “Reanimation” remix of their song “Points of Authority”. What follows is a chorus-singing verse-chorus-rapping verse-chorus-guitar solo-chorus structured song that leaves the casual fan dazed and sends hardcore fans into euphoria.The next track “All for Nothing” features Page Hamilton, the front man of Helmet. The song structure goes back to familiar Linkin Park territory, with the interplay of rap verses and a sing-along chorus. With another guitar solo and rapper Mike Shinoda proclaiming “And no I'm not your soldier, I'm not taking any orders/ I'm a five star general infantry controller “, the album distances itself from Hybrid Theory and convinces the listener to concede that another Hybrid Theory/Meteora will not be released in a long while. A notable feature of the song is the chorus. With Hamilton doing the lead vocals, Chester and Mike chant “Your word /Obeyed / My debt/ Repaid/ Our trust / Betrayed / All for nothing /All for nothing” in a manner that could get their crowd to sing along effortlessly.As the track fades away, you can hear Brad and Mike talking about “putting the heavy shit”, and the next track “Guilty All the Same” kicks in. The guitar riffs resemble those of Iron Maiden and Avenged Sevenfold, and the track ends with a solo played heavily on the “wah-wah” pedal. While the song is great, it feels too long at times and could’ve been cut short at some places. However, Chester’s performance shows a huge amount of passion, and a lack of energy (caused due to straining his vocal cords over the years). However it doesn’t take anything away from the track and the appearance of Rakim certainly makes the song a signature of the album.The album then takes us to an interlude in the form of a track titled “The Summoning”, laden with noises and an apocalyptic tune that randomly ends with a bunch of people screaming. That cloud of confusion is cleared though, as Linkin Park follow the foot-steps of the Misfits and the Anti-Nowhere League with a heavy punk track called “War”. Any doubt in Chester’s abilities is just shattered with his unbelievable vocal prowess. The track features heavy guitar work and a fast solo. As a pleasant surprise, Chester does the introductory “1, 2 , 1-2-3-4” chant at the beginning.Fast forward to the next track “Wastelands”, and the track is hip-hop/rap-centric, with Mike delivering his lines like a “razor-blade” and a poppy chorus from Chester keeps him in his comfort zone. The song features a Synth solo of sorts, before the chorus harmonies are twisted slightly to avoid any monotony.This brings us to the first radio friendly single of the album “Until It’s Gone”, where the band moves on to familiar themes of their first two albums, talking about not knowing what you’ve got until it’s gone. While there’s no short of guitar work, energy and vocal prowess on this track, it ends up being the weakest track for no fault of its own.The highlight of this album would be the next track “Rebellion”. Featuring Daron Malakian of System of a Down on the guitars, the iconic SoaD riff pattern kicks in, with Brad Delson providing harmonies that couldn’t fit any better on the track. Mike Shinoda sings for the most part of the song, and the track talks about how we, the modern generation, are just “imitations of rebellion”, having never really faced “oppression’s guns” and gives the listener a lot to digest. Chester Bennington does his part, and his screams during the bridge are undeniably impressive.The next track “Mark the Graves”, a favourite of mine, is a very experimental, yet structured song. It features everything from power chord harmonies, guitar solos, electronic elements, heavy distorted riffs, melodic verses, powerful choruses and screams, yet somehow doesn’t seem forced or unnatural. The theme of the song is haunting and open to interpretation.“Mark the Graves” transitions to a beautiful instrumental track titled “Drawbar”. This track draws a lot of hate from many fans, apparently due to the fact that the band “misused” Tom Morello, from Rage against the Machine. Morello and Shinoda piece together a mesmerizing duet of keyboard and guitar harmonies, and while it is vastly different from their other tracks, it is fitting for an interlude on an album. The next track is another ballad that could fit well on Living Things just as well as it does on this record. “Final Masquerade” has a perfect blend of Synth and distorted guitar, and features Chester’s finest performance on the album. Lyrics such as “'Cause I can't see forgiveness, and you can't see the crime”, are straight to the point, but poetically structured, making this another anthem to add to the band’s repertoire.The transition effects between “Final Masquerade” and the last track, “A Line in the Sand”, are well done. At 6:35, the last track has a sci-fi vibe, with themes of regret and underlying references to the unfair political systems around the world. The signature riff of this song borrows from “Victimized” and “Guilty All The Same”, but has an organic vibe that doesn’t allow the listener to be distracted. Mike Shinoda delivers his most powerful performance as a singer on this track, and his lament-styled vocals fit the lyrics perfectly. The chorus sees Chester deliver another solid performance, although my issues with this section of the song will be explained later below. The song ends phenomenally, and ends up being a song that possesses an aura that very few tracks of the band have, such as “Waiting for the End” and “Faint”.At 45 minutes long, The Hunting Party is a great departure from the electronic direction the band has been pursuing for the past 4 years. The unsung hero of this album would be Rob Bourdon, as his standard drumming patterns have been abandoned, and he makes use of the double bass and kick-drum techniques, and proves that he is more than just an average drummer in a famous group. Brad Delson also challenges himself and brings out more energy into his guitar style, with bassist Dave Farrell co-operating without any restraint. Joe Hahn makes sure he doesn't fade into the background, with his electronic expertise being vital to the background of many tracks. However, despite Chester Bennington’s heroic vocals, the hero of this album is the producer/rapper/multi-instrumentalist/co-vocalist, Mike Shinoda. Taking on many a responsibility, Shinoda ensures that the direction taken in this record is worth the risk, and proves that Linkin Park can change direction in any way without it sounding too cheesy or unnatural.That’s not to say the album is flawless. Earlier on, I talked about having an issue with the chorus of A Line in the Sand. When you analyse the songs Wastelands, Guilty All The Same, and A Line in the Sand, it’s heavily noticeable that the chorus in each of these songs could replace the other and it wouldn't make a difference. The production quality seems to waver between many tracks, but this can be partially attributed to the fact that “Wastelands” and “Final Masquerade” are co-produced with producers from professional backgrounds. While transitions between tracks are fine, many tracks end with weird noises that can be distracting and random at first, although they tend to grow on you later.On the whole, the album is a great one, and after 14 years, the band from Agoura Hills has proven once again, that they can stand the test of time, stay relevant in the music scene and sell out shows that can cater to fans from multiple genres of rock, pop and metal. Final Rating: 8.5/10
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